Institutionality
In her introduction to a special section in a 2002 issue of Dance Chronicle, Sally Banes called for attention to an emerging subfield in dance studies that she dubbed “critical institutional studies.”[1] Distinct from what were established discourses of institutional critique in art history and visual and media studies, critical institutional studies would align more directly with critical museum studies, new materialisms, and Marxist criticism in its focus on material structures of support for dance creation, presentation, and reception. Since Banes’s 2002 call, predominant strands of “critical institutional studies” have emerged in relation to theatre, dance, and performance studies.