CALL FOR PAPERS
FOR PUBLICATION IN MEJO (MELOW Journal) 2022
ONE HUNDRED YEARS OF T.S. ELIOT’S THE WASTE LAND
CALL FOR PAPERS
FOR PUBLICATION IN MEJO (MELOW Journal) 2022
ONE HUNDRED YEARS OF T.S. ELIOT’S THE WASTE LAND
This panel aims to bring together the theoretical, methodological and political concerns of literary animal studies and postcolonial studies. As theoretical frameworks, the intersection of the two is not always free of contention. For instance, certain seminal postcolonial texts such as Frantz Fanon’s Wretched of the Earth have been noted to affirm a strongly humanist position in advancing the political project of reclaiming the humanity of the racialized, colonized subject. Nevertheless, the last decade has seen the growth of a significant body of work in literary studies and other disciplines that considers multispecies entanglements from postcolonial perspectives.
Writers, filmmakers, musicians, and other arts performers have taken a leading role in protesting governmental failure and corporate responsibility for environmental destruction and disaster across the Caribbean. In the 2000s, Caribbean writers, filmmakers, visual and other artists have spoken truth to power in Puerto Rico and Dominica after the tragedy of Hurricane Maria, in the struggle to preserve Jamaica’s Cockpit country from bauxite mining, and against extractive industries, tourism, and other environmentally destructive forms of development. In fact, writers and artists have been documenting, illuminating, and protesting environmental destruction since Caribbean cultural traditions emerged.
CFP: Spatial Innovations in Rhetoric and Writing (edited collection)
The Comparative Drama Conference will be hosting Lucas Hnath as our keynote speaker on March 31st, 2023.
We welcome abstracts that address the plays and theatre of Lucas Hnath.
Topics could include, but are not limited to:
Revisiting the classics: Ibsen vs. Hnath's Nora and Helmer.
Staging real people: From the Clintons to the Disneys to Dana H. (his mother)
Hnath's disruption of the theatrical space
Hnath's use of language
Hnath's use of violence
Hnath's place amidst and comparison to his contemporaries
This panel brings together diverse readings of the hotel as a peculiarly evocative transfer point in narratives of modernity and postmodernity. It examines the uncanny power of the hotel to symbolize many of the key attributes of modern and contemporary writing, cinema, art, and, indeed, subjectivity: freedom, mobility, anonymity, alienation, limitless self-recreation (to name a few).
This seminar explores conceptions of empathy in various philosophical, cultural, and linguistic traditions across the world. The English word “empathy,” adapted from the German einfühlung and closely associated with the older term sympathy, is notoriously slippery. Scholars have identified various affective-cognitive processes that empathy connotes, including imagining oneself in others’ situations, comprehending others’ perspectives, feeling what others feels, feeling affected by others’ experiences, and caring for others. Investigating the premises and implications of these empathic processes, scholars have shown that attending to nuanced differences between notions of empathy enhances our understanding of its possibilities and limitations.
We are soliciting chapters for a forthcoming book, Figures of Freedom in Anthropocene Fiction, a collection of essays examining how American literary, filmic, and televisual narratives have represented and reimagined themes of personal and political agency within the context of 21st-century aspirations and anxieties.
Since the cultural turn of the 1970s that placed culture at the centre of scholarly debates, the field of cultural studies has expanded to explore the presence of meaning, affect, society, and thought in academia. Etymologically drawing upon the Latin “colere”, culture implies growth and cultivation, also accumulation and acquisition. Raymond Williams defined it pluralistically, calling culture a way of life at once material, intellectual and spiritual.
Date of Conference: 16-17 November 2022.
On the Google Meet Platform.
HOW TO SUBMIT AN ABSTRACT: To present a paper in the conference, please email a 300-word abstract with a Title, Name of Presenter and Affiliation, and Presenter’s Email, to Rising Asia Journal’s Editorial Board member Professor Tuan Hoang: email@example.com
Please mention “Rising Asia Conference” in the subject line of your email.
The Conference Administrators will contact you with further details.
It is common for studies in the Energy Humanities to identify the “late eighteenth century” as a backstory to the cultures, industries, and sciences of coal that emerged in the nineteenth century. This panel is interested in questioning that periodization with more complex genealogies or alternate imaginaries of energy throughout the eighteenth century.
In the rapid pivot to remote teaching at the beginning of the COVID-19 pandemic, many instructors turned to tools like Hypothes.is and Perusall that allow students to engage in social reading and annotation. These same tools are also built into many digital editions (like those in Literature in Context) and multimedia scholarly publishing platforms like Manifold and Scalar. The Digital Humanities Caucus calls for presentations on annotation in an eighteenth-century and/or contemporary context.
This panel welcomes submissions on any aspect of drama during the long eighteenth century. Submissions can address the conference theme--the quixotic eighteenth century--but do not have to. Please send abstracts of 250 words to Ashley Bender at firstname.lastname@example.org by November 15, 2022.
The 45th Comparative Drama Conference welcomes Lucas Hnath as its Keynote Speaker.
