Recently, we have seen a growing number of unconventional female characters in literature, film, and on TV – characters that do not conform to patriarchal and capitalist constructions of femininity, that defy our expectations and refuse to follow the (written and/or unwritten) rules. In her monograph The Unruly Woman: Gender and the Genres of Laughter (1995), Kathleen Rowe focused on the representation of “unruly women” in comedy. According to Rowe, the romantic comedy genre has “provided one of the few outlets for representations of female unruliness in Hollywood film” (Rowe 19).

North American academia in the last few decades has been forced to confront Caste as a crucial analytic in the study of the local and the global through various disciplinary perspectives. With groundbreaking work such as Yashica Dutt’s Coming Out as Dalit (2019), Divya Cherian’s Merchants of Virtue: Hindus, Muslims, and Untouchables in Eighteenth-Century South Asia (2022) and so on, Caste has become, rightly so, an avoidable part of the global-postcolonial-neocolonial world of scholarship. Recent work by scholars like Nico Slate and Isabel Wilkerson seeks to compare and connect modern racial structures in the US and Europe to the ancient system of Caste in India.

 CALL FOR PAPERS 

Embodied Histories: Cultural History of, in, and through the Human Body 

September 4-6, 2024, Potsdam, Germany (on site) 

Memory and Trauma Studies have emerged as a key paradigm in the field of humanities, social and cultural studies, especially towards the end of the 20th century. The intersections and interactions between these two fields have been employed by contemporary scholars to study human histories of war, atrocities, genocides, partition, displacement and discrimination. Building upon this enriched understanding of the intricate relationship between memory and trauma, scholars have extended their inquiries to explore the mechanisms through which societies and individuals navigate the aftermath of traumatic experiences.

The College English Association’s 53rd national conference, from March 21-23 in Atlanta, will focus on the theme of transformations. CEA invites proposals from academics specializing in Medieval and Early Modern literature or cultural studies. We especially welcome presentations that focus on the theme of transformations in texts, disciplines, culture, media, education, and pedagogy. But in addition to our conference theme, we happily accept proposals on other topics of interest.

Abstracts of no more than 500 words should be submitted electronically by November 1, 2023, through our conference management database housed at the following web address: https://www.conftool.pro/cea2024/.

CALL FOR PAPERS

Writing Faith and Place in Early Modern Britain

17th–19th April, University of Exeter

*** DEADLINE EXTENDED TO OCTOBER 1, 2023 ***

The response to our earlier CFP was so strong that we are expanding our edited volume into The Handbook of Transgender Science Fiction, and we welcome additional chapters examining science fiction novels, short stories, YA literature, graphic novels, comics, films, television, games, material culture, and other media. 

Interested authors should submit a 300-word abstract, a 200-word biography, and a sample of a previously published chapter or article to the Dropbox folder at https://bit.ly/Transgender_Science_Fiction no later than October 1, 2023.

IL PARLAGGIO

ISSN 2280-6849

This section of the academic journal “Sinestesieonline” is open to contributions about theatre and performing arts in all historical ages, forms and variations, in English, Italian and foreign languages. We use double blind peer review.

“Il Parlaggio” is the name created by Gabriele d’Annunzio for the amphitheatre in Vittoriale – a place of empathy, a cradle of emotions, a crossroads of cultures, a connection between antiquity and contemporaneity, an emblem of the “neverending show”.

Gaston Bachelard asserts that "all really inhabited space bears the essence of the notion of home." How does one define "home"? Is it a materially constructed shelter, or a psychological space that holds one's memories, imaginations, and, essentially, a space that "protects the daydreamer" (The Poetics of Space, 5)? Furthermore, what does it mean to exist in a "body"? And what does it feel like to be "at home" in a body? How does one traverse these inhabited spaces, both in public and in private? Or, how are spatial boundaries reinstated when the home and the body is misaligned?

CFP Overview:   

CALL FOR CHAPTERS

The Asian Caribbean in the Caribbean Diaspora

Submission Deadline – December 15th, 2023

Notification of selection – January 15th, 2023

Full Chapters Due – May 30th, 2024

Editor

Aleah N. Ranjitsingh, Ph.D., Assistant Professor, Africana Studies Department and Caribbean Studies Program, Brooklyn College, City University of New York (CUNY)

SEEKING CHAPTER PROPOSALS FOR EDITED VOLUME-

Description

CARIBBEAN CARNIVAL SPACE AND NEW MEDIA

Studies in Theatre and Performance Special Issue Call for Papers

BRITISH COMMONWEALTH AND POSTCOLONIAL STUDIES CONFERENCECALL FOR PAPERS  BACK IN-PERSON AGAIN!     FEBRUARY 12-13 2024     DESOTO SAVANNAH, SAVANNAH GA

After three years of virtual conferences, we're excited to welcome you back to Savannah. As we reboot our in-person conference, we're also bringing back one of our most popular Keynote speakers. Please join us at the DeSoto Hotel in the beautiful Historic District this coming February for the critical engagement, friendly community, and vibrant network that the BCPS Conference has been known for for over three decades.

Transforming Pedagogy with Popular Culture We are organizing a panel (or panels) on the topic of "Transforming Pedagogy with Popular Culture" for the 53rd Annual CEA Conference in Atlanta, GA, from March 21-23. We are looking for papers that discuss how popular culture can be used to teach important concepts or skill sets in a way that engages students in the learning process. Some potential topics include, but are not limited to, critical thinking skills, empathy, composition styles, and rhetorical analysis. There is a possibility that panel presenters may be asked if they want to participate in an edited essay collection on this topic. Please note that presenters must be members of CEA to present at the conference.