Scholarly discussions on environmental concerns have long been Euro-American-centric. In his 2005 essay, Rob Nixon critiques literary representations of environmentalism as an “offshoot of American Studies,” which has excluded non-American and non-Western perspectives on environmental degradation from critical inquiry. Nixon highlights Nigeria’s Abacha regime’s execution of Saro-Wiwa, a writer, activist and poet, who died fighting for his Ogoni people’s farmlands and the encroachment of their fishing waters by American and European conglomerates, supported by the local despotic regime. Nixon observes that Saro-Wiwa’s writings have received little attention from ecocriticism scholars (2005).

MLA 2027 Los Angeles

The last few years have seen growing interest in theorist Stuart Hall’s work and its relation to psychoanalysis. Jacqueline Rose devoted a lecture to the topic (later reprinted in The New York Review of Books as “The Analyst”). More attention has been given to what Hall had to say about psychoanalytic thought between the lines in his work, but also in more direct ways, such as in his 1987 paper “Psychoanalysis and Cultural Studies.” Further, psychosocial theorists like Stephen Frosh have commented on Rose’s reflections on Hall and offered their own takes on why thinking about Hall vis-à-vis psychoanalysis may be overdue and worthwhile.

Under capitalism, we live separated from life. Capital’s extractive colonizing domination keeps us separated from nature, from each other, and from our own bodies, denying us a symbiotic and regenerative relationship with the natural world and with each other. Yet, certain types of bindings are integral to capitalism: capitalism depends on the combination of labour and nature for the production of value; the “emergence of capitalist accumulation and the reproduction of capitalist production” depends on “acts of violent dispossession”, on “tearing Indigenous societies, peasants, and other small-scale, self-sufficient agricultural producers from the source of their livelihood––the land” (Coulthard 2014).

International Journal of Artificial Intelligence and Soft Computing (IJAISC)  ISSN : 2819 - 101N 2974-5962 (Print)

http://flyccs.com/jounals/IJASC/Home.html

*** February Issue***

Submission System

Scope

Wilde West Coast

The Oscar Wilde Society invites abstracts for a special session at the 2027 MLA (Modern Language Association) Convention in Los Angeles, January 7–10 2027.

The song lyric occupies little space in academia, where it is less studied, less appreciated, and perceived as less-than other kinds of writing. Despite music’s ubiquitous cultural presence, the song lyric—as creative work—suffers from what renown songwriter Jimmy Webb calls a “status problem”: songwriters do not enjoy the same standing as writers of other kinds of traditionally studied literature. The most common way that song lyrics have earned scholarly attention is by conflating the form with the poem. Goldstein’s (1969) The Poetry of Rock is one of the first books to attend to lyrics as poetry.

The conference Comics and Film: A Space Odyssey explores the intersection of cinema and comics through the multifaceted lens of spatial representation. We invite scholars, PhD students, artists, and practitioners to examine how these two visual media construct
and organize space in its broadest conceptual and material dimensions.

International Conference on Myths, Archetypes and Symbols:“Models and Alternatives” 26-27 September 2026 – London/Online

 organised by

London Centre for Interdisciplinary Research

“Beyond Labels”: International Conferenceon Disability, Different Ability and Neurodiversity12-13 September 2026Birkbeck, University of London / Online

organised by

London Centre for Interdisciplinary Research

Disability, different ability and neurodiversity are concepts that traverse boundaries, challenging disciplines to rethink foundational assumptions about identity, culture and power. This interdisciplinary conference seeks to bring together scholars from different fields to critically examine the shifting narratives, representations and lived experiences surrounding ability and difference.

In the early stages of understanding the scope of the most horrifying criminal empire in American history, we are grappling with academia’s role in it. Several faculty members and institutions have been implicated. A few were genuinely innocent and ignored Epstein’s invitations, and some were willingly complicit in crimes against humanity. 

Epstein’s co-conspirators have fundamentally compromised the student-teacher relationship and the student-university relationship.

Postcolonial Interventions invites scholarly articles for an OPEN ISSUE to be published in June 2026. As the journal enters its eleventh year, we are hoping to continue critical exploration of emerging voices and recent literary creations while remaining mindful of the various threats associated with older imperial aggressions, re-appearing across the globe, fissures within nation states, multiple forms of exclusionary violence and widening inequality and precarity. The next issue of Postcolonial Interventions seeks to explore such issues and more based on postcolonial experiences across the world.

