CFP: FemTAP 2.1: Race, Gender, and Social Justice (11/6/06; e-journal issue)
Submission Guidelines: email attachment only to
ikerlee_at_unm.edu; Chicago manual style w/limited endnotes;
full guidelines at www.femtap.com
a service provided by www.english.upenn.edu |
FAQ changelog |
Submission Guidelines: email attachment only to
ikerlee_at_unm.edu; Chicago manual style w/limited endnotes;
full guidelines at www.femtap.com
Medieval Association of the Pacific - Call for Papers
The Medieval Association of the Pacific is now accepting proposals
for the 41st annual MAP Conference to be held 2-3 March 2007 at the
University of California, Los Angeles, under the auspices of the UCLA
Center for Medieval and Renaissance Studies. We welcome proposals for
individual 20-minute papers in any area of medieval studies, as well
as organized sessions of three 20-minute papers. In the latter
category, we strongly encourage the submission of interdisciplinary
proposals with presenters from more than one institution.
CALL FOR PAPERS
Documentation, Demonstration, Dematerialization:
American Art and Cinema of the Late 1960s and 1970s
November 17 - 18, 2006
University of California, Berkeley
Hosted by the Graduate Film Working Group, UC Berkeley
The late 1960s and 1970s mark a period of dramatic change in the visual
culture of the United States, from avant-garde art and filmmaking
practices to documentary, Hollywood cinema, and the dissemination of
video. This is, after all, the period when:
* Modernist painting gives way to pop, minimalism, and the language-,
photography-, process-, and performance-based activities of conceptual art
CALL FOR PAPERS
Documentation, Demonstration, Dematerialization:
American Art and Cinema of the Late 1960s and 1970s
November 17 - 18, 2006
University of California, Berkeley
Hosted by the Graduate Film Working Group, UC Berkeley
The late 1960s and 1970s mark a period of dramatic change in the visual
culture of the United States, from avant-garde art and filmmaking
practices to documentary, Hollywood cinema, and the dissemination of
video. This is, after all, the period when:
* Modernist painting gives way to pop, minimalism, and the language-,
photography-, process-, and performance-based activities of conceptual art
Deadline extended to October 15, 2006.
Composition, Copyright, and IP Law (edited collection)
Eds. Steve Westbrook, Ph.D. & Timothy Hodge, Esq.
We are seeking 500-word proposals for an interdisciplinary collection of
articles that examines the relationship between copyright law and the
activities of writing, researching, teaching, and learning. Regardless
of the particular activity or combination of activities under
discussion, we are concerned primarily with the legal, questionably
legal, and illegal production and distribution of texts, which we define
broadly to include verbal, print, auditory, visual, and new media, as
well as computer code.
Deadline extended to October 15, 2006.
Composition, Copyright, and IP Law (edited collection)
Eds. Steve Westbrook, Ph.D. & Timothy Hodge, Esq.
We are seeking 500-word proposals for an interdisciplinary collection of
articles that examines the relationship between copyright law and the
activities of writing, researching, teaching, and learning. Regardless
of the particular activity or combination of activities under
discussion, we are concerned primarily with the legal, questionably
legal, and illegal production and distribution of texts, which we define
broadly to include verbal, print, auditory, visual, and new media, as
well as computer code.
Deadline extended to October 15, 2006.
Composition, Copyright, and IP Law (edited collection)
Eds. Steve Westbrook, Ph.D. & Timothy Hodge, Esq.
We are seeking 500-word proposals for an interdisciplinary collection of
articles that examines the relationship between copyright law and the
activities of writing, researching, teaching, and learning. Regardless
of the particular activity or combination of activities under
discussion, we are concerned primarily with the legal, questionably
legal, and illegal production and distribution of texts, which we define
broadly to include verbal, print, auditory, visual, and new media, as
well as computer code.
14th International Medieval Congress, Leeds (9-12 July 2007)
Special sessions sponsored by the Centre for Medieval Studies, University of
Wales, Bangor
Session titles: 'Popular romance: Cities and Merchants' and 'Arthurian cities'
Paper proposals on all aspects, literary, historical, cultural are welcome for
the above sessions. It is envisaged that 'Arthurian cities' might become a Round
Table and thus would accommodate shorter presentations on suitable topics.
Abstracts should be 250 words max. E-mail submissions are acceptable.
Electronic
submissions to: r.radulescu_at_bangor.ac.uk
Deadline: 15 September 2006.