Abstract Submission Deadline: 15 October 2022
REVISED CALL FOR PAPERS
ARTICLE DEADLINE FEBRUARY 21, 2023
CFP: Sound Studies in African American Literature and Culture – Special Issue of Humanities. Guest Editor: Nicole Brittingham Furlonge (Deadline: Ongoing until February 21, 2023)
Special Issue Information
54th Annual Convention, Northeast Modern Language Association (NeMLA)
March 23-26, 2023
University of Buffalo
Niagara Falls, NY
Environmental Justice Pedagogies: Performance and Activism in the Humanities; ASLE Session
Sponsored by the Association for the Study of Literature and the Environment (ASLE)
Postcoloniality, Religion and Nation:
The creative work of historical fiction brings a prior time and place, one known but unfamiliar, into the present. Jerome de Groot considers one purpose of historical fiction is to “challenge the orthodoxy and potential for dissent [which will] challenge mainstream and repressive narratives.” Its characters and settings represent the cultural issues and struggles of their own time while also asking readers to recognize that many of the same situations still exist and need attention. The social and racial marginalization of women in the United States has been gaining that attention in popular culture outlets, including a recent Saturday Night Live cold open.
Edited Collection: Cancer in Young Adult Literature
Deadline for Submission:
December 31, 2022
Full Name/Name of Organization:
Stephen M. Zimmerly, University of Indianapolis
Continually being transformed, the humanities have expanded into a discursive field of trends, movements, and methodologies that have appropriated the thoughts, ideas, and viewpoints from social and other sciences by transgressing and crossing traditional boundaries, limitations, and demarcations. The humanities which traditionally include the study of disciplines such as language, literature, arts, history, culture, and philosophy rarely prove to be “disciplined” as each one often tends to encroach upon prescribed and reserved territories of other disciplines not traditionally humanities labeled.
American Comparative Literature Association (ACLA) - Chicago, Illinois, March 16-19, 2023
Video games and environmental imaginaries of the Anthropocene
From cold, creeping survival in the Canadian tundra to neon-cathode dreams of a geoengineered utopia, from the weed-choked ruins of far distant future cities to the shattered landscapes caught under the shadow of nuclear annihilation, numerous video game titles across multiple platforms have in recent years contended with the political ecologies, environmental implications, and apocalyptic manifestations of the Anthropocene.
The goal of this seminar is to provide a forum in which to discuss how TV shows (reality shows, true crime, documentary broadcasts, docufictions, and web series) bridge the gap between factual knowledge and myths, and how they facilitate the transfer of ordinary knowledge into the implausible, especially in Iberia and Latin America. Entertainment business and journalism intertwine to engage an audience-oriented to the consumption of serialized narratives.
Call For Papers
27th-28th April 2023, Institute for English Studies, University of Luxembourg
Before Maastricht: Identity and Place in European Writing before the EU
Virtual papers welcome!
OPEN CALL FOR PAPERS AND (AUDIO)VISUAL ESSAYS.
NEW DEADLINE: 10TH OF OCTOBER, 2022
Animation and Comics: In-between Panel and Frame
Editors: Editors: Sahra Kunz (UCP-EA/CITAR); Ekaterina Cordas (UCP-CECC); Ricardo Megre (UCP-EA/CITAR).
This call aims to pioneer a cross-disciplinary discussion platform that would initiate a fruitful dialogue between the fields of Animation and Comics. Responding to a growing artistic and academic interest in these two media and to the new conceptual, practical and theoretical challenges they pose, we feel the need to provide a space for academics and artists to share ideas about these subjects.
We are pleased to announce our call for book proposals for the new Methuen Drama Agitations Series.
Please read below for more information and if interested, please contact one of the editors at the email below.
To confront literary institutions means to confront paradoxes at every level. Institutionalization is the enemy of “real” literature and art, avant-gardists and critical theorists will tell you. Institutions standardize, constrain, and exclude while they assign value and invite critique. Conversely, there is no literature without institutionalization: it is only through institutional frameworks that we can communicate about literature as an observable phenomenon at all. And often, the fiercest critics of institutions are in turn the savviest institution-builders.
17-18 November 2022
CALL FOR PAPERS:
South Asian texts and cultures offer a panoply of terms that are difficult to translate. Consider bhāva — a keyword in premodern philosophy, dramaturgy, and poetics — which may refer to an emotion, a meaning, an essential characteristic, a physical object, a living being, or existence itself. In contemporary South Asia, numerous colloquial terms such as timepass, jugaad, and aunty evoke nuanced existential states, techniques, and relationships that call for careful (and playful) theorization.
To whom does aestheticism belong? Traditionally critiqued as an outgrowth of western bourgeois culture, aestheticism, with its assorted attributes (including aesthetic detachment, disinterestedness, and autonomy) seems ill equipped to respond to our contemporary concerns with marginalization, power imbalances, and the reproduction of hegemonic structures. And yet, the commitment to aesthetic detachment continues to pop up in seemingly unlikely places—in various corners of postcolonial literary production and in the writings of political exiles and Holocaust survivors. We therefore ask to whom aestheticism belongs today, who makes use of it, to what ends, and under what circumstances?
Though “posthumousness” takes a variety of forms, the texts within its ambit share a quality that Jean-Christophe Cloutier, in Shadow Archives, calls “a belated form of timeliness.” The editorial apparatus of posthumously published texts, such as Claude McKay’s Amiable with Big Teeth or Muriel Rukeyser’s Savage Coast, foregrounds these novels’ prior lostness and subsequent belated arrival in forms and contexts that their authors could not have foreseen.