Just as the Greeks on the plains of Troy faced the plague-arrows of Apollo, the modern world currently stands before unprecedented challenges. The present pandemic has forced us to face issues of mortality more closely than has been the case in recent decades. At the same time, the situation in which the academic world now finds itself is breaking down barriers in many areas: between home and work environments; between academics, students and the wider community; between teachers and pupils; between traditional disciplines; and between different methods of teaching. In fact, there has been a feeling amongst many for quite some time that winds of change are blowing through the corridors of academia.
Go Online! Reconfiguring Writing Courses for the New Virtual World
edited by Laura Gray-Rosendale and Steven Rosendale
- Deadline extension for proposals now due October 11, 2020
- All-virtual platform for conference
- Reduced registration fee for all-virtual platform
Northeast Modern Language Association 52nd Annual Convention, Philadelphia, Pennsylvania, March 11-14, 2021
Roundtable sponsored by NeMLA's Women's and Gender Studies Caucus
‘The interactions that make us sick also constitute us as a community. Disease emergence dramatizes the dilemma that inspires the most basic of human narratives: the necessity and danger of human contact’ (Priscilla Wald, 2008, p. 2).
Teaching Women’s Filmmaking
CALL FOR SUBMISSION
Maya, a print volume of creative writings in English with ISBN, invites original and unpublished pieces of literature that must dwell upon the realities of a woman’s life during this corona pandemic. In mirroring the true nature of her experiences and responses to it, the collection proposes to be an indispensable narrative of the feminine sensibilities, the ups and downs of the female life vis-à-vis this crisis.
Abstract This panel will seek to explore the changing relationship between scientific paradigms and society’s self-understanding as it is manifest in the novel form. If the novel itself has functioned as a record of the social imagination—a narrative ideologeme as Jameson describes it – this social imagination often borrowed its models from contemporary natural philosophy and later the social sciences. We see examples of this in Balzac’s use of taxonomical zoology, Sterne’s use of Cartesian “animal spirits,” or Joyce’s phylogenetic process in “Oxen of the Sun.” Some of the questions this panel will ask include: how do naturalistic sociological models help to mediate political and aesthetic theories? How do these models affect stylistic developments?
‘Scotland, Ireland and the Cultural Artefacts of Colonialism’: Workshop in association with the University of Aberdeen’s Research Institute for Irish and Scottish Studies.
Dates: 26th-27th March 2021
What is boredom and why do we feel bored? Recently, research on boredom has gained momentum in the scientific community, particularly in neuroscience and clinical psychology, where the symptoms of boredom and the behavioral patterns of the bored person are scrutinized (i.e. Boredomlab). Boredom, however, has been explored by philosophers for centuries and has been making a persistent appearance in the modern novel from nineteenth and century to present, in the moments of contemplation, waiting, idleness or complaints of bored characters.
- PCA/ACA National conference meeting location and dates
Popular Culture Association (PCA) National Conference
March 31-April 3, 2021
Call for Papers
Princeton University Department of French and Italian
Virtual Graduate Conference
December 3, 2020
Keynote speakers: Andrea Frisch (University of Maryland), Vincent Message (Université Paris 8)
The Spanish Flu of 1918-19 killed somewhere between 50 to 100 million people, but it did not infect every country. The Covid-19 pandemic of 2019-20 has not killed nearly as many people, but is arguably the first event in human history that affects every person on the planet. The Greek word pándemos means “belonging to all the people.” The Covid-19 pandemic belongs to everyone. It shows, in dramatic fashion, how we are all connected.
Need additional chapters for “Posthuman Animals" ***deadline for abstract:September 30, 2020
Need additional chapters on
“Posthuman Animals: Readings in Literary and Cultural Texts”
***If interested, send us an email ASAP.
European Perspectives on the United States
The European Association for American Studies Series
Anna Pochmara, Ph.D.
Institute of English Studies
University of Warsaw
Raphaël Lambert, Ph.D.
Department of American and British Cultural Studies
Call for papers
The African American Novel in the Early Twenty-First Century
EUROPEAN JOURNAL OF AMERICAN STUDIES
2023 SPECIAL ISSUE
THE BOREDOMS OF LATE MODERNITY
Twożywo, Kiedy wreszcie będzie wojna (When there will finally be a war), 2001
CALL FOR PAPERS
Deadline: October 31, 2020The Journal of Crime and Society
Perspectives on Crime Statistics: January 2021 edition
The Journal of Crime and Society is seeking original, previously unpublished articles for the inaugural January 2021 edition. The theme of this edition concerns various perspectives on crime statistics—how they are used, misused, exploited, and censored. Studies that examine common misperceptions and appeal to both an academic and general audience are highly desirable.
