Please note that all papers are accepted on a first come/first served basis so to guarantee the slot you want (subject to the paper being accepted), we recommend applying as early as possible.

I’m opening up the call for the 2025 Romancing the Gothic talk series! Each month has a theme but please interpret it liberally. We want a range of papers from different countries and traditions.

We welcome people from all stages of their academic career and from outside academia.

You can find a list of topics by month. If you don’t know where you’d fit, reach out anyway!

SPECULATIVE DETECTIVES

The biannual journal Studies in the Fantastic invites proposals for an upcoming special issue investigating the popular yet puzzling pairing of detective and speculative genres, guest edited by Christiana Salah and Steven Mollmann.

The Southern Humanities Conference, 2025

Call for Papers

Conference Theme: Real, Artificial, and Superficial

Greenville, SC, January 30- February 2, 2025

The Southern Humanities Conference offers an opportunity for scholars, artists, writers, musicians, performers, and humanists of all kinds to share their knowledge, research, work, and experiences in an interdisciplinary, welcoming, and engaging intellectual space.

The explosion of revolutionary literature in South Asia is traced back to the formation of the All India Writers’ Association in 1936. Within a few years, the Indian People’s Theatre Association was formed in 1943. Operating with a distinct socialist fervor partly inspired by the Bolshevik revolution, these umbrella organizations brought together hundreds of poets, writers, thespians, and musicians working in various languages across the length and breadth of undivided India to consolidate a consensus against colonialism and fascism. Although the 1947 partition soon separated them into India or East/West Pakistan, the polemics of their art could not be stopped from reverberating across borders.

L’Afrique est un continent aux expériences historiques et culturelles diversifiées, aux contextes politiques, économiques et sociaux variés. Ce continent incarne également des disparités culturelles, politiques et économiques, notamment en matière de développement humain et d’égalités de genre. Dans la majorité des pays africains, il est possible de tracer les grandes lignes d’un état des lieux du genre dans sa complexité et ses contradictions.

This panel seeks to explore and shed light to the multiplicity of voices and accounts that surround issues of memory and exile in Spain in relationship to the Spanish Civil War and its impacts as a reflection of unresolved issues that are portrayed in recent contemporary fiction. The goal is to foster an interdisciplinary discussion about how memory, and exile, that in many cases are intertwined in these narratives, deepen our understanding of how the female experience is portrayed. The intention of giving agency to the unheard women voices and those marginalized by normative discourses is prevalent in these counter discourses that, frequently, have an autobiographical component. 

In Plant-Thinking: A Philosophy of Vegetal Life (2013), Michael Marder posits that plants “are agents in the production of meaning” (35), echoing Jane Bennett’s claim that “the concept of agency [is enlarged] once nonhuman things are figured . . . as actors . . . [and] affective bodies forming assemblages” (Vibrant Matters 21-24).

In recent years, the intersection of computational creativity and literature has gained significant attention. "Algorithmic Authors: Computational Creativity in Literature" aims to explore how algorithms and artificial intelligence are transforming the creation, analysis, and understanding of literary texts. This volume will investigate the roles of machine learning, natural language processing, and other computational techniques in generating and analyzing literary works, as well as their implications for the future of literature and authorship.

Please submit via the official CAA portal here: https://caa.confex.com/caa/2025/webprogrampreliminary/meeting.html

CALL FOR PAPERS

College Art Association Annual Conference 2025

12-15 February 2025, New York City

"Art as Shifting Knowledge?: Histories of Science, Medicine, and Sinophone Art"

Chairs: Yizhuo Li (Universität Wien) and Jiaqi Kang (University of Oxford)

CALL FOR PAPERS 

for the forthcoming issue of Jadavpur University Department of English Journal 

Essays and Studies

Global South Conversations: Eco-Cosmopolitanism, Ethics of Proximity and Anthropocentric Anxieties in the Time of Climate Change 

The Societas Ovidiana welcomes proposals for an in-person panel to be held at the International Congress on Medieval Studies (ICMS) on May 8-10, 2025.

This panel invites new perspectives on the relationship between Dante and Ovid.

Proposals might consider, but are not limited to the topics of:

The journal Studies in Popular Culture publishes reviews of books in the broad field of pop culture studies. If you are interested in reviewing a book submitted to the journal or would like to suggest one to review, please contact the Book Reviews Editor at sipceditor.gmail.com. If you have not already reviewed a book for the journal, please include either a CV or a brief description of your interests and qualifications in the email.

Members of the Popular Culture Association in the South who have published a book are encouraged to inform the Book Reviews Editor of that fact.

SCMS Panel CFP: Remix in the Age of Generative AI

CALL FOR PAPERSPanel: “Relational Approaches to the Indigenous Turn” (in-person)
60th International Congress on Medieval StudiesKalamazoo, MichiganMay 9-10, 2025 In 2020, Bitterroot Salish scholar Tarren Andrews coined the term “Indigenous turn” when describing the recent medievalist engagement with Indigenous studies. Recent scholarship (e.g., Akbari 2023; Price 2024) demonstrates the potentials for an Indigenous turn that is relational when combined with other critical approaches such as trans theory, gender and sexuality studies, premodern critical race studies, the Global Middle Ages, and others.