Issue 33: “After Douglas Crimp”
DHSI 2021 – Online Edition Conference & Colloquium
Call for Papers
Proposals are now being accepted for presentations at the DHSI Conference & Colloquium, a virtual event to be held in June 2021 alongside other events at the Digital Humanities Summer Institute – Online Edition. The DHSI Conference & Colloquium offers an opportunity to present research and projects within an engaging, collegial atmosphere.
The 29thAnnual Conference of the English and American Literature Association
Theme: The Immaterial
Conference Organizers: ROC English and American Literature Association (EALA, Taiwan) and National Taiwan Normal University, Taiwan
Date: October 30, 2021
Venue: National Taiwan Normal University (Main Campus), Taipei, Taiwan
Call for Papers
“Making and Unmaking Southeast Asian Spaces”
2nd Annual SEASGRAD Student Conference
Theme: “Making and Unmaking Southeast Asian Spaces”
Deadline for submissions: February 15, 2021
Notification of acceptance: March 14, 2021
Name of organization: University of California, Riverside, SEASGRAD
Contact email: firstname.lastname@example.org
Conference dates: May 14, 2021
Recent political transatlantic events, from the culmination of the Brexit to the attempt of coup in Washington D.C. in January, demand new interpretations of the declining role of populist political formations of the 21st century. On the one hand, Trump's America aspired to the establishment of a totalitarian regime that would counterbalance the emergence of China as a global political leader; on the other, the negotiations leading to the Brexit revealed a kind of British exceptionalism that is not at all new in relation to continental Europe.
As an increasingly popular genre, true crime has enjoyed a fascinating surge in both academic and cultural interest over the last twenty years. As a relatively new academic discipline, scholars such as Mark Seltzer, David Schmidt, Tanya Horeck, and many others have published ground-breaking studies of the phenomenon of true crime and our various responses to it. However, the gap between popular culture’s interest in true crime and the burgeoning academic discipline remains wide, and True Crime Index invites reviews that seek to close this gap.
Papers are sought for a session investigating any aspect of ecocriticism, including (but not limited to) ecocritical theory, Indigenous ecocriticism, environmental ethics, environmental justice, colonial, postcolonial, and settler colonial ecologies, gender and ecology, literary representations of non-human being, and interdisciplinary investigations of literature and environmental science.
The comparative approach acknowledges the co-existence of diverse entities in our world and takes for its province the understanding of multiple relations between these entities, and the cultures of which they are constituents. Comparative practice demands that difference be respected paving the way for mutuality and understanding. This approach is particularly fruitful in the study of the arts and their nesting cultures in the Asian subcontinent.
Call for Papers
THIS CFP WAS ALREADY POSTED EARLIER. I HAVE SLOTS ON Arthur Conan Doyle, P.D. JAMES's Adam Dalgliesh series, MARGERY ALLINGHAM, HDF KEATING, James M Cain, Horace McCoy, W R Burnett, Paul Cain
AND in Bengali detective fiction:
Priyonath Chattopadhyay, Panchkori Dey, Mihir Kumar Sinha, Nihar Ranjan Gupta, Sunil Gangyopadhyay, Suchitra Bhattacharya's Mitin Mashi series
IF INTERESTED PLEASE SEND ABSTRACT ON ANY OF THE ABOVE ONLY.
CALL FOR PAPERS
Modalities of Fantasy: Reconfiguring Time and Space
Humanities Education and Research Association
Call for Papers
4-6 March 2021
"Cultural Divides: Bridging Gaps and Making Connections"
1st Virtual Conference
invites submissions for the topical issue
"Women and Gender in the Bible and the Biblical World II”,
edited by Zanne Domoney-Lyttle and Sarah Nicholson.
The Graveyard in Literature: Liminality and Social Critique will be published by Cambridge Scholars in late 2021. We are currently seeking a few final essays to complete the collection.
The theme for the Collection:
"Adapting Print Genres for the Victorian Stage" will consider how British plays within the Victorian era (1837-1901) interacted with and responded to news stories, social movements, or cultural debates appearing in print genres, including newspapers, the periodical press, and literature. Often, a theatrical adaptation of a popular novel appeared even before its serialization had concluded, as in the case of Charles Dickens's 1839 novel Nicholas Nickleby, which appeared on 19 November 1838 at the Adelphi Theatre, adapted by Edward Stirling, a mere eight numbers into its serialization.
The Charles Dickens Society is pleased to announce an extended deadline for abstracts for the 2021 Symposium, which will take place online from July 12-14, 2021. As you may know, we only recently decided to convert the 2021 Symposium to an online meeting. One terrific side effect is that, since no one needs to make plans for travel, we can extend the deadline and get acceptances out a little later. The new deadline is therefore Sunday, January 31, 2021. To have your work considered, please submit an abstract of no more than 300 words to Sean Grass at email@example.com.
Wilson College Humanities ConferenceConference Theme: Healthcare in/and Humanities
Friday May 28 1:00pm-5:00pm EST and
Saturday May 29, 2021 8:00am-12:00noon EST
Held online via Zoom
sponsored by Wilson College’s M.A. in Humanities Program and undergraduate major in Healthcare and Medical Humanities
After an extraordinary year in which healthcare systems around the world came to the forefront of both national and individual consciousness, the Wilson College Humanities Conference seeks—in part—to interrogate 2020 by focusing its theme on “Healthcare in/and Humanities.”