For the upcoming issue about Perspectives on Crime Statistics, some topics include, but are not limited to:
For its American Literature Association 2021 panel, the Robert Frost Society seeks papers offering fresh insights into the writing and life of Robert Frost. All paper topics will be considered.
Proposals should be sent to Professor Daniel Toomey by January 15, 2021. E-mail address is email@example.com
The conference is planned for May 27-30, 2021. Full information about the conference can be found at https://americanliteratureassociation.org/ala-conferences/ala-annual-con...
CALL FOR CHAPTERS: A COSPLAY READER
Discipline and Freedom: Social Norms, Social Identity and Financial Implications of Cosplay
Cosplay, as a worldwide phenomenon, draws fans of film, television, and video games to express different aspects of their identity through both amateur/hobby and professional performance of characters and genres. Cosplay is an increasingly important aspect of both fan practice/produsage and franchise control of intellectual property.
Se aceptan presentaciones de manera virtual.
This roundtable invites work that analyzes the new wave of graphic narratives in contemporary Spain. This roundtable also welcomes proposals that deal with different genres and approaches to the medium, including analysis of the industry and publishers.
Applications to the Co-Incidence Festival are due October 4, 2020.
The Co-Incidence Festival is an annual gathering of thinkers, artists, activists, etc. at the intersection of experimental music, speculative philosophy/theory, and radical politics. We seek to experiment, in practice, with modes of thinking and being beyond the domination and logic of capital.
It will be held in-person and virtually in Boston, US, January 2-10, 2021. You may apply with a project or without a project.
Funding is available to those with projects.
RESIDENT ARTIST: NINA POWER.
MORE INFORMATION: http://www.coincidencefestival.com/
Call for Papers
Rethinking Postcolonial Europe: Moving Identities, Changing Subjectivities
8th postgraduate forum Postcolonial Narrations
February 10-12, 2021
International Graduate Centre for the Study of Culture (GCSC)
Call for Papers for Session Proposals
at the International Medieval Congress (IMC 2021)
Sponsored by the Oecologies Research Cluster
05–08 July 2021
University of Leeds
Mark Z. Danielewski’s pentalogy The Familiar, published between 2015 and 2017, is likely the most audacious project in American fiction in the twenty-first century so far. Announced as a set that would eventually encompass 27 novels, the five novels published as the first “season” of the series as a whole have done what readers have come to expect of Danielewski’s work: they once more pushed the limits of what a novel is and can be.
This session will analyze representations of armed conflict in contemporary media, exploring how these representations might influence the popular understanding of global and civil conflict and the way that these representations of conflict might be read as an attempt to change (or maintain) a certain world. We welcome a broad range of papers, particularly aiming for a global perspective on the ethical debate of representing armed conflict in stylized media, as we interrogate how these representations might affect popular imaginations of conflict and how we as researchers might form an analytical approach to representations of conflict.
Call for Papers: The African-American Literature Track at CEA 2021
April 8-10, 2021 | Sheraton Hotel, Birmingham
This panel - for NeMLA's 2021 Convention - explores past and current South Asian cinema's use of Shakespearean drama to respond to three questions. First, to what extent are South Asian filmmakers concerned with reenacting the Western dramatic canon? Second, at what point and why do South Asian filmmakers use Shakespeare as a springboard to explore problems and values that are only tangentially Shakespeare's? Third, what are these problems and values and how to they resonate for today’s global, wired audience?
Renaissance Conference of Southern California
65th Annual Conference
Saturday, 20 March 2021
We are pleased to announce a call for papers for our first virtual or webinar 65th RCSC Annual Conference.
We are honored that our roundtable participants, scheduled originally for last year, have agreed to share their ideas about Interdisciplinary Research and its complexities at RCSC 2021.
Interdisciplinary Research and the Renaissance
Deadline extended to Oct. 11 2020. NeMLA 2021 will now be entirely online with a reduced registration fee.
CALL FOR PROPOSALS (extended deadline)
Theme: Building Diverse Communities through Writing
University of Southern California | Los Angeles, CA | December 18-19, 2020 (online meeting)
Deadline: October 22, 2020, 11:59 p.m.
Call for contributions to an Journal of Scandinavian Cinema In Focus section focusing on Covid-19 and its implications for Scandinavian cinema