Beginning with Jonathan Hickman’s House of X/Powers of X limited series, the Krakoan Age X-Men stories occur against the backdrop of the establishment of a post-scarcity and post-mortality mutant homeland on the living island of Krakoa. The Krakoan Age ran from 2019 and 2024 and included more than 500 issues spread across 80 different comic titles. Within this vast body of text, a dizzying plurality of story-types are explored, ranging from gritty police procedurals, to sprawling war stories, to cozy slice-of-life tales. The Krakoan Age stories are also notable in their creative and interesting engagement with religious stories and themes, particularly in series such as Way of X, Legion of X and The Onslaught Revelation.

The upcoming 34th Conference of the Association for Gender and Sexuality Studies (AEGS) will take place at the University of Oviedofrom May 20th and 22nd, 2026. It will be hosted by the Institute of Gender and Diversity (IUGEN-DIV), the INTERSECTIONS research group (Contemporary Literatures, Cultures, and Theories), and the Department of English, French, and German.

Since Benedict Anderson’s 1983 theorization of imagined communities, the historical alliance between the novel and the nation has been a key problematic of literary studies. And yet, in the post–Cold War decades, the centrality of the nation and its ideological weight seemed to wane. The rise of neoliberalism produced an ideology of free circulation of capital and goods, which heralded a new era of weakening national borders and enhanced cultural exchanges. In literary studies, this period saw the rise of a new critical field, world literature (Moretti, Damrosch), and the theorization of a World Republic of Letters (Casanova), which held a similarly borderless aspiration.

A "Melange," sans accent, is a term we use to refer to a work of art of literature that mixes form, genre, and/or media. Princeton University's Melange: A Journal of Prose Poetry and the Arts accepts creative melanges, academic essays on melanges, and melanges in translation. 

To submit, please send the following to melange@princeton.edu: 

June 3rd-5th, 2026 | Université de Montréal, Montréal, Québec

Submission URL (ConfTool): https://conftool.net/csdh-schn-2026/

Greensboro, North Carolina, the host city for this year’s joint conference, is geographically, culturally, and historically a space between. Known as “Gate City” because of its key position on the rail network, it is not only a midpoint between the state capital, Raleigh, and North Carolina’s biggest city, Charlotte, but also an entrance to the South. At once an integral part of the region and open to the broader world, it has long exemplified the solidarities as well as the divisions that have marked the United States in the nineteenth and twentieth centuries.

Under capitalism, we live separated from life. Capital’s extractive colonizing domination keeps us separated from nature, from each other, and from our own bodies, denying us a symbiotic and regenerative relationship with the natural world and with each other. Yet, certain types of bindings are integral to capitalism: capitalism depends on the combination of labour and nature for the production of value; the “emergence of capitalist accumulation and the reproduction of capitalist production” depends on “acts of violent dispossession”, on “tearing Indigenous societies, peasants, and other small-scale, self-sufficient agricultural producers from the source of their livelihood––the land” (Coulthard 2014).

Scholarly book reviews sought for new book titled Madness and the Sea: A Literary History. To e published by Palgravve on March 26, 2026. Scholars with interests in the fields of Blue Humanities, Maritime literature, madness in literature and medical humanities and with links to review sites are welcome to contact me to arrange review copies.

Neither ‘queer’ nor ‘beginnings’ are easy to pin down. Queerness is infamous for its ability to slip away from definition; it encompasses – but is not reducible to – sexuality, gender, race, ability, class, politics, and more. Beginnings, too, wriggle from our grasp. Choose a beginning for any historical event, movement, or narrative and there is always something which precedes it. Are beginnings focused into an inciting event, or do they reside in the feelings which precipitate such events? Who gets to decide?

Wallace Stevens’s poetry abounds with animals, from the bucks and firecat of “Earthy Anecdote” to the “gold-feathered bird” of “Of Mere Being.” This session invites papers on Stevens’s animals and animal imagery across his oeuvre. How do animals in Stevens’s poems reflect or complicate his sense of human perception, subjectivity, and the environment? In what ways do they trouble distinctions between the human and the nonhuman, the domestic and the wild, the material and the symbolic?

Proposals might consider individual poems or sequences, the wider bestiary of The Collected Poems, or Stevens’s animals in relation to earlier, contemporaneous, or later writers.

Possible topics include but are not limited to:

Journal of American Studies of Turkey (JAST) 

2026 Fall Issue: Science Fiction and the American Imagination 

Guest Editor: Firuze Güzel, Ege University, Izmir, Türkiye

Deadline for Full-Text Submissions: July 15, 2026

CALL FOR PRESENTATIONS

The Superhero Project: 10th Global Meeting

SUPERVILLAINS & ANTI-HEROES

Friday 4th to Sunday 6th September 2026

The View Hotel, Eastbourne, East Sussex, United Kingdom

“I don’t want to kill you! What would I do without you? Go back to ripping off mob dealers? No, no, no! No. You… you… complete… me.” – The Joker (The Dark Knight, 2008)

The forming of the five senses is a labour of the entire history of the world down to the present.

