Resilience and Resistance: Embracing Disability Narratives in Nineteenth-Century Fiction proposes a space for scholars to present research on disability studies and narrative agency in British fiction from the period. Disability studies is concerned with altering the contemporary political landscape to procure protections for disabled individuals and communities, question structures which uphold barriers to equal access, and challenge ideologies of ability that affirm ableist notions of social participation. Disability studies also challenges individuals and scholars to analyze the historical, literary, medical, and social understandings of disability to dismantle ableist structures.
Appropriations, Inspirations and Mutual Transfers
5, 6 and 7th of October 2022
International Online Symposium
Réjane Dreifuss (Zürcher Hochschule der Künste,
ZHDK, Zurich University of the Arts, Switzerland)
Simon Hagemann (Center for Research on Mediation [Crem], Université de Lorraine, France)
Izabella Pluta (Centre d’études théâtrales, CET, Université de Lausanne, Switzerland)
Phot. Blast Theory, « Can you see me now?. Photo by Blast Theory©
Roundtable on “Cross-pollination and Collective Action: Diversity and Decolonization across MLL”
Northeast Modern Languages Association (NeMLA) annual convention
Niagara Falls, NY
March 23 - 26, 2023
Submission Deadline: September 30, 2022
We invite proposals for a panel entitled, "Migration and Resilience: Between Hospitality and Hostility" for the 2023 NeMLA conference, which will be held in Niagara Falls, New York from March 23-26, 2023. Call for PapersMigration and Resilience: Between Hospitality and Hostility
Studies in the Novel seeks submissions for a special issue guest-edited by Angela Du (University of Toronto) and Tara MacDonald (University of Idaho) to be published winter 2023.
Keywords: gender and sexuality, feminist/queer/trans approaches, the novel, time and temporality, narrative theory
The creative work of historical fiction brings a prior time and place, one known but unfamiliar, into the present. Jerome de Groot considers one purpose of historical fiction is to “challenge the orthodoxy and potential for dissent [which will] challenge mainstream and repressive narratives.” Its characters and settings represent the cultural issues and struggles of their own time while also asking readers to recognize that many of the same situations still exist and need attention. The social and racial marginalization of women in the United States has been gaining that attention in popular culture outlets, including a recent Saturday Night Live cold open.
February 20-21 (Virtual) – 23-25 2023
Featuring Keynotes by Merve Emre & Frenando Operé
MORE KEYNOTES TO COME!
Societies in Residence at the LCLC include E. E. Cummings Society, Durrell Society, T. S. Eliot Society, Iris Murdoch Society, International Harold Pinter Society & International Virginia Woolf Society
Haunted houses are horrific locations, but they are funny places too. Buster Keaton found his way into a haunted house (The Haunted House (1921)); so did Harold Lloyd (Haunted Spooks (1920)). Bob Hope stumbled into several, as did comedy troupes like Our Gang and the Bowery Boys. Haunted houses turn up again and again in classic animation, as in Lonesome Ghosts (1937). More recently, filmmakers like the Wayans brothers and Tyler Perry have contributed to the haunted house comedy. Our collection hopes to excavate and understand this neglected strand, exploring some of the foundational connections between horror and comedy around the theme of haunted house.
In the documentary This Changes Everything, Naomi Klein describes the limits of depicting climate change as the inevitable result of human nature driven by greed and competition. As Klein argues, this story of climate change diminishes social agency, promotes powerlessness, and displaces solutions beyond the repetition of the status quo. Several years later, capitalist realism and apocalypse remain primary modes through which climate futures are envisioned in news media, film, television, and literature.
Resilience is the ability of the human mind and/or body to respond to adverse circumstances, tragedy, trauma, or any other intimidation to emotional and/or physical integrity and its impacts. It is an individual’s retort to any encroachment on one’s self, and establish self- legitimacy in a hostile environment. But is this power of resilience displayed with homogeneity or heterogeneity among and/or across culturally diverse and rich groups? As a context and culture-specific response, resilience is demonstrated in negotiation with factors, such as spatial, sociocultural, and political. Hence, its study is problematized when it is read as a homogeneous response to adversity by individuals from varied backgrounds.
