bibliography and history of the book

The Sally Mitchell Dissertation Prize is awarded annually to the best Ph.D. dissertation, defended in the previous calendar year, that explores the British periodical press of the long nineteenth century (including magazines, newspapers, and serial publications of all kinds) as an object of study in its own right, not as a source of material for other historical topics. Winners of the prize receive a monetary award of $1,000 and a two-year membership to RSVP.

Memory, Myth, and Meaning: Cather in Dialogue with America 250

Willa Cather Spring Conference | Thursday, June 4 - Saturday, June 6, 2026 

This year marks the centennial of My Mortal Enemy, one of Cather’s least affirmative works and one not produced in the Cather Scholarly Edition (translation: much important work remains to be done!)  We invite papers on new approaches to My Mortal Enemy, including but not limited to the following considerations of style, form, provenance, and themes:

Writing about a series of human-object relationships, Robin Bernstein employs the term “scriptive thing” to articulate how objects become things when they orient, choreograph, or compel human action. In one such case study, she analyzes a photograph of a woman posing with a racist caricature at the Hotel Exposition in New York’s Grand Central Palace, circa 1930. Using this photo, she further clarifies the nature of this particular subject-object relationship, stating that it is “neither an isolated woman and her ‘whys’ nor an isolated caricature and its textual ‘hows,’ but instead through a complex interaction between the two figures,” that the photo constructs race.