We invite original and unpublished essays for inclusion in a forthcoming Handbook of Bengali Cinema. This interdisciplinary volume will offer a comprehensive and critical survey of Bengali cinema across periods, geographies, genres, styles, and theoretical frameworks. It will serve as a key reference for students, scholars, and practitioners interested in one of South Asia’s most influential regional cinemas.

Essays should be no longer than 5,000 words, inclusive of notes and works cited, and must follow the MLA citation style (current edition). Contributions may be historical, thematic, theoretical, or practice-based, and are expected to demonstrate critical rigor and originality.

CFP: (Chapter Abstracts) German Romantic Humour (Aug. 1, 2025)

Call for Chapter Abstracts

Due: August 1, 2025

Subject fields: German Romanticism, Humour Studies, Philosophy, Literature Studies, Musicology, Art History, History of Religion

This is a call for abstracts for book chapters to be included in an edited volume on “German Romantic Humour”

Edited by Dr. Pascale LaFountain (Montclair State University, USA)

Throughout the nineteenth, twentieth and into the twenty-first century, authoritarianism has proven to be an enduring leadership style in Latin American and has manifested in diverse forms, including the uprisings of regional caudillos, the ascendency of personalist rulers, the formation of solemn cults of personality, the imposition of military dictatorships, the establishment of single-party States, the totalitarian perpetuation of the state of exception, the cultural promotion of ethnonationalism, and the installation of illiberal technocracies, among others.

Children’s Rights &/in Popular Culture (panel/roundtable for NEPCA conference taking place virtually Oct 9-11 2025) 

How are children’s rights represented in current popular culture (e.g., videogames, board games, graphic novels, film, TV, social media, music, toys etc.)? In what ways does pop culture today curtail children’s rights (e.g., cellphone apps, tracking devices, surveillance equipment)? How do children themselves define their rights, notions of justice, law and order in their interactions with popular culture (e.g., toys, games, art, fashion, hobbies, social media etc.)?

Philosophy and Literature:  A Problematic Relationship

Updating Ecocriticism: Perspectives from Gen Z

Eds. Başak Ağın, Z. Gizem Yılmaz, and Lenka Filipova

CFP: Lexicon for Animacy

This session explores how postcolonial and diasporic literatures grapple with memory, trauma, and cultural haunting. Rather than thinking of identity as fixed or linear, selfhood is complex and palimpsestic due to colonial violence, migration, and historical erasure. This session invites papers that analyze how characters or narratives navigate misremembering, inherited trauma, or overwritten histories to reclaim belonging and agency. Topics may include narrative voice, transgenerational memory, silence, storytelling, and archival gaps in multiethnic and immigrant literatures. This session welcomes interdisciplinary approaches and encourages work on Asian American, Black, Indigenous, and other diasporic communities.

Modality: in-person only

Across cultures and histories, women have journeyed through visible and invisible migrations: geographic, emotional, spiritual, intellectual. This panel invites explorations of how these journeys and thresholds: both outer and inner, shape the evolution of selfhood. From the classroom to the kitchen, from the mother’s memory to the daughter's voice, from exile to homemaking, we seek narratives that dwell in moments and spaces of unfolding and becoming. These are stories of transition and tension, of belonging and othering, of rupture and reconciliation. 

Conference Location: NeMLA 2026 March 5-8, Pittsburgh, PA (virtual option available)

In her essay, “Mama’s Baby, Papa’s Maybe: An American Grammar Book,” Hortense Spillers articulates the enduring violence of racial enslavement through the concept of the “hieroglyphics of the flesh” (67). This term marks how the captive body, stripped of legal and social personhood, became inscribed with meaning through the violence of racial differentiation. This transformation rendered the Black body not only a surface upon which terror was written but also a metaphysical site from which alternative modes of being might be imagined. In attending to the duality of skin and flesh, Spillers distinguishes between Black skin as legible and social, and Black flesh as ungendered, unsovereign, and open—both wounded and full of radical potential. 

This NeMLA session critically discusses the novels of Sally Rooney. We will ask: is Rooney's oeuvre a critique, a snapshot, a suggestion, or a warning about a way forward for fiction, the novel form, feminism, and contemporary culture?

View full CFP here: https://cfplist.com/nemla/Home/S/21883

Modality:

In Person Only: The session will be held fully in person at the hotel. No remote presentations will be included.

Questions/Comments:

Contact Kimberlyjcoates@gmail.com

Call for Papers

REACT 2025: Research and Educational Advancements in Culture and Technology

Vienna, October 20–21, 2025

Venue: University of Applied Arts Vienna

More info & submissions: culttech.at/react

The Minotaur and the Labyrinth from multidisciplinary perspectives, specifically on how the symbol of the Minotaur and the Labyrinth has been used from antiquity to now. How has the Minotaur been used, or abused, throughout time? How has the mythology surrounding it been used to generate or regenerate cultural structures? Referencing Jeffrey Jerome Cohen’s Monster Culture, what does the Minotaur reveal about the cultures he exists within?