all recent posts

CFP: Queer Canadian Cinema (3/15/06; MLA '06)

updated: 
Saturday, January 14, 2006 - 2:47pm
Julia A. Mendenhall

CFP: "Blame Canada"? Queer Canadian Cinema.
Special Session Proposal
MLA 2006, Philadelphia

Papers exploring extra-ordinary desires, refractory subjectivities, unruly
narratives, curious genre
crossings, subversive genders and sexualities, or other queer provocations
in Canadian feature films.
1-page abstracts by 15 March 2006 to Julia Mendenhall (
julia.mendenhall_at_utoronto.ca).

Julia A. Mendenhall
Temple University, English
 juliam_at_temple.edu
University of Toronto, Cinema Studies
julia.mendenhall_at_utoronto.ca

CFP: Queer Canadian Cinema (3/15/06; MLA '06)

updated: 
Saturday, January 14, 2006 - 2:47pm
Julia A. Mendenhall

CFP: "Blame Canada"? Queer Canadian Cinema.
Special Session Proposal
MLA 2006, Philadelphia

Papers exploring extra-ordinary desires, refractory subjectivities, unruly
narratives, curious genre
crossings, subversive genders and sexualities, or other queer provocations
in Canadian feature films.
1-page abstracts by 15 March 2006 to Julia Mendenhall (
julia.mendenhall_at_utoronto.ca).

Julia A. Mendenhall
Temple University, English
 juliam_at_temple.edu
University of Toronto, Cinema Studies
julia.mendenhall_at_utoronto.ca

CFP: Queer Canadian Cinema (3/15/06; MLA '06)

updated: 
Saturday, January 14, 2006 - 2:47pm
Julia A. Mendenhall

CFP: "Blame Canada"? Queer Canadian Cinema.
Special Session Proposal
MLA 2006, Philadelphia

Papers exploring extra-ordinary desires, refractory subjectivities, unruly
narratives, curious genre
crossings, subversive genders and sexualities, or other queer provocations
in Canadian feature films.
1-page abstracts by 15 March 2006 to Julia Mendenhall (
julia.mendenhall_at_utoronto.ca).

Julia A. Mendenhall
Temple University, English
 juliam_at_temple.edu
University of Toronto, Cinema Studies
julia.mendenhall_at_utoronto.ca

CFP: Brokeback Mountain (3/31/06; collection)

updated: 
Saturday, January 14, 2006 - 2:46pm
Jesse Matz

Call for Papers:

For a collection of essays and reflections on the Annie Proulx story and/or the
Ang Lee film.

Please send 300-500 word abstracts (or questions) to:

William Handley <handley_at_usc.edu>
or
Jesse Matz <matzj_at_kenyon.edu>

Deadline: March 31, 2006

CFP: Brokeback Mountain (3/31/06; collection)

updated: 
Saturday, January 14, 2006 - 2:46pm
Jesse Matz

Call for Papers:

For a collection of essays and reflections on the Annie Proulx story and/or the
Ang Lee film.

Please send 300-500 word abstracts (or questions) to:

William Handley <handley_at_usc.edu>
or
Jesse Matz <matzj_at_kenyon.edu>

Deadline: March 31, 2006

CFP: Brokeback Mountain (3/31/06; collection)

updated: 
Saturday, January 14, 2006 - 2:46pm
Jesse Matz

Call for Papers:

For a collection of essays and reflections on the Annie Proulx story and/or the
Ang Lee film.

Please send 300-500 word abstracts (or questions) to:

William Handley <handley_at_usc.edu>
or
Jesse Matz <matzj_at_kenyon.edu>

Deadline: March 31, 2006

CFP: William James (4/7/06; online journal issue)

updated: 
Saturday, January 14, 2006 - 2:46pm
lsimon

William James. WILLIAM JAMES STUDIES, a peer-reviewed online publication of
the William James Society, welcomes papers from scholars in any field on the
life, work, and influence of William James. Submission guidelines may be found
at www.williamjamesstudies.press.uiuc.edu. Papers may be sent electronically
to Mark Moller (moller_at_denison.edu) or Linda Simon (lsimon_at_skidmore.edu).
Deadline for the second issue is April 7, 2006.

