Call for Papers: Spring 2025 Special Issue on Appalachia

Spring 2025 Special Issue of Critical Humanities on Planetary Thinking [ ] Appalachia

The Politics of Weird and the Weirdness of Politics

Online Conference

November 2, 2024

           The vibe shift among the Democratic base since President Biden announced he would not seek reelection has been remarkable: apathy and anxiety have morphed into enthusiasm and a newfound pugnacious spirit. Stumping for Vice-President Kamala Harris, Minnesota governor Tim Walz, Harris’ vice-presidential pick, launched the verbal missile which has revitalized the campaign’s messaging and sought to define Republicans in succinct, yet devastating terms: they’re weird.

Download a PDF version of this call at https://speaktruth.llc/wp-content/uploads/2024/08/CFP-42-percent-project...

What do ‘caring’ and ‘taking care of’ mean? To what extent are ‘caring’ and ‘taking care of’ similar or different from a theoretical and practical point of view? In which contexts are they situated and to what extent do they depend on other contexts? In this conference, we will consider questions about ‘caring’ and ‘taking caring of’ – possibly connecting or differentiating them – in a broad sense, by opening a dialogue about their definitions in different disciplines and subjects, on their roles in various contexts with both humans and non-human actors, and on the way in which ‘caring’ and ‘taking caring of’ establish relationships with other features that define existence, the ordinary and the extraordinary facts of living.

“Whose global village?” asks Ramesh Srinivasan of the inequalities characteristic of “ubiquitous” computing in his eponymous 2017 book. The scholar reconstitutes Marshall McLuhan’s famed notion of a global village forged by telecommunications media in the shadow of the digital divide. Srinivasan’s question of how peoples othered by an infrastructure built for wealthy Western consumers might otherwise forge techno-community is only more urgent in the wake of a global pandemic; communications blackouts; and heavy reliance on conflict minerals. Yet, it is a question that artists have sought to answer since at least the mid-20th century.

CFP – “META+PHYSICS OF BLACK ARTMAKING”

liquid blackness: journal of aesthetics and black studies 10, no. 1, Spring 2026

CFP: Avant-Garde and Experimental Horror (Original Deadline Extended)

The first International Conference on Globalisation in Languages, Education, Culture and Communication (GLECC2025) is going to be held 30-31 July, 2025, Manchester, UK. (https://glecc.org/2025/)

The past two decades have witnessed remarkable advancements in the studies into Education, Second and Foreign Languages, Translation and Interpreting, Cultural Studies, and Communication. This growth, evident in both the number of active researchers and the volume of scholarly throughput and outcomes, can be largely attributed to the forces of globalisation. Consequently, adopting the globalisation perspective is timely and provides a natural framework for connecting these diverse yet interlinked disciplines.

CALLING ALL POP-CULTURE SCHOLARS!!!! 

I'm one half of the pop-culture podcast The Nostalgia Test Podcast. We are a comedy podcast that revists pop-culture from our childhood to see if it's still good, just nostalgic, or terrible! 

We have a series we do called Nostalgia 101 where we have professionals, industry people, directors, innovators, and scholars come on to teach us about a specific pop-culture topic. 

We recently decided we would LOVE to have on one or more (a small panel of scholars, like up to 3 would be cool) scholars to come on and teach us/talk about the 90s revival of swing dance and swing music. 

We usually record for about an hour, though we love to let the conversation build if it's going well. 

This panel, organized by Chisu Teresa Ko (Ursinus College) and Danielle Roper (University of Chicago), invites papers that further the study and theorization of blackface and racial impersonation in Latin America and the Caribbean across various historical periods, genres and forms. As both a racial archive and racial project, blackface performance is the instrument through which people make sense of changes around them— advancements and reversals in racial equality, demographic and political shifts, and (re-) imaginations of national identity.

CfP: Let’s Talk about the ‘Hidden Curriculum’ (Roundtable) 

Northeast Modern Languages Association (NeMLA) annual convention

Philadelphia, PA

March 6 - 9, 2025

Submission Deadline: September 30, 2024 through NeMLA portal: https://cfplist.com/nemla/Home/S/21038

Call for Papers:

Writing both shorter (forum posts, book reviews, and seminar papers) and longer pieces (dissertations and book-length manuscripts) is an integral part of any graduate program in the Humanities. Yet many candidates find themselves completing these pursuits as an end point, rather than as part of a larger journey. Some, for example, may find the process too focused on traditional methods of publishing, while others may find themselves yearning to submit selected works to academic journals. As a result, researching and writing do not look or feel the same for everyone, and no single mentor can fulfill every need of any single candidate or scholar.

Please consider submitting an abstract to the following panel at the International Congress on Medieval Studies sponsored by Italian Studies@Kalamazoo. The deadline for submissions is September 15, and the conference will take place from May 8-10, 2025 on the campus of Western Michigan University in Kalamazoo. Please note that this panel is a traditional in-person session.

Session #5940

Bad Bodies: Materiality and Performativity in the Medieval Mediterranean

Organizers: Catherine Bloomer and Anna Dini

This roundtable titled Monster on the Hill: Decentering Whiteness in Contemporary Horror is interested in questions facing the Horror Genre in its new contemporary era. In the wake of “Black Horror” being deemed “America’s Most Powerful Cinematic Genre” by the New York Times, and the success of auteurs such as Jordan Peele, Nia Dacosta, Iris K. Shim, and more, we seek to think through what are the most important questions facing those reinventing the horror genre in ways that de-center a white western lens? How might we conceptualize horror as a genre that demands both solidarity and betrayal from its viewers, while unifying marginalized populations across the global south and north?