— Karl Marx, Economic and Philosophic Manuscripts (1844)

Lose your mind and come to your senses.

— Frederich (Fritz) Perls, Gestalt Therapy Verbatim (1969)

CFP Journal of the European Association for Studies of Australia

Special Issue: Minding the Present. Bodies, Places, Matter in and between Australia and Europe

Deadline for proposals: 15 March 2026

Taking its cue from a very vibrant conference held in Padova (Italy) in September 2025, the Journal of the European Association for Studies of Australia is seeking articles that examine the shaping experiences, identities, and perceptions of the present as a catalyst to urgent action both in Australia—with a special alertness to the very rooted cultures of Indigenous Australia—and in the complex relations between Europe and Australia.  

Call for Papers: 

I am pleased to share a call for chapter proposals for an edited collection currently in development titled Black Feminist Practices and AI in the Composition Classroom: Memoir, Pedagogy, and Futures. This volume invites scholars, teachers, and practitioners to explore how Black Feminist rhetorical traditions can guide ethical, humanizing, and culturally responsive uses of artificial intelligence in writing instruction.

CFP | Pauline Elizabeth Hopkins Society (PEHS) session 

American Literature Association Annual Conference, Chicago, IL, May 20-23, 2026

Hopkins’s America, Then & Now

CFP “A Vision for Liberating Our Democracy” Conference, February 27–28, 2026

The conference builds on a growing body of research that examines the theological, cultural, and political intersections of democracy, citizenship, and power. Participants will investigate how worldviews and faith traditions have informed concepts of governance, belonging, and personhood from the founding era to the present. The conference will highlight not only the Haudenosaunee Influence on American Democracy but also the historic and present contributions to Democratic thought by Black, Indigenous, and Latine communities, contributions which are often forgotten and ignored.

Featured Speakers

Elmira 2026: The Tenth International Conference on the State of Mark Twain Studies

Conference Theme: Irreverence, Rebellion, and Resilience

We are pleased to invite participants to a four-day intensive book reading workshop on Antonio Gramsci (online), focused on questions of hegemony, culture, subaltern politics, and political struggle. This workshop brings together students, scholars, researchers, activists, and readers for a sustained and collective engagement with Gramsci’s writings. Written largely under conditions of imprisonment and censorship, Gramsci’s work challenges us to think about power not only as domination, but as consent, culture, and everyday common sense.

The last few years have seen the publication of a number of fantasy novels for young people written by authors from the postcolonial diaspora, including Tomi Adeyemi’s Legacy of Orisha trilogy, Jordan Ifueko’s Raybearer series, Nnedi Okarofor’s The Nsibidi Scripts series and Roshani Chokshi’s The Gilded Wolves series. Additionally, there are YA fantasy series that deal with hierarchies and inequities resulting from colonization and settler colonialism, such as Naomi Novik’s Scholomance series and Cherie Dimaline’s The Marrow Thieves duology.

Abstract 

The “end of the world” names a methodological problem before it names an apocalypse: how do humanities scholars and artist-researchers think, make, and teach when climate disruption, extinction, extractive infrastructures, forced displacement, and slow violence reformat what counts as evidence, what counts as futurity, and what counts as responsibility? This conference convenes research and practice across film, theatre, performance, and allied arts to ask how (post)Anthropocene conditions are not only represented but produced, felt, and negotiated through aesthetic forms, production systems, embodied publics, and more-than-human milieus. 

The Activist Author: Contemporary Forms and Historical Precedents of Activist Literature

Dates and Location:

November 9th & 10th, 2026.

UCLouvain (Louvain-la-Neuve, Belgium).

Confirmed Keynote speakers:

Sara Dimick: Northwestern University; author of Unseasonable: Climate Change in Global Literatures.

Juan Meneses: UNC Charlotte; author of Resisting Dialogue: Modern Fiction and the Future of Dissent and editor of Postpolitics and the Aesthetic Imagination.

Monstrous Bodies: From Frankenstein to the Posthuman

Saint Louis University Madrid, April 23-24, 2026

In his 2022 book, Elusive Kinship: Disability and Human Rights in Postcolonial Literature,
Christopher Krentz writes that “while disabled people everywhere have dealt with barriers to
making their views known, those in the Global South, who are usually people of color, have long
been largely unheard, despite numbering more than half a billion people . . . Such invisibility
underscores how disabled people and those close to them in the Global South have commonly been
afterthoughts, deemed unimportant and disposable” (Krentz 2). While the Global South is Krentz’s
focus, we also acknowledge these issues in minority and indigenous communities globally.