Thank you!

CFP: Faith, Belief and Community (2/28/06; online journal issue)

updated: 
Saturday, January 14, 2006 - 2:46pm
Julie Barr

eSharp is the online journal for social sciences, arts and humanities postgraduates based at the University of Glasgow. It is a peer-reviewed journal that aims to provide a critical but supportive entry into the world of academic publishing.

The first six issues are currently online at www.sharp.arts.gla.ac.uk and we are now looking for submissions for the seventh edition to be launched in May 2006. We welcome papers from postgraduates working in all areas.

The theme of the seventh edition is:

Faith, Belief and Community

Topics may include but are not limited to:

CFP: Faith, Belief and Community (2/28/06; online journal issue)

updated: 
Saturday, January 14, 2006 - 2:46pm
Julie Barr

eSharp is the online journal for social sciences, arts and humanities postgraduates based at the University of Glasgow. It is a peer-reviewed journal that aims to provide a critical but supportive entry into the world of academic publishing.

The first six issues are currently online at www.sharp.arts.gla.ac.uk and we are now looking for submissions for the seventh edition to be launched in May 2006. We welcome papers from postgraduates working in all areas.

The theme of the seventh edition is:

Faith, Belief and Community

Topics may include but are not limited to:

CFP: Faith, Belief and Community (2/28/06; online journal issue)

updated: 
Saturday, January 14, 2006 - 2:46pm
Julie Barr

eSharp is the online journal for social sciences, arts and humanities postgraduates based at the University of Glasgow. It is a peer-reviewed journal that aims to provide a critical but supportive entry into the world of academic publishing.

The first six issues are currently online at www.sharp.arts.gla.ac.uk and we are now looking for submissions for the seventh edition to be launched in May 2006. We welcome papers from postgraduates working in all areas.

The theme of the seventh edition is:

Faith, Belief and Community

Topics may include but are not limited to:

CFP: Intersections: Literature, Science, Nature (3/1/06; MLA '06)

updated: 
Saturday, January 14, 2006 - 2:46pm
Barbara Cook

Abstracts are invited for the MLA 2006 panels sponsored by the Association for the Study of Literature and the Environment. MLA will be held in Philadelphia in December 2006 and all presenters must be member of MLA at the time of acceptance of their proposals for the panel, i.e. April 2006.

Intersections: Literature, Science, Nature.

Abstracts (250-300 words) are invited that discuss relationships between literature, science, and nature and/or scientific theory and literary theory. Submit by March 1, 2006 to bcook_at_mtaloy.edu.

CFP: Intersections: Literature, Science, Nature (3/1/06; MLA '06)

updated: 
Saturday, January 14, 2006 - 2:46pm
Barbara Cook

Abstracts are invited for the MLA 2006 panels sponsored by the Association for the Study of Literature and the Environment. MLA will be held in Philadelphia in December 2006 and all presenters must be member of MLA at the time of acceptance of their proposals for the panel, i.e. April 2006.

Intersections: Literature, Science, Nature.

Abstracts (250-300 words) are invited that discuss relationships between literature, science, and nature and/or scientific theory and literary theory. Submit by March 1, 2006 to bcook_at_mtaloy.edu.

CFP: University of West Georgia Literature Conference: Fear and Awe (5/30/06; 11/2/06-11/4/06)

updated: 
Saturday, January 14, 2006 - 2:46pm
J Agan

The University of West Georgia

CALL FOR PAPERS 2006

21^ST ANNUAL INTERNATIONAL LITERATURE CONFERENCE

Suggested theme: FEAR AND AWE

For the 2006 conference, papers and sessions may be presented on any
conception of fear and awe in literature, visual arts, and/ or cinema.
Papers may be in English, French, German, Italian or Spanish.

  <>
We welcome also proposals for papers on _any topic_ of interest to
literature, culture, and art scholars.