-
Update: "DoubleTake/Points of Entry" call for book reviews on narrative/literary journalism and documentary
The recent announcement seeking book reviews for the journal "DoubleTake/Points of Entry" listed the wrong date for when reviews are due for the next issue. The correct deadline date is October 7, 2006.
Submission guidelines:
Psycho-Traumatology and 19th Century Authorship: 38th Annual NEMLA =
Convention, March 1-4, 2007 Baltimore, Maryland. This panel proposes to =
examine the connection between the real-life trauma of nineteenth =
century authors and their body of work. In what ways did their childhood =
and/or adolescent traumas inform and shape 19th century writings? How =
much narrative distance is there between the traumatized author and =
his/her work? What are the various traumas that serve to influence =
writers of the nineteenth century? Possible trauma topics include: Death =
and/or Suicide and/or Murder; Poverty; Incest; Physical and/or Emotional =
Psycho-Traumatology and 19th Century Authorship: 38th Annual NEMLA =
Convention, March 1-4, 2007 Baltimore, Maryland. This panel proposes to =
examine the connection between the real-life trauma of nineteenth =
century authors and their body of work. In what ways did their childhood =
and/or adolescent traumas inform and shape 19th century writings? How =
much narrative distance is there between the traumatized author and =
his/her work? What are the various traumas that serve to influence =
writers of the nineteenth century? Possible trauma topics include: Death =
and/or Suicide and/or Murder; Poverty; Incest; Physical and/or Emotional =
Psycho-Traumatology and 19th Century Authorship: 38th Annual NEMLA =
Convention, March 1-4, 2007 Baltimore, Maryland. This panel proposes to =
examine the connection between the real-life trauma of nineteenth =
century authors and their body of work. In what ways did their childhood =
and/or adolescent traumas inform and shape 19th century writings? How =
much narrative distance is there between the traumatized author and =
his/her work? What are the various traumas that serve to influence =
writers of the nineteenth century? Possible trauma topics include: Death =
and/or Suicide and/or Murder; Poverty; Incest; Physical and/or Emotional =
Psycho-Traumatology and 19th Century Authorship: 38th Annual NEMLA =
Convention, March 1-4, 2007 Baltimore, Maryland. This panel proposes to =
examine the connection between the real-life trauma of nineteenth =
century authors and their body of work. In what ways did their childhood =
and/or adolescent traumas inform and shape 19th century writings? How =
much narrative distance is there between the traumatized author and =
his/her work? What are the various traumas that serve to influence =
writers of the nineteenth century? Possible trauma topics include: Death =
and/or Suicide and/or Murder; Poverty; Incest; Physical and/or Emotional =
Final call for submissions for the following panel of the annual Northeast Modern Language Association conference:
Cultural Exchange in Native and European American Literatures
How have Native and European American writers negotiated the contact zone? Papers from all periods and genres in American literature are invited. Possible topics might include transculturation, assimilation, hybridity and cultural difference; accounts of captivity, colonization and sovereignty; examples of performing identity and "playing Indian;" sites of translation and cultural (mis)representation; issues of redaction, voice, authority and textual mediation.
Final call for submissions for the following panel of the annual Northeast Modern Language Association conference:
Cultural Exchange in Native and European American Literatures
How have Native and European American writers negotiated the contact zone? Papers from all periods and genres in American literature are invited. Possible topics might include transculturation, assimilation, hybridity and cultural difference; accounts of captivity, colonization and sovereignty; examples of performing identity and "playing Indian;" sites of translation and cultural (mis)representation; issues of redaction, voice, authority and textual mediation.
Final call for submissions for the following panel of the annual Northeast Modern Language Association conference:
Cultural Exchange in Native and European American Literatures
How have Native and European American writers negotiated the contact zone? Papers from all periods and genres in American literature are invited. Possible topics might include transculturation, assimilation, hybridity and cultural difference; accounts of captivity, colonization and sovereignty; examples of performing identity and "playing Indian;" sites of translation and cultural (mis)representation; issues of redaction, voice, authority and textual mediation.
Final call for submissions for the following panel of the annual Northeast Modern Language Association conference:
Cultural Exchange in Native and European American Literatures
How have Native and European American writers negotiated the contact zone? Papers from all periods and genres in American literature are invited. Possible topics might include transculturation, assimilation, hybridity and cultural difference; accounts of captivity, colonization and sovereignty; examples of performing identity and "playing Indian;" sites of translation and cultural (mis)representation; issues of redaction, voice, authority and textual mediation.
Update: The deadline for submissions to "Revenge in Late Medieval England" has been extended to September 15.
"Revenge in Late Medieval England"
(Apologies in advance for cross-postings!)
