For all its many urban topographies, the literary landscape of modernism contains a startling array of greens, from public and national parks to vacant lots, suburban gardens, and botanic displays. In drawing from recent interactions between environmental criticism and modernist studies, we propose that thinking with and through planned greens leads to a more complex understanding of modernismâs tangled engagements with arts, social protest, material culture, bodies, and the nature-culture divide. What new haptic, scopic or visual modes of experience were enabled when modernism entered the green? How were gendered and sexualized bodies redistributed? How was imperial ideology grafted together with colonial aspirations?
Here is the link to our electronic journal page: http://thesefragilelilacs.wix.com/poetryjournal
The deadine for submissions for our inaugural volume is May 31, 2015.
Send submissions to email@example.com .
Please do *not* include any attachments; instead, paste the poems you would like to be submitted directly into your email. You may submit up to five poems per submission cycle.
Include a short (2 to 3 sentence) biography with your submission.
DEADLINE EXTENDED to 6 April 2015
- Call for papers for an interdisciplinary conference
AFFECT: MEMORY, AESTHETICS, AND ETHICS
18-20 September 2015, The Fort Garry Hotel, Winnipeg, Manitoba
Lauren Berlant, George M. Pullman Distinguished Service Professor, Department of English,
University of Chicago
John T. Cacioppo, Tiffany and Margaret Blake Distinguished Service Professor, Department of
Psychology and Department of Psychiatry and Behavioural Neuroscience, University of
Ronald de Sousa, Emeritus Professor, Department of Philosophy, University of Toronto
Seeking good scholarly articles (20pp plus) on Adrienne Rich or Jayne Cortez for a volume in progress with a feminist and/or cultural-studies approach to these two poets.
Issues might concern: poetics, feminist politics, influence, performance. The manuscript is well underway. Please respond ASAP if you'd like to submit material for consideration.
JSR: Journal for the Study of Radicalism—a print academic journal published by Michigan State University Press—announces a call for articles and reviews for our tenth year of issues. We are interested in articles on radicalism in a wide range of contexts and areas, and encourage articles from humanities and social science perspectives. The Journal for the Study of Radicalism engages in serious, scholarly exploration of the forms, representations, meanings, and historical influences of radical social movements.
According to Marx, man's aesthetic sense is socially acquired, rather than innate. As cultural producers, artists must labor in the system for the benefit of the market as well as be committed to the working-class cause. In keeping with the theme of SAMLA87, this panel will seek to explore the ways that social constructs can influence all mediums of art. Papers dealing with any aspect of Marxism will be considered as well. Please send abstracts, A/V requirements, and a brief bio to Emma Baughman, Georgia State University, at firstname.lastname@example.org Deadline is 10 June 2015.
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Extended Deadline: April 6.
This is an open topic session. We seek papers exploring the intersections of literature and politics. Please send abstracts of 250-300 words.
Call for Papers: Silence and Documentation
Simon Fraser University English Graduate Conference
July 10-11 2015
"In a world where language and naming are power, silence is oppression, is violence."
― Adrienne Rich, On Lies, Secrets, and Silence: Selected Prose, 1966-1978
"When we (as readers) fill in the gaps that the writer has peppered throughout the book, we form a meaningful bond with the book. We are not just pulling information from it; we're participating in a reciprocal relationship, creating and deriving meaning in an extravaganza of interpretation."
—Wolfgang Iser, Prospecting: From Reader Response to Literary Anthropology
Hearing Voices (panel, Modernist Studies Association annual conference, Boston, November 2015)
How do we hear poetic voice? How do poems reflect and respond to language as spoken and heard? Moving beyond habitual equations of voice with sincerity, what perspectives might we bring to bear on the phenomenon of hearing and the idea of voice in the poetry of modernism and after?