Homeros (E-ISSN: 2667-4688) is an international peer-reviewed journal that was published in 2018. The journal aims to include original papers in philology. In this context, high quality theoretical and applied articles are given. The views and works of artists, academics, researchers and professionals working in the field of philology are brought together. Articles in the journal; It is published four times a year including WIN (January), SPRING (April), SUMMER (July) and FALL (October). Homeros is a free-open access electronic journal. The DOI number is assigned to all articles published in the journal (DOI Prefix:10.33390/homeros).

The Carson McCullers Society invites proposals for presentations related to technology as imagined through the works and influence of Carson McCullers. From Miss Amelia experimenting with medical tinctures in The Ballad of the Sad Cafe to Frankie’s father working with watches in The Member of the Wedding, many of McCullers’ characters engage with technology overtly. However, in the spirit of the SSSL 2022 Conference theme, we also encourage potential panelists to think of technology in broad and creative ways.

Anarchism’s engagement with the question of gender is at once ambiguous and contradictory. Historically, the anarchist response to the “woman/sex question” was mixed. During the period of ‘classical anarchism’ (1840-1939), women took on active roles in anarchist movements – they were active in anarchist organizations, publications, and projects across the globe. They took part in uprisings, rebellions, and revolutions, as well as in the work of day-to-day anarchist organizing, propaganda, and more. While many (though not all) rejected the label of feminist, they nonetheless spoke out against sexual subordination and called for the emancipation of women with the overthrow of all forms of social, political, and economic hierarchy.

Si pensamos el sujeto de la política y el sujeto de la revolución como un sujeto constitutivamente vulnerable, entonces la revolución es completamente distinta. Ya no es un proyecto de poder, es un proyecto de cuidado"- Paul B. Preciado

Vox medii aevi, an open-access peer reviewed journal on Medieval history, is accepting articles for the special issue "The second economic turn: new approaches to medieval and early modern economic history".

The 42nd Annual Mid-America Theatre Conference

Marriott Cleveland Downtown, Key Tower, Cleveland, OH

March 3-6, 2022

As one of our area's special events for the Southwestern Popular/American Culture Association's return to live annual conference activity this February 23-26, 2022, in Albuquerque, New Mexico, the Area for Esotericism, Occultism, and Magic invites presentations for a special panel (or, depending on the level of response, a series of related special panels) examining the diverse significance, influence, and impact of The King In Yellow in all of its expressions.  Any of the angles suggested in the brief call below, along with any other insights into the text and metatext will be considered for inclusion.  Proposals from any and all disciplines, interdisciplines, and transdisciplines are welcome; close readings and analyses of specific texts or ele

The College English Association’s 52nd national conference, from March 31-April 2, 2022, will focus on the theme of justice, and will be held in Birmingham, Alabama, where the freedom ensured by civil rights has been contested by the government in both the past and present. Birmingham’s notoriety as a focal point of the Civil Rights Movement, including the Birmingham Campaign, the imprisonment of Martin Luther King, Jr., and the writing of his “Letter from Birmingham Jail” is matched by the city’s renown for forging steel, founding Veteran’s Day, and hosting the USA’s second-oldest drag queen pageant.

We are pleased to announce this call for paper for the proposed anthology in this emerging field of Digital Humanities.  We are seeking academics and professionals in the field who might like to send us a scholarly abstract for consideration for inclusion in the book. The aim of this scholarly collection is to bring forth how digital humanities has shaped humanities studies and our culture.

Concept note:

The Journal of the International Arthurian Society (JIAS) welcomes submissions for a special issue (2022, volume 10) on Arthurian medievalism, or post-medieval adaptations, re- imaginings and recreations of medieval Arthurian texts, artefacts and spaces (real or imagined). The guest editors seek especially interdisciplinary and co-disciplinary explorations of how Arthurian myth makes meaning in a range of media, including (but not limited to) literary texts, television, film, games, visual arts, architecture, commodity culture, experiential medievalism, the heritage sector, and geographical spaces.

Saudi women have always been perceived distinctly in both Arab and global communities. It’s not a secret that Saudi women have occupied the focus of international interest for a long time. Although this interest may come across as “care,” leading political global forces hide behind the promises of “caring” about women’s rights to achieve political gains. In the latter sense, this concept is manipulated and misused. The misuse of “care” has led to Saudi women’s “hypervisibility” as oppressed, powerless, inferior, and unheard while their true power is still invisible. Evidently, to communicate their unique perception of “care,” Saudi women have utilized different tools ranging from publishing traditional genres to posting on social media.

This roundtable session will discuss practical strategies for implementing techniques of mindfulness in the writing and literature classroom, and it will consider the advantages and disadvantages of such techniques. It will focus especially on the benefits of mindfulness and mindfulness-based interventions not only for students but for instructors as well.

This collection of critical essays explores how contemporary British authors engage with the theme of crisis in their fiction (as apparent in novels and short stories by Kazuo Ishiguro, Julian Barnes, A S Byatt, Graham Swift, Hilary Mantel, Zadie Smith, Pat Barker, Martin Amis, among others.)

‘Crisis’ can be investigated not only as informing any aspect of fiction involving sociopolitical and cultural systems, but also as a mode of challenge to established power structures and modes of representationacross narrative traditions.

Submissions should focus on one or more of the aforementioned major contemporary British authors (though you are welcome to propose additional British authors who explore the theme of crisis).

This panel holds space for depictions of embodied practices/practices of agency in bodies of women of color, queer, nonbinary, trans, and other subjectivities in postcolonial literature and literatures of the Global South. What is the relation between the body and exercising agency? How might we think of these practices as embodied and embodying: as practices done in/through/by the body, as well as practices that reify the body? What are the limitations of these projects, and to what degree are they successful? How might these practices be adopted by readers outside of the text?