In his Funeral Oration, Pericles illustrates the low status of women in ancient Athens, saying “A woman’s reputation is highest when men say little about her, whether it be good or evil.” Despite Pericles’ admonition, women held a central place in Classical literature and mythology, which cast them in a diverse array of roles: goddesses, slaves, mothers, daughters, virgins, whores, and warriors. These depictions laid the groundwork for the representations of women in subsequent literature and have continued to shape our understanding of gender. This session will explore depictions of women and gender in Greco-Roman texts and its impact on the literature of subsequent periods. Possible approaches include by are not limited to:

Color and texture are often perceived as “wallpaper” – a humdrum backdrop against which the action of a literary work unfolds. Charlotte Perkins Gilman’s The Yellow Wallpaper; Ntozake Shange’s For Colored Girls…; and Alice Walker’s The Color Purple, among many others, purposely and effectively challenge such perception. This creative session (re)considers the author as artist, (re)casting color and texture as deliberate, meaningful components of literary experience. Open to considering a variety of authors and genres in relation to its theme, this creative session particularly welcomes papers highlighting color and/or texture as relate to either Gilman, or Shange, or Walker.

This volume intends to offer a systematic re-introduction to feminism’s intellectual legacy.
We encourage an ampler view of feminist theory which extends beyond its production in
the global North and beyond the problematics of location, with the North/South dichotomy
often resulting not only in oppositional notions of agency (active agents vs silent victims)
but also in competing for cultural interests (civil rights and queer theory vs decolonization,
economic justice, and disarmament). One of the aims in reintroducing feminist intellectual
traditions from the perspective of their multiple strands across the globe is to reflect, in as

THE MINEASTRY OF POSTCOLLAPSE ART AND CULTURE: CONTEMPORARY ARTISTS AND CULTURAL WORKERS NETWORKED FOR RESILIENCE BEYOND THE ANTHROPOCENE (VIRTUAL PANEL)

Dear colleagues!

We invite you to participate in the online IV. International Conference on Awareness “LANGUAGE and AWARENESS”. Time: 2-4 December, 2020 (Big Blue Button platform).

The language reflects the essence of a thousand-year existence of a man in society, passed through a time filter. In this regard, a language consisting of tens of thousands of words and forms, delving into the details of its structure and functioning, appears before us as a universal system that controls the existence of people, society, nation and culture.

In the late 70s, the protraction of the Cold War’s tensions and the shift from Fordism towards neoliberal economics reshaped the political and public sphere within the Western block. The traditional spaces of politics lost their pivotal role, resulting in what was perceived as a general crisis of militant politics. In a 2011 interview with Justice spatiale | Spatial Justice, rereading Henri Lefebvre, David Harvey posited that this perception stemmed from the inability of the Left to include the urban dimension in its analytical framework.

Sillages critiques is an international, peer-reviewed open-access e-journal devoted to the literatures and the arts of anglophone cultures from the sixteenth century to the present day. It is MLA- and DOAJ-listed and publishes articles both in English and French. Attached to the Sorbonne Department of English Studies and its Literature and Culture Research Centre (VALE, Sorbonne Université), Sillages critiques publishes cutting-edge articles on literature, culture and theory.

We welcome individual submissions as well as proposals for thematic issues presented by guest editors.

https://journals.openedition.org/sillagescritiques/

Ten years after the publication of Scott Herring’s Another Country: Queer Anti-Urbanism, rural life, queerness, and radical resistance against gender and sexual binarisms continue to be positioned as antithetical to each another in both academic discourse and in pop cultural imaginaries. Rather than following the common narratives that position anti-queer violence as inherent to rural spaces and the people living within them, this roundtable seeks to center the conditions of possibility that produce vibrant histories and robust contemporary articulations of rural queer resistance in and beyond the American South.

Gothic Nature is seeking TV/ film reviews for its next issue. The show or film reviewed must have a clear thematic link to ecohorror/ecoGothic and have first appeared in 2020-21 (see some possibilities below). Reviews should aim for about 1,000 words in length (Harvard style and British spelling and punctuation conventions appreciated). Send inquiries and submissions to Sara L. Crosby at crosby.sara@gmail.com. For further information about the journal, please visit: https://gothicnaturejournal.com/. 

Deadline for submissions:  February 1, 2021

Call for Papers

Call for papers for Northeast Modern Language Association conference in Philadelphia, PA

March 11-14, 2021

Details:

This roundtable invites short reflections on the tensions and limits of teaching and studying literature at religious colleges and universities. Do institutional commitments, positions, and documents (conduct oaths, pledges, church constitutions, and doctrinal statements) as well as campus cultures, constituencies, and attitudes implicitly and explicitly limit what can be taught and published? How have you navigated, resisted, and/or adapted to these limits?

Per Just-In-Time Session guidelines, accepted panelists must be MLA members by Sept. 22.

CALL FOR PAPERS

New Literaria Journal, in collaboration with the Department of English, Assam University(A Central University), India invites papers for its International e-Conference on ‘Re-thinking the Postcolonial: Texts and Contexts’ to be held on 25th, 26th and 27th September, 2020.

CONCEPT NOTE

This year, the Liberal Arts Collective at Penn State is launching a conference-style podcast, "Unraveling the Anthropocene: Race, Environment, and Pandemic,” which will run during Fall 2020 to early Spring 2021. This podcast seeks to interview a variety of academics, artists, activists, or community members to feature their work and experiences as they try to understand, explain, alleviate, or simply capture the contemporary phenomena that fall under these themes.  Speakers will be volunteering to remotely record a 15-minute long informal conversation about their work or experience. Parallel events include a reading group and a closing roundtable.