Centre for Memory Studies, Indian Institute of Technology Madras
International Conference in Memory Studies
Memory in a Digital Age
23-25 August 2022
Considering recent literary and critical trends in Canada, this panel aims to provide a space for scholarship on the evolving role of feminist and queer writing in relation to contemporary political and social issues. In a Canadian context where decades of political gains by queer and feminist activists have been accompanied by constant backlash from various conservative political groups, it seems increasingly pressing to emphasize intersections between queer and feminist modes of thinking about identity, sex, sexuality, and binary understandings of gender.
Please consider submitting to our panel, 'Contemporary Environmental Writing and Literary Traditions', taking place at NeMLA's 54th Annual Convention, Niagara Falls, New York, 23-26 March 2023.
Professor Catherine Spooner (Lancaster University)
Dr Xavier Aldana Reyes (Manchester Metropolitan University)
and featuring a Q&A and dramatic reading by Dacre Stoker
How can vampires help us heal?
In the 125th anniversary year of Bram Stoker’s Dracula, this interdisciplinary project examines the continuing history of the vampire from the 19th century to the present and explores how the vampire can function as a cultural figure of recovery, community, and regeneration.
UPDATE!Due to an increased interest in submitting abstracts for the conference “Video Games as a Common Ground” in the last few days, we are pleased to extend the deadline for the submission and the invitation to participate in the conference. We are now accepting abstracts until July 1st, 2022. If you have already started writing your abstract but have not managed to complete it, now is the time! As always, we are looking forward to your participation in the conference.
We are happy to announce the CFP for the 3rd AISNA GRADUATES CONFERENCE.
This year the title will be: Queering America: Gender, Sex, and Recognition in U.S. History, Culture, and Literature
The conference will be held on September 30, 2022 at the Centro Studi Americani, ROME
WHAT, WHEN & WHERE
We often think of holiday romance movies as formulaic fluff and a nice distraction during what is inevitably a hectic season of travel, cooking, and family get-togethers. And honestly, many of them are! In this edited collection, we seek to examine what makes holiday romance movies, TV episodes, novels, and other texts so comforting, engaging, or even, for the Grinches among us, annoying. We are seeking chapter proposals that analyze the genre of holiday romance in its broadest definition, from White Christmas to Hallmark’s annual lineup, and beyond.
In collaboration with the Ackerman Center for Holocaust Studies at the University of Texas at Dallas, the Global Center for Religious Research (GCRR) is proud to announce the 2022 International eConference on Holocaust Studies. The conference will bring together historians, specialists, and researchers from all over the world to discuss the need to preserve Holocaust memories.
The decreasing number of survivors and the steady rise of antisemitism are two main concerns of this multidisciplinary virtual conference. Scholars will explore the various forms and practices through which Holocaust memories are mediated, preserved, and safeguarded across different technologies as well as geographies.
CFP - HyperCultura - no. 11/2022Dear Colleagues,We have the pleasure to invite you to submit articles for our next issue, due March-April 2023. Continuing the last issue’s approach, and in accordance with the times we live in, we will welcome papers on the following themes: NATIONALISM/ POST-NATIONALISM, COLONIALISM/ POSTCOLONIALISM/ DECOLONIZATION, RACE, GENDER STUDIES, ETHNICITY, and IDENTITY. Following our Journal’s profile, we only receive articles on the following domains: LITERATURE (not classic), MEDIA STUDIES, FILM STUDIES, VISUAL AND PERFORMATIVE ARTS, and TEACHING (language and literature).