 

  <>*
When: *November 2-4, 2006 <>
*Where*: Sheraton Colony Square Hotel-Midtown, Atlanta, Georgia <>
*Deadline for one-page abstracts*: May 30, 2006 <>

CFP: University of West Georgia Literature Conference: Fear and Awe (5/30/06; 11/2/06-11/4/06)

updated: 
Saturday, January 14, 2006 - 2:46pm
J Agan

The University of West Georgia

CALL FOR PAPERS 2006

21^ST ANNUAL INTERNATIONAL LITERATURE CONFERENCE

Suggested theme: FEAR AND AWE

For the 2006 conference, papers and sessions may be presented on any
conception of fear and awe in literature, visual arts, and/ or cinema.
Papers may be in English, French, German, Italian or Spanish.

  <>
We welcome also proposals for papers on _any topic_ of interest to
literature, culture, and art scholars.

 

  <>*
When: *November 2-4, 2006 <>
*Where*: Sheraton Colony Square Hotel-Midtown, Atlanta, Georgia <>
*Deadline for one-page abstracts*: May 30, 2006 <>

CFP: Catastrophe and Representation (3/1/06; journal issue)

updated: 
Saturday, January 14, 2006 - 2:46pm
Lois Wolfe

FACS Literary Journal

Florida Atlantic University Comparative Studies=20

=20

Call for Papers: Catastrophe and Representation

=20

Images of catastrophe increasingly assault us through the media. The =
world is reeling from the effects of war, natural disasters, famine, and =
disease. Violence - natural and unnatural - has become a standard motif =
in contemporary storytelling, cultural documentation and sociopolitical =
reportage. How, then, is such representation captured and =
characterized? What is being said and unsaid, and why? Is catastrophe a =
comparative experience?

=20

CFP: Catastrophe and Representation (3/1/06; journal issue)

updated: 
Saturday, January 14, 2006 - 2:46pm
Lois Wolfe

FACS Literary Journal

Florida Atlantic University Comparative Studies=20

=20

Call for Papers: Catastrophe and Representation

=20

Images of catastrophe increasingly assault us through the media. The =
world is reeling from the effects of war, natural disasters, famine, and =
disease. Violence - natural and unnatural - has become a standard motif =
in contemporary storytelling, cultural documentation and sociopolitical =
reportage. How, then, is such representation captured and =
characterized? What is being said and unsaid, and why? Is catastrophe a =
comparative experience?

=20

CFP: Catastrophe and Representation (3/1/06; journal issue)

updated: 
Saturday, January 14, 2006 - 2:46pm
Lois Wolfe

FACS Literary Journal

Florida Atlantic University Comparative Studies=20

=20

Call for Papers: Catastrophe and Representation

=20

Images of catastrophe increasingly assault us through the media. The =
world is reeling from the effects of war, natural disasters, famine, and =
disease. Violence - natural and unnatural - has become a standard motif =
in contemporary storytelling, cultural documentation and sociopolitical =
reportage. How, then, is such representation captured and =
characterized? What is being said and unsaid, and why? Is catastrophe a =
comparative experience?

=20

CFP: Catastrophe and Representation (3/1/06; journal issue)

updated: 
Saturday, January 14, 2006 - 2:46pm
Lois Wolfe

FACS Literary Journal

Florida Atlantic University Comparative Studies=20

=20

Call for Papers: Catastrophe and Representation

=20

Images of catastrophe increasingly assault us through the media. The =
world is reeling from the effects of war, natural disasters, famine, and =
disease. Violence - natural and unnatural - has become a standard motif =
in contemporary storytelling, cultural documentation and sociopolitical =
reportage. How, then, is such representation captured and =
characterized? What is being said and unsaid, and why? Is catastrophe a =
comparative experience?

=20

CFP: Catastrophe and Representation (3/1/06; journal issue)

updated: 
Saturday, January 14, 2006 - 2:46pm
Lois Wolfe

FACS Literary Journal

Florida Atlantic University Comparative Studies=20

=20

Call for Papers: Catastrophe and Representation

=20

Images of catastrophe increasingly assault us through the media. The =
world is reeling from the effects of war, natural disasters, famine, and =
disease. Violence - natural and unnatural - has become a standard motif =
in contemporary storytelling, cultural documentation and sociopolitical =
reportage. How, then, is such representation captured and =
characterized? What is being said and unsaid, and why? Is catastrophe a =
comparative experience?

