International Scholars Journal of Arts and Social Science Research (ISJASSR) has a Call for Papers. The journal is one of Scholarly Research Journals published by Multimeans Media International, an independent international research publisher, to advance knowledge and promote scholarship. Isjassr is a peer reviewed interdisciplinary journal indexed and has worldwide visibility. The Journal can be accessed via search engines by typing in Isjassr.

Papers which provide solutions to society problems and break new grounds in any field of the humanities and social sciences are welcomed.

Authors guidelines are available on the journal homepage.

Submission Method

The keynote presentation, panels and roundtables will focus on the historical connections between Haiti and Africa, and the cultural, political, social, and economic specificities of Haiti that derive directly and indirectly from those connections. The conference will explore how the transatlantic slave trade and the colonial era, through the revolutionary and the post-independence shape contemporary Haitian realities. Papers will also seek parallels and intersections among contemporary Haitian and African realities as emergence of shared colonial and neocolonial experiences, and take stock of current intellectual, cultural, political, and economic links and gaps between Haiti and Africa.

The Charlotte Perkins Gilman Society invites papers for two panels at the American Literature Association Conference in Boston, May 25-28, 2023. 

1. Gilman on Evolution and Social Theory

Call for Papers: Small Screen Supers: Essays on Superhero Television 

As superhero films have proliferated, so too has superhero television. But as scholarship on superhero films has similarly proliferated, scholarship on superhero television has not. When superhero television is discussed by scholars, it is often as an offshoot of filmic franchises rather than as a phenomenon in its own right, with its own histories and contexts of production, its own approaches to adaptation, and its own dynamics of reception. 

It is not difficult to view our current historical period as a time of crisis, of a deep dissolution of humanity in the widespread colonial domination of social and environmental landscapes.

Deadline Extended!

The Fairy Tales Area of the Popular Culture Association (PCA) seeks paper presentations and panels for the PCA's annual conference, April 5-8, 2023. We are interested in as wide an array of papers as possible, so please do not hesitate to send a submission on any fairy tale, legend or nursery rhyme related subject. Discussions of fairy tale monsters and shifts from oral to literary to visual (filmic, artistic, etc.) versions of tales are especially welcome. Creative pieces that retell or critique fairy tales or use the tales to comment on some aspect of culture or history will also be considered. 

Call for Papers—Deadline extension

 Collective Volume

Digital Games and/as Theatre: Retooling Entertainment, Art, Learning

Issue #34 (2023) of RSA Journal: Rivista di Studi Americani, the official journal of the Italian Association for North American Studies (Associazione Italiana di Studi Nord-Americani – AISNA) will feature a special section, edited by Cristina Iuli (Università del Piemonte Orientale) and Pilar Martinez (University of L’Aquila), on Posthumanism andEnvironmental Poetics in American Literature. Scholars from different areas of American literature, culture, and the arts are invited to submit their proposals.

New technologies have often been viewed with strong skepticism for instance the advent of photography transformed painting, the introduction of vehicles substituted horse-carriages and the emergence of cinema replaced books. Plato’s horror over the destruction of ‘memory’ with the invention of ‘writing’ is perhaps synonymous to the inherent connection between ‘literature’ and ‘film’. In the preface of The Nigger of the Narcissus, Conrad states, “My task which I am trying to achieve is, by the power of the written word, to make you hear, to make you feel-it is, before all, to make you see” (1897). Griffith declares that the task of a filmmaker is the same as the novelist’s, to make people see through cinema.

Call for Papers:

Symposium (virtual): Hollywood and the Asian American Imagination

Date: February 20 and February 22, 2024 (Tuesday and Thursday) (tentative)
Venue: Zoom, hosted by the University of Richmond, Virginia

Keynote speaker: Yiman Wang (UC Santa Cruz)

Since the dawn of the Cold War, U.S. popular culture has been saturated with narratives that pit a morally-righteous United States against a sinister, duplicitous Russia–a binary foundational to postwar American Studies. In the wake of the Russian invasion of Ukraine–and the attacks on democracy and human rights that it entails–the image of a menacing Russian presence is once again salient. Rather than redeploying a Cold War logic designed to disavow the sordid histories of the United States, this panel asks how we might approach the intertwined histories of Russia and the U.S. as a way of strengthening our critique of the oppression and exploitation perpetuated by both nations.

The Comics Arts Conference is now accepting 100 to 200 word abstracts for papers, presentations, and panels taking a critical or historical perspective on comics (juxtaposed images in sequence) for a meeting of scholars and professionals at Comic-Con International, in San Diego, CA, July 20–23, 2022.  We seek proposals from a broad range of disciplinary and theoretical perspectives and welcome the participation of academic and independent scholars.  We also encourage the involvement of professionals from all areas of the comics industry, including creators, editors, publishers, retailers, distributors, and journalists.  The CAC is presently scheduled to take place in person and does not accept virtual presentations.  The CAC is designed to bring together

Starting from the assumption that identity (seen as a relationship with one's self) and individuality (seen as a relationship of the self with the group) are both discursive constructs, we presume that it is the uniqueness of these constructs that confers authenticity and validation to a particular person/community/society. This issue is a subject already widely researched and problematized in theories of otherness from the perspective of dealing with diversity or even with social distancing and alienation.

Robert Bird’s study of Andrei Tarkovsky’s cinema, published in 2008, was given a significant yet ambiguous subtitle: Elements of Cinema. Looking for the key to understanding the famous director’s films, the author took as guides “four traditional elements of matter, each captured through the distinct elements of cinema that conditioned Tarkovsky's work, from 'system' and 'imagination' to 'screen', 'image', 'story' and 'shot'”. Images of the elements, with their culturally defined symbolism – Earth as a vessel for nostalgia, water as the universal element of art and a medium of representation – became the building blocks of the unique atmosphere of Tarkovsky's films.