Siri Hustvedt, Gender and the Critical Medical Humanities
TITLE: Siri Hustvedt, Gender, and the Critical Medical Humanities
Rationale and Scope
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TITLE: Siri Hustvedt, Gender, and the Critical Medical Humanities
Rationale and Scope
American Literature Association 38th Annual Conference
May 26-29, 2027: Boston, MA
The John Dos Passos Society invites proposals for the following panels:
Sacco and Vanzetti at 100: A Roundtable Hosted by the John Dos Passos Society
"Moveable Feasts: Biblical Allusions and Uses of the Spiritual in Welty’s Work":
Panel at American Literature Association Annual Conference May 26-29, 2027 in Boston
"Towards Theories of Character and Quirk in Eudora Welty's Fiction":
Panel at American Literature Association Annual Conference May 26-29, 2027 in Boston
The Department of English and Comparative Literature at Columbia University is thrilled to host the 12th annual Post45 Graduate Symposium on March 4-6, 2027.
The Post45 Graduate Symposium seeks graduate-level works-in-progress related to post-1945 media, arts, literature, textual or visual objects, digital platforms, politics, and culture. We welcome submissions that expand our conception of objects and meaning-making post-1945 or place them in comparative, transnational, or hemispheric frames. We especially welcome contributions that foreground the importance of race, gender, class, and sexuality to post-45 studies.
Call for Papers · Annual Conference
MELUS 2027 | Albuquerque, New Mexico
“Imaginaries and Insurgencies: Speculative Visions in Multiethnic Culture”
Hosted by the MELUS Ad Hoc Conference Committee
Venue: Isleta Resort & Casino, Pueblo of Isleta, New Mexico
Conference Dates: Thursday, April 8 – Sunday, April 11, 2027
Optional welcome activities will take place Wednesday evening, April 7. The conference concludes Sunday morning, April 11.
***AS A PART OF THE 18th SAAS Conference “Negotiating Identity and Power: Resistance, Rebellion, and Resilience in U.S. Literature and Culture”***
Marking thirty years since the 1997 Asian Financial Crisis, often remembered in South Korea as the “IMF crisis,” this panel reflects on contested forms of Korean and Korean/American belonging in its aftermath. The IMF crisis was not only a national economic crisis that profoundly reshaped South Korea’s economy and social formations; it also precipitated movements of Korean people beyond their homes, producing family separation and forced movement. Nearly thirty years later, Korean diasporic cultural forms increasingly reckon with the crisis and its repercussions, with Min Jin Lee’s forthcoming novel American Hagwon (2026) also taking up this historical context.
Subject: Call for Papers: Children’s and Young Adult Literature at CEA 2027
Call for Papers: [Children’s and Young Adult Literature] at CEA 2027
Apr. 1-3, 2027 | St. Louis, Missouri
The Westin St. Louis Hotel
https://cea-web.org/the-conference-hotel
The College English Association, a gathering of scholar-teachers in English studies, welcomes proposals for presentations on Children’s and Young Adult Literature for our 57th annual conference. Submit your proposal at www.cea-web.org
CFP: International Connections and Disconnections in 1950s Literature and Culture
Online symposium: February 19, 2027.
The Carson McCullers Society proposes the following two panels for the 2027 American Literature Association conference to be held in Boston, Massachusetts, on May 26-29, 2027. The work of graduate students and early career scholars is particularly encouraged and welcomed.
Please send a 250-word abstract and a brief bio to Erin Bell at bellee@udmercy.edu and Melanie A. Marotta at mmarotta@georgiasouthern.edu by January 8, 2027 and include ALA Proposal in the email subject line. These panels will be in-person only.
In Asian context, the Cold War has not ended but became an ongoing structural condition that determines the social, political, and economic dimensions of everyday lives. The unresolved nature of the war has also left traces on a personal level, expressing through one's body, psyche, and their intimate relations. The Korean War (1950-present) as a proxy war between the two global superpowers, for example, has been continuing as manifested on multiple levels, and it keeps bringing back the traumatic past into the present while challenging the authoritarian interpretation of the war as "The Forgotten War". This session will discuss Cold War narratives that are written from the vantage point of those who have been living through the imperialist war violence.
Second newsletter by end of September, and conference panel plans soon, from a new scholarly society - SSUPFUS- for studying unconventional US fiction from the era usually called "postmodern"
- sign up here - https://docs.google.com/forms/d/13ZGTYU1vgzj-WMtrtKIYkpE8I1FmYY_kZH0Sldnxbfo - and see below for more details...
Panel: Precarious and Obsolete Spaces in the Novel
We form strong attachments with the spaces we inhabit, which shape us as we shape them. Spaces house our memories, provide opportunities for encounters, and alter our individual and collective identities. But what happens when these locations deteriorate, become obsolete, or disappear entirely? This panel invites papers considering representations of neglected, abandoned, or otherwise ephemeral spaces in novels from any period or location. We welcome papers on places and spaces of any scale: buildings, towns and cities, landscapes, even nations and worlds.