=20

CPF: Teaching English (no deadline noted; RMMLA, 10/12/06-10/14/06)

updated: 
Saturday, January 14, 2006 - 2:46pm
Robin Somers

CALL FOR PAPERS ... Papers are invited for the session on Teaching English at the Rocky Mountain MLA annual convention on October 12-14, 2006, in Tucson, Arizona.
   
  This year's panel is looking for papers on innovative approaches to teaching literature and writing. Also welcome are topics on experiential writing as academic discourse, teaching college English skills to ESL students, and teaching English at the Tribal College.
   
  Please send a 200-word proposal/abstract as an email attachment to:
  Robin Somers
  robinsomers_at_sbcglobal.net
  Identify RMMLA CFP in your subject line

UPDATE: Trans&ndash;&ndash; : Negotiations and Resistance (grad) (1/20/06; 4/7/06&ndash;4/8/06)

updated: 
Saturday, January 14, 2006 - 2:46pm
Mary-Ann Davis

Trans --: Negotiations and Resistance

19th Annual Interdisciplinary Conference
Association of English Graduate Students
University of Southern California, Los Angeles
April 7 - 8, 2006

UPDATES:
* Keynote speakers
* Abstract deadline extension
* Conference website
* CFP

***KEYNOTE SPEAKERS***

We are pleased to announce critical keynote speaker Juana Maria Rodriguez, and creative keynote speaker Pireeni Sundaralingam, with Colm O'Riain.

CFP: The Place of Music in Science Fiction and Fantasy (3/1/06; MLA '06)

updated: 
Saturday, January 14, 2006 - 2:46pm
Seo-Young Jennie Chu

Modern Language Association Annual Convention
December 27 - 30, 2006
Philadelphia, Pennsylvania

The MLA Discussion Group on Science Fiction and Utopian and Fantastic
Literature invites submissions for a panel titled "The Place of Music in
Science Fiction and Fantasy."

Topics might include (but are not limited to):

* Defining "science-fiction music." What makes a work of music
"science-fictional"? Possible subtopics: micropolyphony, symmetrical
divisions of the octave, experimental musical technologies (e.g., the
Ondes Martenot).

* The relationship of music to other nonverbal arts (e.g., painting,
architecture, photography) in science fiction and fantasy.

UPDATE: Trans&ndash;&ndash; : Negotiations and Resistance (grad) (1/20/06; 4/7/06&ndash;4/8/06)

updated: 
Saturday, January 14, 2006 - 2:46pm
Mary-Ann Davis

Trans --: Negotiations and Resistance

19th Annual Interdisciplinary Conference
Association of English Graduate Students
University of Southern California, Los Angeles
April 7 - 8, 2006

UPDATES:
* Keynote speakers
* Abstract deadline extension
* Conference website
* CFP

***KEYNOTE SPEAKERS***

We are pleased to announce critical keynote speaker Juana Maria Rodriguez, and creative keynote speaker Pireeni Sundaralingam, with Colm O'Riain.

CFP: The Place of Music in Science Fiction and Fantasy (3/1/06; MLA '06)

updated: 
Saturday, January 14, 2006 - 2:46pm
Seo-Young Jennie Chu

Modern Language Association Annual Convention
December 27 - 30, 2006
Philadelphia, Pennsylvania

The MLA Discussion Group on Science Fiction and Utopian and Fantastic
Literature invites submissions for a panel titled "The Place of Music in
Science Fiction and Fantasy."

Topics might include (but are not limited to):

* Defining "science-fiction music." What makes a work of music
"science-fictional"? Possible subtopics: micropolyphony, symmetrical
divisions of the octave, experimental musical technologies (e.g., the
Ondes Martenot).

* The relationship of music to other nonverbal arts (e.g., painting,
architecture, photography) in science fiction and fantasy.

Pages