In the study of diasporic/postcolonial literature, Salman Rushdie and Ngugi wa Thiong'o are among the prominent names. In the existing world order, their thinking deserves some reckoning to better human relations across nations and cultures. This session hopes to investigate the worldview coming from oppositional intellectuals and writers such as Rushdie and Ngugi. Papers delving into some form of comparative study between the work of Ngugi and Rushdie are welcome. Abstracts (300-500 words) are due by March 10, 2012.
"'Narratives of Difference' in the Global Marketplace"
At: School of the Arts, Avenue Campus, University of Northampton
25-26 October 2012
This proposed special session for the 2013 MLA Convention (Boston, Jan. 3-6, 2013) explores the relation between verse conventions and intonation. It questions to what extent lineation and other generic and historic markers of poetry, including visual form, might draw upon the inherent organization of intonation in language as a prosodic device for free and/or metrical verse. It also asks whether a prosody based on intonational contours can be made explicit (i.e., shared between reader and poet) or whether it remains perceptual, given the affiliation of some aspects of intonation with performance.
We welcome proposals that explore folklore, folklife, and traditional forms of expression. Papers may include, but are not limited to, examinations of oral traditions, music, material culture, foodways, folk festivals, ritual, dance, and the work of folklore collectors. We are especially interested in proposals that explore auto-ethnography, interdisciplinary approaches to folklore subjects, and literary interpretations of folklore and folklife.
Please send a brief proposal (250 words) to Emily Kader (email@example.com) by May 15, 2012.
'An aphorism, properly stamped and moulded, has not been "deciphered" when it has simply been read: rather, one has to begin its exegesis, - for which is required an art of exegesis'.
Friedrich Nietzsche, The Genealogy of Morals
Compelling impulses, strategies of gender and racial empowerment, and the mechanics of potential transformations are distinct in her works.
Submit 300 word abstracts by 3/4/12.
Special sessions are subject to approval by the MLA.
Papers that explore the underpinnings of making and/or experiencing fictional worlds are welcome. Topics may range from new work on techniques of representation, mimesis, make-believe, reality effects, and illusion, to how formal features translate into aesthetic experience. Papers focusing on the cognition of representational art, or on the psychological or phenomenological dimensions of literary experience are also welcome. Submit 300-word abstracts by 1 March 2012 to Elaine Auyoung (firstname.lastname@example.org). Special sessions are subject to approval; all panelists must be members of the MLA.
"Monsters in the Margins" April 13-15, 2012 (Updated!)
UF Conference on Comics and Graphic Novels (10th Anniversary Event!)
The first UF conference on Comics and Graphic Novels was held in 2002. We ask that you come join us to celebrate our conference's anniversary at "Monsters in the Margins," which will be held on April 13-15.
"Am I on the spectrum?" asks Abed Nadir, a character on the show Community. He then provides an answer: "None of your business." His joke presumes that the audience will understand this reference to the autism spectrum, and Community introduces the topic of Asperger's Syndrome in its pilot episode. Since the publication of Temple Grandin's work on autism in 1986, there has been a textual explosion of work on Asperger's Syndrome and the autism spectrum. Changes to the DSM-V will replace Asperger's Syndrome with Autistic Spectrum Disorder, a broadening that could threaten the culture that aspie/AS-identified people have produced in the form of literature and visual media. This volume would explore representations of autism within popular culture.
Modernist Studies Association 14th annual conference, Las Vegas (Oct. 18-21, 2012)
This proposed panel will focus on the relationships between late modernism (both pre- and post-WWII) and film. We welcome submissions on any topic in this area; however, we are especially interested in discussions on the city, the flâneur, spectacle, the avant-garde, and Situationism, or those that explore questions of influence, anxieties about representation, formal strategies, and politics.
We are seeking paper and panel proposals for the Twelfth Annual Graduate English Conference at Southern Connecticut State University (New Haven, CT). Proposals may address any area of English studies as well as a variety interdisciplinary fields including but not limited to American studies, African-American studies, film studies, Latina/o studies, postcolonial studies, textual studies, queer studies, and women's studies.
For more information, please go to the conference website at: http://www.home.southernct.edu/~neverowv1/grad_eng_conf12.html
Media Across Borders: The 1st International Conference on the Localisation of Film, Television and Video Games
Saturday 9th June, 2012 at the University of Roehampton, London
Launch event of the Media Across Borders network, funded by the Arts & Humanities Research Council (AHRC) as part of the Translating Cultures programme.
The Society for the Study of Southern Literature issues a call for papers for the 2013 Modern Language Association Conference held on January 3-6, 2013 in Boston. The session will consider cultural artifacts from a spectrum of media (literature, cinema, music, comics, photography, painting, digital art, video games, funeral rites, burial practices, etc.) that explore representations of death and deathways, including (but not limited to) forms of southern haunting and horror in multiethnic, hemispheric, global, and/or U.S. southern contexts. Special attention will be given to proposals that uncouple "southern" and "gothic" in the interests of developing more expansive notions of southern horror and (un)deadness. Relevant creative work is also welcomed.
The shared origin of text and textile in the Latin texere, to weave, is a critical commonplace. Many of the terms we use to describe our interactions with words are derived from this common linguistic root, and numerous other expressions associated with reading and writing are drawn from the rich vocabulary of cloth. Textiles are one of the most ubiquitous components of material culture, and they are also integral to the material history of texts. Paper was originally made from cotton rags, and in many different cultural and historical settings texts come covered, wrapped, bound, or decorated with textiles.
The Society for the Study of Southern Literature issues a call for papers for the 2013 Modern Language Association Conference held on January 3-6, 2013 in Boston. The session will focus on representations of southern heroes in various media, whether in fiction, film, graphic novels, television, art, memorials, tourist attractions, anniversary or birthday celebrations, school curricula (revisionist or otherwise), biography, et cetera. We invite papers dealing with larger-than-life figures, from Civil Rights activists to Confederate veterans to celebrated authors, in any southern context, be it U.S. Southern, hemispheric, multiethnic, et cetera, particularly as they interrogate the political and ideological underpinnings of constructions of heroism.