Conference Location: University of British Columbia, Vancouver, BC
March 6-9, 2027
Newport, RI
Convention Site: Salve Regina University
March 6-9, 2027
Newport, RI
Convention Site: Salve Regina University
Call for Papers
THE AMERICAN WEST
Southwest Popular / American Culture Association (SWPACA)
48th Annual Conference, February 17-20, 2027
Marriott Albuquerque
Albuquerque, New Mexico
Submissions open: September 1, 2026
Proposal submission deadline: October 31, 2026
With the arrival of the New Woman at the end of the nineteenth century also came the modernist novel. The beginning of the twentieth century constitutes a period when women struggled with social expectations but decided to leave their own drawing rooms and discover the world; to be power brokers, instead of passive observers; and to gradually move from their interiority to making history. By comparing novels of women writers, both in the US and abroad, this panel attempts to find, in their similarities and differences, the real issues that women faced at the turn of the century, in novels that transitioned from realism and naturalism to modernism.
The term “transgressive fiction” was coined in 1993 by LA Times columnist Michael Silverblatt to describe a loosely related coterie of authors in the ‘80s and ‘90s whose writing has “violation at its core: violation of norms, of humanistic enterprise, of the body.” Silverblatt’s preliminary “sketch” of the genre’s leading voices was primarily American, almost entirely Anglophone, and exclusively white.
James Baldwin and the Work of Witnessing, Teaching, and Public Intellectualism
I am seeking James Baldwin scholars and contributors to a forthcoming/newly completed Baldwin anthology who are interested in participating as virtual guest lecturers in my Fall 2026 course, ENG 393: Special Topics: James Baldwin, at Philander Smith University, an HBCU in Little Rock, Arkansas.
CALL FOR PAPERS
In Brightest Day: Race, Justice, and the Speculative in HBO's Lanterns and the Green Lantern Mythos
Proposed for New Suns: Race, Gender, and Sexuality in the Speculative -- The Ohio State University Press
Edited by Julian C. Chambliss, Ritesh Khandelwal, and Harry M. Foster (Michigan State University)
ABSTRACT DEADLINE: October 15, 2026
Send abstracts (300-500 words) and a bio (approx. 100 words) to greenlanternbookproject@gmail.com with the subject line "Lanterns CFP -- [your surname]."
OVERVIEW
The idea of hospitality as a simple, symmetrical exchange of welcome becomes fraught in the context of travel to the various places associated with the African Diaspora. For example, in Lose Your Mother, Sadiya Hartman considers the symbolic loss of a homeland and the sense of relation between her and the people of Ghana. Like many other African Americans, she questions whether a connection to Africa is real or just a necessary fiction. Her narrative marks the loss of identifiable origins or homeland as the primal loss for African Americans. The loss of this connection creates issues of subjectivity for the African diasporic community in general and for individuals who intimately feel this loss.
CFP: Football and Performance
Editors: Eero Laine, Noe Montez, and Shannon Walsh
We are currently seeking chapter abstracts for an edited volume on football and performance. Theatre and performance studies allow us a unique view towards the ways that sports extend into civic space, politics, and daily life. How can the disciplines of theatre, dance, and performance studies serve as an analytic for sport, generally, and American football, in particular?
Call for Papers (CFP)18th SAAS Conference: Negotiating Identity and Power: Resistance, Rebellion, and Resilience in U.S. Literature and CultureUniversidad de Oviedo, Spain | March 15–17, 2027Panel Title:Speculative Ontologies: The Posthuman, the Eerie, and Cultural Memory in US Media and NarrativesPanel Chairs:
International Journal of Humanities, Art and Social Studies (IJHAS)
ISSN : 1832-624N 2974-5962 (Print)
https://flyccs.com/jounals/IJHASS/Home.html
*** October Issue***
Call for papers, international conference, University of Nantes, 24 and 25 March 2027
The Subversive Work of Gayl Jones Beyond Borders: Rediscovering a “Liberating Voice” of the Black Atlantic World
The Robert Lowell Society invites papers on the musical engagements of Confessional and late-Confessional poets with a view to sponsoring a panel at the ALA Symposium "Music and the American Literary Imagination" (January 28-30, 2027, Nashville, TN). Such papers could include inquiries into:
The musical forms of Confessional poets' verse—e.g., Sylvia Plath’s stark meters and her refrains, or John Berryman’s jazz-like syncopation, or Adrienne Rich’s and Frank Bidart’s use of musical metaphors and structures;
The precarity of a volatile political environment, economic distress, unchecked genocide, and a global pandemic have pushed many Americans to the brink of late capitalist fatalism, dissociation, or gallows humor. In Rethinking Therapeutic Culture (2015), Timothy Aubry and Trysh Travis draw attention to our cultural “therapeutic orientation” that is so ubiquitous, we hardly notice it, as most Americans attempt to seek some kind of mental health support (1). Therapeutic culture perpetuates the mythos that self requires cultivation and improvement: “its economic, ethical, intellectual, and emotional possibilities are not predetermined by heredity or inherited social position” (5).
In the Joy Luck Club, Amy Tan redefines the domestic space and the feminine laborassociated with it as a dynamic space where Chinese-American women reshape their identities, preserve their cultures, and share their stories of traumas. bell hooks’ assertion that “homeplace" was the one site where one could freely confront the issue of humanization” provides a productive framework for understanding how kitchens and acts of cooking become spaces of healing, survival, and female agency in women’s writing. By doing these, they try to assert a form of power, and agency that subverts the traditional notion of the domestic space(as an inferior space that is away from history), and the feminine labor associated with it.