This panel seeks to explore young adult novels that depart from the coming of age story for teen protagonists, and the progressive ways that they can position their main characters as already actors with agency in the world. For instance, in recent young adult novels by Darcie Little Badger Elatsoe and A Snake Falls to Earth, the protagonists are already respected by their parents and they’re asexual. They don’t need to rebel against their authority figures or have sexual awakenings. In the tradition of Nancy Drew novels, in The Box in the Woods by Maureen Johnson, the protagonist is already known as a teen sleuth and has an established boyfriend. She doesn’t need to break out into the wider world or discover her first love, either.
This roundtable seeks participants outside of tenure & tenure-track university positions, for a frank discussion about managing research and writing lives when research and writing is not strictly considered part of the job. Contingent and adjunct faculty, those whose roles are solely defined as “teaching,” and independent scholars with alt-ac day jobs all have particular constraints to their research time and access. This roundtable will explore diverse approaches to these questions: How do you juggle your commitments, find support and funding, get access to library collections, etc. in less-than-perfect situations?
This session is sponsored by the CAITY Caucus.
This interdisciplinary panel welcomes submissions on any aspect of change within life writing. With the proliferation of modes available for what Anna Poletti has termed “self-life-inscription,” and a concurrent rise in hybrid genres such as autofiction that challenge the assumed boundary between truth and fiction in autobiographical narrative, it is clear that the scope of what is considered autobiography is changing. This panel seeks to articulate these changes and explore how they are impacting our understanding of the meaning and significance of life writing. Papers might explore changes in the medium of autobiography, such as social media, photography, film, graphic narratives, material collections, or performance.
ADEFFI ASMCF Teaching and Learning Series
Wednesdays and Fridays from 15 June 2022- 1 July 2022
Registrations are now open for the ADEFFI ASMCF Teaching and Learning Series!
This training series has been jointly organised by the Association for the Study of Modern and Contemporary France and the Association des études françaises et francophones d'Irlande.
This indispensable series is aimed at new lecturers, postgraduate students who have teaching time, Graduate Teaching Assistants, part-time tutors and demonstrators, as well as experienced teaching staff who may feel it’s time to review their skills in teaching and learning.
In celebration of the off-Broadway début of The Tyrannicides, the first ever full theatrical adaptation of the story as told in Thucydides’ History of the Peloponnesian War, this roundtable calls for a discussion of theatrical and cinematic (re)tellings of classical histories and myths.
This accepted panel invites abstracts for the upcoming NeMLA 2023 conference at the University at Buffalo in Niagra Falls, NY from March 23-26, 2023.
Call for Papers 2022: American Conspiracies
Post: June 30, 2022
Deadline for Abstracts and Bios: August 15, 2022
Contributors selected: August 30, 2022
Submit Abstracts and Bios to Luke Ritter at email@example.com
Abstract Guidelines: 500 words maximum
Bio Guidelines: One page C.V.
Project Title: American Conspiracies: An Interdisciplinary Volume on the Structure of Conspiratorial Beliefs in the U.S.
This roundtable explores women writers creating experimental literary works with alternative materials. From Alison Knowles's The Big Book (1967), a walk-in book installation with 8-feet pages; to Shelley Jackson's Skin (2003), a story published in tattoos across 2095 volunteers, and SNOW (2014), "a story in progress, weather permitting," through words written in snow on Instagram; to Jill Magi's textile poetics: these writers push the boundaries of textuality in order to consider in what ways material creates meaning, and to examine the political, social, and economic conditions that determine the creation of literary objects.
This panel examines creative feminist rewritings, revisions, and fabrications of non-fictional and documentary sources.
Papers are welcome on the following topics:
- Creative and critical uses of archival and documentary sources in feminist literature
- Fabricated archival and documentary genres in feminist literature
- The political, ethical, and social dimensions of feminist “rewriting”
- Erasure, palimpsest, collage, mixed media, and/or other formal experimentation as feminist strategy
- Feminist counterfactual histories and counter-narratives
- Feminist approaches to the archive and archival studies
- Any other themes relevant to the topic