bibliography and history of the book

For decades, oral history was considered less than scholarly, leading to its exclusion from several history books; thus valuable first-hand experiences and information that could alter historical truth were neglected and ultimately lost to oblivion. Our conference wishes to challenge the pervading view that oral testimony can lead to false representation of historical events and underline the significant support it can provide to historical research, especially in lieu of written documentation.

The Research Society for American Periodicals invites submissions for its 2018-19 Article Prize.

The prize is awarded to the best article on the subject of American periodicals published in a peer-reviewed academic journal between January 1, 2018 and December 31, 2019. RSAP takes an expansive view of “periodicals” and will consider any article that focuses on serial publications in print or digital form in the Americas, broadly construed.  We also welcome submissions from any field or discipline.

The Article Prize is designed for early-career scholars. Graduate students and those who received their Ph.D. no earlier than January 1, 2014 are eligible to apply.

Call for Papers, Book History and Textual Criticism, CEA 2020

March 26-28, 2020 | Hilton Head Island, South Carolina

Hilton Head Marriott Resort and Spa

The College English Association, a gathering of scholar-teachers in English studies, welcomes proposals for presentations on Book History and Textual Criticism, for our 51st annual conference. Submit your proposal at www.cea-web.org

From the Codex Amiatinus’s depiction of Ezra writing in a book to that of Hildegard of Bingen receiving and dictating her supernatural visions in the frontispiece to the Scivias, interest in representing the labors of scholars spanned the length of the Middle Ages. Not only do depictions of scholarly labor such as these, whether visual or textual, shed light onto the material culture and historical practices of medieval scholarship, but they also reveal the ways in which medieval artists and writers sought to convey ideas about the work that they themselves performed and the functions they served in society.

CFP: C19 - - Queer Eccentricity in the Long Nineteenth Century - - 

Queer Eccentricity in the Long Nineteenth Century

The Yale Department of English Medieval Colloquium & Scriptorium working group are pleased to present two panels and a roundtable that have grown out of our conversations with speakers and faculty over the previous year (See our other listings for additional panels). For panels, we invite papers of 15 to 20 minutes and for the roundtable we invite 5-7 minute remarks on the topic. If you are uncertain as to your proposed paper’s fit for the panels, please contact us. While our colloquium represents the Department of English at Yale, we are interdisciplinary in outlook and composition and welcome papers from all medieval-interested disciplines and that cover topics beyond texts in Anglo-Saxon and Middle English.

Call for Special Issue Proposals (Open Topic)

English Language Notes

Since the rise of the novel during the eighteenth and nineteenth centuries, the literary marketplace has famously been a powerful influence on the form, format, and concerns of both short and longer fiction. This panel will consider the realities of contemporary publishing as a business and the way its corporate structure, economic practices, and publishing procedures impact the lives and work of writers. Some questions to consider: what effects does the advent of electronic publishing have on both the content and the distribution of literary work? How have expanded opportunities for self-publishing impacted the novel’s form and content? What is the contemporary publishing process like, and what are some effective strategies for navigating it?

Decolonizing the Digital Archive

In recent years we have witnessed a proliferation of digital archival work – often (but not always) in the form of open access platforms developed to gather, preserve, and share historical documents. The very nature of open accessibility counters a rhetoric of retreat and the construction of barriers among knowledge producers and consumers – by refusing ownership over its content and seeking collaborative and communal engagement in both interpretational and curatorial work, open access digital archives are often decentralized archives that  provide modes for democratic access, exchange, and co-construction of knowledge.

Remapping is inherently an act of dissent. As Denis N. Cosgrove observes, “The measure of mapping is not restricted to the mathematical; it may be equally spiritual, political, or moral. By the same token, the mapping’s record is not confined to the archival; it includes the remembered, the imagined, and the contemplated.” What role do illusory places––literary utopias, hoaxes, legends, visions, and other fictions––play in critiquing, reinforcing, or challenging mainstream American culture in the nineteenth century? This proposed panel explores aspirational, deceptive, and fantastical spaces which throw the existing world into relief to propose plausible and potent alternative microcosms.

In celebration of the life and works of the eminent scholar Pierre Coustillas (1930-2018), we invite contributions for a special issue of Literature Compass(https://onlinelibrary.wiley.com/journal/17414113)on Coustillas, George Gissing, and their writing. Coustillas has had a profound influence on Gissing and nineteenth-century studies. From 1969 to April 2013, he edited The Gissing Newsletterand subsequently The Gissing Journal, the organ for Gissing studies. In 1997, Paul F. Mattheisen, Arthur C. Young, and Coustillas completed their landmark project: The Collected Letters of George Gissing.

This panel celebrates the bicentennial of Herman Melville’s birth on August 1st, 1819 by welcoming papers on any aspect of Melville’s legacy both during and after the nineteenth century. Possible paper topics may include, but are not limited to: how Melville’s works may speak to contemporary issues; Melville’s literary influences and how he employs them in his works; other writers who were influenced by Melville and how this influence manifests in their works; the 1920’s Melville revival; Melville's depiction of racial, cultural, sexual, or gender plurality; or textual and thematic analyses of any of Melville’s works.

International Conference: "V Medieval Europe in Motion: Materialities and Devotion (5th-15th centuries)” – Mosteiro de Santa Maria da Vitória (Batalha, Portugal), 7-9 November 2019

Org. Instituto de Estudos Medievais (NOVA FCSH) – Mosteiro da Batalha / Direção Geral do Património Cultural – Centro de Estudos de História Religiosa (UCP).

Call for papers

Deadline: 15th May 2019

The “Shakespeare and Shakespearean Criticism” permanent section of the 2019 Midwest Modern Language Association invites proposals that engage with this year’s conference theme of “Duality, Doubles, and Doppelgangers.” Scholarship that explores issues of duality in Shakespeare’s literature, and in early modern culture broadly, from myriad perspectives will be considered.

Exploring doubling in Shakespeare’s works might begin with attention to any of the following list of topics:

· Duality of texts and paratexts

· Double-meanings (linguistics, semantics, multiple interpretations)

· Double entendre

· Twins, doubles in drama

· Doubled literary sources