The editorial board of the academic quarterly "Litteraria Copernicana" extends an
invitation to researchers specializing in humanities to submit proposals of a thematic
volume which will be released as the issue 4/2021 or 1/2022.
The submission deadline is 20 January 2021.
It has been 150 years since Matthew Arnold published his groundbreaking work, Culture and Anarchy. His essays in book form are not only a powerful critique of Victorian society and values but also of modern ones. Contemporary political, economic and cultural issues provide an opportunity to revisit Arnold’s thought critically, to assess his enduring legacy, and to appraise the modern predicament in relation to distinguished cultural achievements from the past.
“Only the media techniques of the 19th century, that is, photography, gramophone and film, had saved the sensuous reality from the absolutism of the book – however, one could formulate more radically: before the absolutism of language”, – N. Bolz writes in the book "Das ABC der Medien". The proposed opposition between writing as an "informational" media (which was most interesting to McLuhan) and "sensory" media needs critical reflection. This is especially important in conditions when a person's immersion in the media space implies that not only the information brain memory should be involved, but also various performative practices of experience and memory of the body.
Metamorphosis: Transformations across Time, Culture & Identity (postgraduate conference, online, 1-2 June, 2021)
**please submit proposals via the form on our website - link below**
Metamorphosis refers to a dramatic change in the form, structure or character of an entity, distinctly characterised as a process whereby the old is subsumed, absorbed or self-devoured to provide the substance to forge the new—but how is this concept experienced in contemporary culture?
Whatever. A Transdisciplinary Journal of Queer Theories and Studies (https://whatever.cirque.unipi.it/) is inviting submissions for short contributions (500-2000 words) to be collected in a multi-authored article entitled “What do we talk about when we talk about queer death?”. The article will introduce the themed section Queer thanatologies (edited by A.C. Corradino, C. Dell’Aversano, R. Langhi and M. Petricola) that will appear in Whatever’s next issue in summer 2021.
“USES OF LITERATURE” FINAL CONFERENCE
November 3-5 2021
The “Uses of Literature” research group at the University of Southern Denmark will hold an on-line conference on November 3-5 2021 to mark the conclusion of the Niels Bohr Professorship held by Rita Felski. Confirmed keynote speakers include Rita Charon (Columbia), Sean Latham (Tulsa), Heather Love (University of Pennsylvania), and Toril Moi (Duke). We welcome twenty-minute papers that speak to the group’s main research interests.
The Institute of History of the University of Wrocław, Poland (IH UWr), Zajezdnia (Depot) History Centre, and the International Federation for Public History invite students, PhD candidates and practitioners to share their research in the framework of the fourth Public History Summer School to be held online, 7-11 June 2021.
Hawthorne and Fatherhood
We invite proposals for papers exploring aspects of “Hawthorne and Fatherhood.” This may include, but is not limited to: Hawthorne as father; Julian’s and Rose’s memories of their father; missing fathers (as in Hawthorne’s own); father stand-ins, such as grandfather in "Grandfather’s Chair"; Dimmesdale as deadbeat father or Chillingworth as want-to-be father, leaving his money to Pearl; Coverdale and Hollingsworth avoiding fatherhood, though the latter wants to be some great paternal figure; barren men and husbands, as in The House of Seven Gables; or other fathers in Hawthorne’s shorter fiction.
44th Annual Comparative Drama Conference
Oct. 14-16, 2021
Abstracts Due: April 3, 2021
The Dark Man: Journal of Robert E. Howard and Pulp Studies is accepting submissions for Volume 12, Issue 1. Articles should be 4000-6000 words including notes and bibliography. Reviews should be 1000-2000 words and should treat an apropos issue in Robert E. Howard and pulp studies rather than merely the merit of the book(s) reviewed.
Deadline for submissions is Sunday, February 14, 2021. Editorial decisions will be announced by Sunday, March 21, 2021. Publication of Volume 12, Issue 1 will be Friday, June 11, 2021.
Purdue University Literature, Interdisciplinary, Theory and Culture Organization Graduate Student Symposium, March 19-20, 2021
Crossing Boundaries in Literature, Theory, and Culture
The Society for the Study of American Women Writers (SSAWW) at ALA 2021
The Society for the Study of American Women Writers (SSAWW) seeks proposals for a guaranteed panel at ALA 2021, July 7 – 11 in Boston, Massachusetts. All proposals on American women writers and their work will be considered, regardless of time period or genre. Submit proposals, 300 word maximum, along with a brief cv to Dr. María Carla Sánchez, firstname.lastname@example.org by February 12, 2021.
Myth and the environment have shared a rich common cultural history travelling as far back as the old times of storytelling and legend (Love 2003; O’Brian and White 2017, Schama 1996). From native American oral narrative where animals, humans and other beings interact, to Genesis in the Bible or the Darwinian theory of evolution, we can trace a rich array of elements which qualify as myth in different cultures. All of them, almost constantly have effects on the environment. From animals to “supernatural events,” the liminality of myth exhibits transition and transformation.
From John Gower’s account of Robert Grosseteste’s construction of a talking head to George Herbert’s depiction of the heart as a place for divine encounters; from Ben Jonson’s pride in his literary offspring to Victor Frankenstein’s horrified reaction to the physical reality of his own creation, creativity has long been thought of in bodily terms. Imagery centered on the human body – and, frequently, on its procreative propensities – serves to configure the relationship between creator and creation or to describe interpersonal exchange and mutual dependence; bodily metaphors are useful both in celebrating human achievements and castigating Promethean pride and solipsistic self-involvement.