CALL FOR PAPERS:
American Theatre and Drama Society (ATDS)
at the Association for Theatre in Higher Education (ATHE) Conference
July 26 =96 29, 2007, New Orleans, Louisiana
=93Regenerations: Theatre and Performance as a Regenerative Force=94
In 1842, a witness to the burning of the St. Charles Theatre reported in=20
the New Orleans Bee:
The second annual Midwest Interdisciplinary Graduate Conference at the
University of Wisconsin-Milwaukee seeks submissions for a two-day graduate
student conference to be held February 23 and 24, 2007, focusing on the theme
"Performing (In)Visibility."
Call for Papers: Science Fiction and Fantasy Area, SW/TX PCA/ACA, Special Topics
2007 Southwest/Texas Popular Culture/American Culture Association 28th Annual Conference, The Hyatt Regency Conference Hotel, Albuquerque, NM, February 14-17, 2007.
The Area Chairs of the Science Fiction and Fantasy Area would like to invite paper and panel proposals on the works of Octavia E. Butler.
Please send queries, 250 word paper proposals, and 500 word panel proposals, including full contact info for all participants, to
Ximena Gallardo C.: xgallardo_at_lagcc.cuny.edu
Deadline for proposal submissions: November 15, 2006.
Call for Papers: Science Fiction and Fantasy Area, SW/TX PCA/ACA, Special Topics
2007 Southwest/Texas Popular Culture/American Culture Association 28th Annual Conference, The Hyatt Regency Conference Hotel, Albuquerque, NM, February 14-17, 2007.
The Area Chairs of the Science Fiction and Fantasy Area would like to invite paper and panel proposals on the works of Octavia E. Butler.
Please send queries, 250 word paper proposals, and 500 word panel proposals, including full contact info for all participants, to
Ximena Gallardo C.: xgallardo_at_lagcc.cuny.edu
Deadline for proposal submissions: November 15, 2006.
The second annual Midwest Interdisciplinary Graduate Conference at the
University of Wisconsin-Milwaukee seeks submissions for a two-day graduate
student conference to be held February 23 and 24, 2007, focusing on the theme
"Performing (In)Visibility."
(Apologies in advance for cross-postings!)
CALL FOR PAPERS:
American Theatre and Drama Society (ATDS)
at the Association for Theatre in Higher Education (ATHE) Conference
July 26 =96 29, 2007, New Orleans, Louisiana
=93Regenerations: Theatre and Performance as a Regenerative Force=94
In 1842, a witness to the burning of the St. Charles Theatre reported in=20
the New Orleans Bee:
The second annual Midwest Interdisciplinary Graduate Conference at the
University of Wisconsin-Milwaukee seeks submissions for a two-day graduate
student conference to be held February 23 and 24, 2007, focusing on the theme
"Performing (In)Visibility."
The second annual Midwest Interdisciplinary Graduate Conference at the
University of Wisconsin-Milwaukee seeks submissions for a two-day graduate
student conference to be held February 23 and 24, 2007, focusing on the theme
"Performing (In)Visibility."
CFP: "Splintering studies?: Eighteenth-century studies and women's studies,
gender studies, queer studies, lesbian studies..."
ASECS 2007, Atlanta, GA (March 22-25)
Contact: Bonnie Latimer (engbl_at_leeds.ac.uk)
Deadline: 15 September 2006
CFP: "Splintering studies?: Eighteenth-century studies and women's studies,
gender studies, queer studies, lesbian studies..."
ASECS 2007, Atlanta, GA (March 22-25)
Contact: Bonnie Latimer (engbl_at_leeds.ac.uk)
Deadline: 15 September 2006
Call for Papers: High-, Middle-, Lowbrow
A panel for the Fifth Annual Cultural Studies Association meeting at Portland State University, April 19-21, 2007.
This panel seeks papers that explore the concept of the "brows" of taste as they function in contemporary cultural studies. Do the brows have any heuristic or descriptive value in the twenty-first century? Are they more useful as a way of understanding the past? What can they help us say about the way cultural texts build cultural capital or destroy it? How are they linked to or separated from socioeconomic class?
Call for Papers: High-, Middle-, Lowbrow
A panel for the Fifth Annual Cultural Studies Association meeting at Portland State University, April 19-21, 2007.
This panel seeks papers that explore the concept of the "brows" of taste as they function in contemporary cultural studies. Do the brows have any heuristic or descriptive value in the twenty-first century? Are they more useful as a way of understanding the past? What can they help us say about the way cultural texts build cultural capital or destroy it? How are they linked to or separated from socioeconomic class?