Purdue University Literary, Interdisciplinary, Theory, and Culture Organization Symposium, March 7–8, 2025. 

Rediscovery, Reclamation, and Renewal in Literature, Theory, and Culture

Producer, director, and screenwriter Gregg Araki is a pivotal figure in independent film, known for his distinctive style and contributions to New Queer Cinema. Despite his inclusion in such cinematic movement thanks to The Living End (1992), and his rise to fame with the Teen Apocalypse Trilogy (1993-1997), Araki's explorations of a more mainstream style and his incursions in television directing have garnered little critical and academic attention, except for his 2004 adaptation of the novel Mysterious Skin and his win of the first ever Cannes Film Festival Queer Palm in 2010 for his film Kaboom.

La Escuela Nacional Superior de Arte Dramático “Guillermo garte Chamorro” (ENSAD), hoy Universidad de Arte Escénico (UNAE), invita a la comunidad académica dedicada a la crítica y estudio de las artes escénicas a presentar sus artículos de investigación (en castellano y en inglés) para su publicación en la revista Liminal. Los artículos de investigación deben cumplir los estándares y requisitos de publicación de la revista: http://revistas.ensad.edu.pe/index.php/liminal/directrices

Si necesita mayor información puede escribirnos al siguiente correo electrónico: revistas@ensad.edu.pe

This panel aims to provoke discussion of “trauma” and the critical paradigm that has grown up around it in our time. Especially since the publication of Cathy Caruth’s Unclaimed Experience in 1996, “the traumatic” has grown from a specialist analytic discourse to a catch-all framework that informs how we talk about everything from politics, to art, to personal relationships. In short, the concept of trauma today enjoys a culturally dominant status. In recent years, however, the narrative trope of trauma has served as a target for critics increasingly frustrated with its seeming omnipresence.

This area focuses on reproductive justice issues as they appear in popular culture (film, television, social media, music, literature, etc.). Reproductive justice is a term that goes beyond the term reproductive rights, something that typically focuses on contraception and abortion.   According to the SisterSong Women of Color Reproductive Justice Collective, “it’s ‘the human right to maintain personal bodily autonomy, have children, not have children, and parent the children we have in safe and sustainable communities” (Abrams).

Psychogeography: Liminal Loci and Haunted Haunts

The Area for Esotericism, Occultism, and Magic invites special panel presentation proposals on the subject of psychogeography to be included in its events at the 46th annual conference of the Southwest Popular/American Culture Association, held this February 19-22 in Albuquerque, New Mexico.

Skenographia: Rethinking Design

Yale University Department of Comparative Literature Graduate Conference

March 28th, 2025

Keynote Speaker: Spyros Papapetros (Princeton University)

What sets a scene apart from a mere place or setting? Etymologically, the term resists simplification to a physical location or continuous action. It encompasses both the material apparatus of the stage and the events unfolding upon it. This oscillation— between object and subject, exterior and interior, self and world—forms a conceptual framework that this conference seeks to apply to the study of design.

Walt Whitman and Visual Culture
A special issue of The Walt Whitman Quarterly Review (Fall/Winter 1986-1987) first brought together nearly all the known photographs of Whitman, laying the foundation for the Walt Whitman Archive’s Gallery of Images. Whitman wrote about and sat for sculptors and painters, and he has been the inspiration for many art and film projects. In light of this and the recent publication of several illustrated editions of Whitman’s writings, the Whitman Studies Association invites proposals focused on Whitman and any aspect of visual culture. We seek presentations that explore and analyze Whitman and/or his writings in relation to:

CFP: The 27th Annual University of Florida Critical Theory Reading Group/MRG Conference

“Rethinking Institutions”

The Critical Theory Reading Group/MRG, University of Florida

March 27-29, Gainesville, FL 

Keynote speakers: Michael Hardt and Kathi Weeks

Nicole LaRose Alumni keynote speaker: Wesley Beal  

The 2025 Marxist Reading Group Conference invites submissions for “Rethinking Institutions” to explore the manifold issues endured by global institutions and reimagine the former for the present and future. 

The Research Laboratory in Literature, Language, Culture and Communication (RLLLCC)

organizes

an International Conference on

Mobility in Literature, Culture and Society

April 22-23, 2025

 Faculty of Arts and Humanities,

Sultan Moulay Slimane University, Beni Mellal - Morocco

Call for Papers

Banaras Hindu University 

Two day National Seminar 

brat and it’s a conference but it’s still brat

Deadline for submissions: December 2nd, 2024

Conference date/time: February 8th, 2025, UC Berkeley (will be in hybrid format).

Names and affiliations: Paz Regueiro and Cory Nguyen, Department of Comparative Literature

Contact emails: paz_regueiro@berkeley.edu and corytnguyen@berkeley.edu 

“You wanna guess if I'm serious about this song.”

- Charli xcx, 2024. (“Guess”, 17th track on “brat and it's the same but there's three more songs so it's not”.)

In the last couple of decades, our embodied actions with others have become increasingly more fluid and disentangled from fixed/static contexts so much so that the materiality of social life has been filtered through texts produced in a variety of semiotic resources that bind people together while keeping them apart. By further blurring online/offline boundaries, the advent of the Covid-19 pandemic has exacerbated the long-lasting mediatization of social life leading to a reconceptualization of phenomena such as corporeality and matter and their relationship with both virtual and physical environments.

We welcome papers for our ECSAS panel on Muslim Counterpublics in the Indian Nation-state Public Sphere which will bring together emerging and advanced scholars of Muslim identity in South Asia in the context of the nation-state public sphere. We wish to explore the deep history and contemporary imaginings of Muslimness from the vantage point of songs, music and sound, literary studies, history, anthropology, dastangoi, oral historiography, and cinema. We aim to shed light on the multiperspectival and pan-national Muslim identification process as it also intersects with ideas of ideological homogenisation, modernity, and religious revivalism.