american

International Conference at Le Mans University, France

in association with The Philip Roth Society

and The National and Kapodistrian University of Athens

April 7-8, 2027

Roth Unbound: Transcultural signposts from Goodbye Columbus to Nemesis 

Roots and Routes in Philip Roth’s Works

Public understanding of American cultures—peoples, neighborhoods, languages, foods, histories, arts, religions—has always been vulnerable to myth and misinformation, in particular from the far right. Collectively the humanities work to establish an ever-more accurate/inclusive lens on culture, but the (re)mainstreaming of far-right voices has dangerously distorted the diverse American story.

CFP: Handbook of the Cultural Legacy of 9/11. (under contract with Springer)

 Edited by:

 Marc A. Ouellette, Old Dominion University, (mouellet@odu.edu) and Peter Pericles Trifonas, University of Toronto

Rome and Capri, 21–28 June, 2027

F. Scott Fitzgerald visited Italy on two distinct occasions: first in the spring of 1921 during his and Zelda’s long-deferred honeymoon trip, and again from late 1924 to early 1925 during his unsuccessful attempt to economize. While the Fitzgeralds made brief stops in Venice, San Remo, Portofino, Savona, Pisa, Fiesole, Florence, and Naples, it was in the two host sites of this conference—Rome and Capri—that he spent the most time. It was here that he found inspiration for some of his most celebrated works, as well as several others that remain underexplored.

Black Aesthetics and the Affordances of Photography

International Conference, Amerika-Institut, LMU München

Philologicum, 9-11 June 2027

Thinking through and with the concept of Black Aesthetics this conference addresses the Affordances of Social Justice Photography in order to consider the medium’s possibilities toward placemaking, activism, and social justice as well as the varied agencies inherent in photographic images and in different processes of looking.

Since 1991 the Pulitzer Prize has been awarded to four novels that reimagined literary works that have long been a part of the canon. They are: A Thousand Acres by Jane Smiley (a contemporary King Lear); March by Geraldine Brooks (Little Women from the perspective of the absent father); Demon Copperhead by Barbara Kingsolver (David Copperfield set in Appalachia); and James by Percival Everett (Adventures of Huckleberry Finn from the perspective of Jim). This panel looks to open a discussion about how these and other contemporary novels both explore and challenge the themes of the source material. What do they say about society, race, gender, feminism, and marginalization?

Call for Chapters

Horror has long been described as a genre about the unknown — the thing lurking just beyond the edges of civilization. But as Stephen Graham Jones (Blackfeet Nation) has written, horror uniquely allows "two timelines — the past and the present, the legacy of colonialism and the world of the story — to simultaneously exist. Not just exist, but intersect."[1] It is this capacity for temporal and cultural intersection that has made horror and the Gothic not merely accessible to Indigenous writers, but essential.

In both her life and her literary work, American writer Edith Wharton was a keen observer and recorder of the interrelationship(s) between power and community at the end of the 19th century and throughout the early decades of the 20th. Born into the world of wealth and privilege of “Old New York” society, Wharton grew weary of its longstanding communal norms and constraints. At the same time, however, she was also openly critical of the ostentation and conspicuous consumption on display during the annual Newport, RI “summer season.”

This accepted panel for NeMLA 2027 (March 6-9, 2027. Newport, RI) seeks to investigate works of American drama that engage deeply with other (possibly more canonical) American plays. Engagement is defined broadly and might include subtle evidence of influence, extended allusions, plays within plays, or outright sequels, prequels, and revisions of earlier works. Also welcome are examinations of how American plays appear in pop culture texts like TV shows.

MLA 2027 - Just-in-Time Session Proposal

Conference Date: January 7 to 10, 2027. 
Location: (Los Angeles, CA)
Submission Deadline: (August 17th, 2026)

TITLE: Many Stories, One History: Re-examining the Diverse Coalition of the American Revolution

Theme: Hip Hop and Rap Conference 

Tentative date: November 19-22

Location: Houston, TX

Award for best presentation 

Scholarship for top scholars 

• Judged by artists, PhD’s, Workshop, and Peer Review. 

Call for Papers: 

Conference on Multiracial Democracy 

University of Notre Dame 

"Eastern Thought in the Americas"
RIAS Vol. 21, Fall-Winter (1/2028)

This issue of RIAS invites contributions on the theme of “Making Trouble: Subversions and Reclamations in American Imaginaries.” Engaging ongoing debates in global American Studies on power, representation, dissent, and cultural transformation, the issue seeks contributions that examine how American cultural, political, and social imaginaries are challenged, reworked, and reclaimed across diverse historical and geographical contexts. It invites interdisciplinary perspectives from the global field of American Studies and welcomes submissions from scholars worldwide.

"Making Trouble: Subversions and Reclamations in American Imaginaries"
RIAS Vol. 21, Fall-Winter (2/2028)

This issue of RIAS invites contributions on the theme of “Making Trouble: Subversions and Reclamations in American Imaginaries.” Engaging ongoing debates in global American Studies on power, representation, dissent, and cultural transformation, the issue seeks contributions that examine how American cultural, political, and social imaginaries are challenged, reworked, and reclaimed across diverse historical and geographical contexts. It invites interdisciplinary perspectives from the global field of American Studies and welcomes submissions from scholars worldwide.