Neo-Victorian Studies (www.neovictorianstudies.com), an inter-disciplinary, fully peer-reviewed e-journal, invites scholarly and/or creative submissions on any topic related to the re-visioning of the nineteenth century from twentieth/twenty-first century critical perspectives. The journal aims to explore continuities and ruptures between the Victorian and later (post)modern periods, and analyse the nineteenth century's cultural legacies and reverberations – aesthetic and ideological, material and residual/spectral – within literature, the arts and humanities, and present-day political, legal, and medical discourse.

Playing Web 2.0: Intertextuality, Narrative and Identity in New Media

41st Anniversary Convention, Northeast Modern Language Association (NeMLA)

April 7-11, 2010

Montreal, Quebec - Hilton Bonaventure

Call for Papers: Shirley Jackson

Proposed Collection: Beyond "The Lottery": Critical Approaches to Shirley Jackson

Editor: Matthew B. Prickett, Longwood University

Beyond "The Lottery" will be the first peer-reviewed collection of critical materials examining the life and works of American author Shirley Jackson. The collection will be an opportunity for scholars to draw attention to lesser-known works of Jackson's, and expand on current scholarship in regards to more widely-known works. Ultimately, the collection will provide the author, and her works, with the critical attention that she has been denied until recently.

Possible topics include but are not limited to:

Submissions are currently being accepted for a feature, "H.D. and the Image," which is tentatively scheduled for publication in Jacket. The feature will focus on the relevance of Imagist technique to contemporary poetry, particularly the ways that poets today continue to draw from the Imagist tradition that Hilda Doolittle represented. Doolittle remains a unique figure in 20th century women's poetry, particularly because she continually revised her own definition of Imagist technique in transitioning from early works like Sea Garden to later book such as Helen in Egypt.

CALL FOR PAPERS
THE THIRTEENTH ANNUAL RED RIVER CONFERENCE ON WORLD LITERATURE
NORTH DAKOTA STATE UNIVERSITY
TRANSLATION:
PASSAGE TO WORLD LITERATURE
April 16-18, 2010

Call for Papers

Session Title: Considering the Reading of Films

41st Anniversary Convention, Northeast Modern Language Association (NeMLA)
April 7-11, 2010
Montreal, Quebec - Hilton Bonaventure

3rd Global Conference
Interculturalism, Meaning and Identity

Tuesday 10th November - Thursday 12th November 2009
Salzburg, Austria

Submissions are invited for volume 9 of Cather Studies, to be published by the University of Nebraska Press. The theme for the volume will be "Cather, Chicago and Modernism." Essays may address Willa Cather's relationship to broader formations of cultural and literary modernism, as well as to the city of Chicago. How, and in what ways, is Cather a modernist (if at all)? Cather described Death Comes for the Archbishop as a 'narrative': does this kind of description point to a radical, experimental fiction-making? To what extent did she also resist and reject the 'modern'? The editors of Cather Studies seek submissions that address a wide range of intersections and connections between the full range of Cather's work and modernism/modernity.

41st Anniversary Convention, Northeast Modern Language Association (NeMLA)
April 7-11, 2010
Montreal, Quebec - Hilton Bonaventure

"Communal Modernisms"

This message is for presenters and possible attendees of the 2009 Feminism(s) and Rhetoric(s) Conference (i.e., FemRhet 2009).

The registration system for the 2009 Feminism(s) and Rhetoric(s) Conference is live and available on our website: http://kairos.wide.msu.edu/~femrhet/registration.html. Also, all presenters have to register by June 15 to be on the FemRhet 2009 program; there's a late fee for registrations after that date. Please let us know if you have any questions or concerns regarding registration.

Jessica Rivait
FemRhet 2009 Planning Committee Member

The Journal of Transnational American Studies (JTAS) invites proposals for Special Forums in upcoming issues. Each Special Forum will be a cluster of articles that speaks to a critical issue in transnational American Studies; we are particularly interested in innovative scholarship that is presented by coalitions of scholars from around the globe and which interrogates the geographical, topical, and ideological parameters of American Studies.

The Editorial Board will consider Special Forum proposals on a rolling basis. Proposals should be submitted in a Word document to Yanoula Athanassakis, the Associate Managing Editor for Special Forums, at: jtas.special.forum@gmail.com.

Reading great philosophical texts too hastily might induce one to consider moderation to be an ideal of life—while Protagoras maintains that "man is the measure of all things," Epictetus stresses that "once beyond the measure there is no limit," and in his Thoughts Pascal asserts that "to leave the mean is to abandon humanity." Yet, as early as Kant, the excess inherent in immoderation became the necessary condition of beauty—"That is sublime which even to be able to think of demonstrates a faculty of the mind that surpasses every measure of the senses." The imagination thus overtakes the sense, which might partly explain why literature is drawn to immoderation.

The 2009 Conference in Denver will continue the tradition established in 2004 of offering seminars designed to increase participation of the membership in the conference and giving them another excellent reason to attend. Modeled on what has worked successfully for such organizations as the Shakespeare Association of America and the Modernist Studies Association, these four seminars will each be led by a distinguished member of the Association.

The 2009 Conference in Denver will continue the tradition established in 2004 of offering seminars designed to increase participation of the membership in the conference and giving them another excellent reason to attend. Modeled on what has worked successfully for such organizations as the Shakespeare Association of America and the Modernist Studies Association, these four seminars will each be led by a distinguished member of the Association.