With the theme of "Arts and Sciences" in mind, we welcome papers exploring the relationship between the artistic and the scientific in American literary texts produced before 1870. Possible topics might include: representations of artistic or scientific innovation or discovery, explorations of pseudo-science and its cultural effects, the influence of literary texts on scientific and/or medical knowledge and practice, the influence of scientific and/or medical progress on the literary imagination, doctors and/or patients as characters in literary texts, art and/or artifice as theme, and the role of the arts and/or the sciences within the larger American culture.
This year's Science & Fiction panel is pleased to engage the convention theme "Arts and Sciences." The session invites papers exploring the relations between science and fiction in diverse cultural expressions such as literature, film, theater, and the visual arts. How does science, broadly conceived, interact with the arts, either as a subject or practice within a production of the arts, OR, how do scientific efforts or practices influence a specific text, shedding light on the interaction of science and art? Explorations of non-English language and non-canonical texts are welcome. Please send a 250-word abstract and a brief CV to Brett Wiley (email@example.com) and Oscar A.
The Apollonian: A Journal of Interdisciplinary Studies (ISSN 2393-9001)
Call for Papers
Volume 2, Issue 2 | June 2015
FOCUS: Reading Queer in Literature, Film and Culture
Submissions are invited for the forthcoming issue of The Apollonian (Vol. 2, Issue 2) on the representations of the 'queer' in the various genres and sub-genres of literature, art, cinema, culture, critical theory, philosophy and history. The papers are expected to be scholarly in nature, and yet accessible to a fairly general readership.
Topics may include, but are not limited to:
What about those ideas you entertain but never fully develop? Those notions which are reviled and dismissed by peer gatekeepers? Follies so whimsical they unsettle even you?
We're looking for those submissions, the ones shunned by polite society and keepers of the status quo.
Let us be up front: Abstractshuns endeavors to become an ersatz academic journal, middlebrow at best. If Grindr/Tinder (depending on the orientation of the idea) spent a really naughty weekend with Notes and Queries, this would be the spawn, with Courtney Love and Jack Halberstam as godparents.
Please consider submitting 250-word abstracts to the following panel at the 2016 MLA in Austin, Texas.
We invite essays focusing on representations of death and/or violence in U.S. religiously-inflected fictions of the nineteenth century.
Essays might examine consider, for example:
-the ways authors associated with religious traditions have embraced or rejected imagery commonly associated with death and/or violence
-the kinds of spaces in which violence and/or death are figured
-death and/or violence as metaphors for religious experience
-the rhetorical strategies deployed to use religion as a justification for sectional, racial, and territorial violence
The modernist period, as the theme of this year's conference suggests, was a period marked by revolutions of various stripes: aesthetic, social, cultural, and political. Among these, political revolutions often occupied center stage, both in terms of public awareness but also in terms of modernist praxis. Many modernists participated in radical political actions even as they experimented or facilitated experimentation with radical aesthetics.
Interplay: A Journal of Languages, Linguistics, and Literature
Broad Street is a truly interdisciplinary journal published primarily in print but with a strong web presence, run cooperatively at Virginia Commonwealth University. Visit us at broadstreetonline.org; to see how we push academic work, reportage, and belles lettres in new ways. Your smart best friend should enjoy Broad Street as much as your theory-steeped professor. Think NPR. Think New Yorker. Think Broad Street.
In his essay, "Family Values: Literacy, Technology, and Uncle Sam," Joe Amato traces his Italian-American history and argues, "These experiences and memories, these histories and associations, these material comforts and discomforts in many ways constitute, though they do not cause, my values. And my values have all to do with my sense of language, of what's possible with words, or should be possible. That is, my values have all to do with what needs saying." Exploring this connection between personal history and sense of language, we invite proposals for an edited collection on the experiences of immigrant and first generation US American scholars in rhetoric, composition, and communication.
Keeping with the conference theme of Literature and the Other Arts, The Eudora Welty Society invites papers that explore multimodality and interdisciplinary collaboration within the works of Eudora Welty. What elements in Welty's fiction, essays, or photography connect to her contemporary moment or a timeless part of human nature? Examples might concern the role of and engagement with politics, jazz and the blues, newspaper and magazine, television and film, translation of oral fairy tales into a written medium or Welty's Robber Bridegroom into a play.