Submission Guidelines:

Concept Note

Questions in Black sound and sonic geographies

American Association of Geography

Panel Presentation

What are the spatial contours of black sound? What are some iterations, notes, scripts, or possibilities within the emerging field of black sonic ecologies and black sonic geographies? How can one detect or follow a “black sense of place” (McKittrick 2011)? What is being listened to and what is being heard? What have you been taught or teaching yourself to hear? 

What do you consider noise? Who and what hears black sound as a nuisance? What does noise, nuisance generate? 

“We are here to begin to achieve the American Revolution.” 

– James Baldwin, Foley Square, 1963

Did Baldwin mean it? Do we, who take him down from the shelf, mean it? What would it mean to pick up the idea again, with or against Baldwin? Is it too late, for America, for revolution, for both? Or is the time now finally ripe? 

For the American Studies Association convention in Chicago in 2026, James Baldwin Review invites proposals for a roundtable that takes this starting point as an occasion to leap into the unknown.  

Please send abstracts of 250 words to jbr@wustl.edu by February 20, 2026. 

In “Thoughts on Late Style,” Edward Said describes how an artist’s late works 

cannot be reconciled or resolved, since their irresolution and fragmentariness are constitutive, neither ornamental nor symbolic of something else. The late works are about ‘lost totality’, and it is in this sense that they are catastrophic.

 The late works of James Baldwin have often been dismissed as evidence of decadence, of their maker’s exhaustion after too many years of activism, as a crude failure to synthesize his fiction and nonfiction, the novels too political, the essays too aesthetic. Yet this supposedly weak synthesis rhymes with Said’s meditations on the irresolution typical of an artist’s late works. 

Edited Volume

Call for Contributions 

Penn State’s Center for American Literary Studies presents

Heat and the Humanities: Reframing Human Relationships to Heat and Wildfire

Friday, February 27, 2026, Noon—1:00 p.m. EST via Zoom

 Register here

https://psu.zoom.us/webinar/register/WN_tzjjrtt9RYWmESys5PkJaw

After registering, you will receive a confirmation email

Jason Lives – essays on the Friday the 13th franchise

In 1980, inspired by the success of John Carpenter’s Halloween two years prior, Sean S. Cunningham wanted to create a horror film that would serve as a ‘roller coaster ride’ – that film, Friday the 13th, would launch one of the key horror franchises of the 20th century, comprising twelve films, a TV series, a selection of books, games and merchandise, and the establishment of hockey mask-wearing killer Jason Voorhees as a cultural phenomenon.

Call for Articles: Cultural Materialism, Fascism and the Far Right 

A Special Issue of Key Words: A Journal of Cultural Materialism

Call for Papers: Journal of Gaming & Virtual Worlds

Special Issue: ‘Video Games & Horror’

Abstract deadline: 1 April 2026
Full article draft deadline: 28 July 2026

View the full call here>>

https://www.intellectbooks.com/journal-of-gaming-virtual-worlds#call-for-papers

The Journal of Gaming & Virtual Worlds is excited to announce a call of content for an upcoming Special Issue focused on horror in video games. 

The Cultural Studies Cell

Department of English and Cultural Studies, Central Campus

In collaboration with

Department of Media Studies, Central Campus

CHRIST (Deemed to be University), Bangalore

Organizes

An International Conference (Hybrid)on

Urban/Media Infrastructures

March 5-7, 2026

Call for Expressions of Interest: Book Reviews Editor for The London Journal

The London Journal is seeking expressions of interest for the role of Joint Book Reviews Editor.

This role will cover the period from roughly 1800 to the present, joining Kirstin Barnard, who covers the medieval and early modern periods. The Book Reviews Editors are full members of the Editorial Board.

Call for Papers: SCMS Horror Studies SIG Graduate Student Essay Prize

The SCMS Horror Studies Scholarly Interest Group is delighted to announce that submissions are now open for our annual Graduate Student Essay Prize.

The winning essay will be published in an upcoming issue of the open-access journal Monstrum and the author will receive:

Papers, delivered in English, on adaptations of works by Joseph Conrad, in any form and language, including film, television, games, opera, theatre, musical compositions, and graphic novels. This is the planned guaranteed session for the Joseph Conrad Society of America Allied Organization at the Modern Language Association Convention in January 2027. Email 300 word proposals and a 100-word biography to Jana Giles, giles@ulm.edu. Deadline: March 15, 2026.

For further information and to see the call posted on the MLA website, see: https://mla.confex.com/mla/2027/webprogrampreliminary/index.html.