american

The James Fenimore Cooper Society will host two panels at the 36th Annual Conference of the American Literature Association, to be held at The Weston Copley Place, Boston, MA, May 21-24, 2025. For additional information: https://americanliteratureassociation.org/ala-conferences/ala-annual-conference/

Cooper and Narrating History

The Hemingway Society welcomes proposals for papers to be delivered at the 36th American Literature Association conference to be held May 21-24, 2025 in Boston.

College LiteratureSpecial Issue: Infrastructural Poetics

Co-editors: Marty Cain, Claire Farley, and Michael Martin Shea

Call for Papers:

Julia Kristeva’s landmark essay, Powers of Horror: An Essay on Abjection (1980), will have its 45th publication anniversary in 2025. In that time, its influence has been wide ranging, whether on women and gender studies broadly, on the fields of feminist, psychoanalytic, queer, horror/gothic, and disability theory, as well as on media studies. For this roundtable session we invite proposals that consider any aspect of the influence of Powers of Horror, past and present.

The “Themes of (R)evolution in Atwood’s Works and Adaptations” panel at NeMLA 2025 (March 6-9, Philadelphia) invites proposals for 20-minute papers exploring themes of revolution and evolution in Margaret Atwood’s texts, adaptations, and real-life crossovers. In what ways has Atwood’s works sparked revolutionary change—or not? What role does evolution play in her texts?

Please submit an abstract (250-300 words) and a brief bio (<100 words) by September 30th through the NeMLA portal for consideration: https://www.cfplist.com/nemla/Home/S/21213. Please reach out to Riley Thomas at riley.thomas@temple.edu with any questions.

All significant concepts of the modern theory of the state are secularized theological concepts not only because of their historical development … but also because of their systematic structure, the recognition of which is necessary for sociological consideration of these concepts. 

–Carl Schmitt, Political Theology (1922)

30th Anniversary International Conference on Welsh Studies

University of Rio Grande and Rio Grande Community College, Rio Grande, OH

16-18 July 2025

Call for Papers

Next summer, NAASWCH (North American Association for the Study of Welsh Culture and History) will celebrate 30 years since our inaugural meeting, and our return to action after the disruptions of the COVID pandemic. The 2025 conference returns us to where it all began, at the Madog Center for Welsh Studies, University of Rio Grande and Rio Grande Community College, Rio Grande, OH.

Indiana English encourages submissions on the role of English studies in the Midwest but will consider submissions on any topic related to English literature and criticism, linguistics, or pedagogy. For this volume, we are particularly interested in exploring writings on national politics, the Midwest's impact on Presidential elections, works studying candidates who came from the Midwest, and the rich literary history that comes with such considerations (speeches, policies, educational content). We also publish original creative work (fiction, poetry, creative or literary nonfiction, and photography).

56th NeMLA ConventionPhiladelphia, PA |  March 6-9th, 2025

All abstracts must be submitted through NeMLA's CFP portal: View Session (cfplist.com)

This session is sponsored by the Kurt Vonnegut Society and seeks abstracts that engage the conference theme of "(R)EVOLUTION."

We are open to what shape presentations might take, but possibilities might include:

This seminar invites papers critically exploring whiteness as an invented political and social identity category. We seek to investigate its emergence from the transatlantic slave trade, its persistence as an entrenched social norm, and its relative stasis compared to evolving terminology for other racial identities.

Central to our inquiry: Why do people who believe themselves to be white still invest in this category? What strategies might facilitate evolution beyond whiteness? As other racial designations have transformed—Black/Negro/Colored to African-American, Hispanic to Latin/x, Indian to Native/Indigenous, Oriental to Asian—we pose the crucial question: What does Post-Whiteness look like?

We encourage submissions examining:

“WE THE PEOPLE:” Black People and Politics, From Past to Present

CALL FOR ABSTRACTS DEADLINE: NOVEMBER 22, 2024

Tuskegee University invites you to participate in our annual Black History Month International Symposium on Friday, February 21, 2025.

The symposium desires papers and panel proposals from students, faculty and independent scholars of all disciplines. We encourage you to present research on black people’s involvement in politics, political movements, literature, and the black experience throughout the globe.

Information for Potential Presenters:

Abstract: 200 words maximum

CLASS CON 2025 Call for Papers/Voices/Participation

March 14-15, 2025

Bowling Green State University, Jerome Library

Deadline to Submit December 1st, 2024

Expanding on the NeMLA’s theme of (R)evolution, this panel seeks proposals that examine the role that women of color authors and artists have played (throughout the centuries) in helping to change and revolutionize literature by and about, literary representations of, and literary studies focused on women of color in the United States.  It seeks work that examines how women of color have addressed and used their intersectional identities to change the American literary landscape, challenge the American literary canon, and changed how they and their communities have been viewed in the United States.  Proposals can also include how women of color have challenged issues within their own communities and used a multiethnic approach to help literature and liter

 Multilingual poets write at the intersection of language, identity, and cross-cultural communication. Not only does the work of multilingual poets naturally create a space for innovation, but it also often serves as a broader commentary on the interplay between language and power. Every multilingual poet combines, leverages, or silences pieces of their complex identities, negotiating deeply personal nuances as well as socially constructed codes. Multilingual poets may choose to employ self-translation or multiple languages within a single poem, they may write separate works in different languages, or they may confine their work to a single language.