classical studies

ROBERT GRAVES REVIEW
Deadline for submission: 30 April 2021

“Only the media techniques of the 19th century, that is, photography, gramophone and film, had saved the sensuous reality from the absolutism of the book – however, one could formulate more radically: before the absolutism of language”, – N. Bolz writes in the book "Das ABC der Medien". The proposed opposition between writing as an "informational" media (which was most interesting to McLuhan) and "sensory" media needs critical reflection. This is especially important in conditions when a person's immersion in the media space implies that not only the information brain memory should be involved, but also various performative practices of experience and memory of the body.

Theoretical Studies in Literature and Art (ISSN 0257-0254), launched in 1980 and published bimonthly, a most highly recognized peer-reviewed journal in China, publishes original papers in Chinese or English in arts and humanities, especially literary studies. We welcome MLA-style papers of 6000-12000 words in the fields of literary theory, critical theory, aesthetics, philosophy of art, cultural studies, etc.

CALL FOR PAPERS

Classical Reformations: Beyond Christian Humanism

An online conference: Friday 3 September 2021

The Warburg Institute

Oral History Workshop

The workshop is designed for students, young scholars independent researchers and history, culture and tradition enthusiasts who would like to improve their academic skills, introduce oral history in their work, engage with oral tradition and also record and preserve unwritten stories.

Call for Papers -- Translat Library is accepting submissions.

Translat Library is a new open access journal devoted to the literary culture of Europe (1200-1600), with an emphasis on vernacular translations, the Romance letters, and the Latin tradition. Translat Library publishes short rigorous essays contributing new documentation and editions of unpublished texts.

Just as the Greeks on the plains of Troy faced the plague-arrows of Apollo, the modern world currently stands before unprecedented challenges.  The present pandemic has forced us to face issues of mortality more closely than has been the case in recent decades. At the same time, the situation in which the academic world now finds itself is breaking down barriers in many areas: between home and work environments; between academics, students and the wider community; between teachers and pupils; between traditional disciplines; and between different methods of teaching. In fact, there has been a feeling amongst many for quite some time that winds of change are blowing through the corridors of academia.

For detailed information on how to submit papers to Whatever please check at https://whatever.cirque.unipi.it/index.php/journal/announcement/view/2

Themed Section: Queer Thanatologies

Guest editors: Anna Chiara Corradino, Carmen Dell’Aversano, Roberta Langhi, Mattia Petricola 

In Ovid’s Metamorphoses, Philomela is devoted sister, is victim of a brutal rape and mutilation, is weaver, is revenger, is nightingale. The specter of Philomela haunts the western canon, where she is a shorthand for rape, where the song of the nightingale is shorthand for suffering. Where Philomela is invoked, the ingenious weaver of the Metamorphoses is newly silenced by threadbare retellings. In Chaucer’s Legend of Good Women, Philomela is severed from both revenge and transformation; as Lavinia in Shakespeare’s Titus Andronicus, she is severed from the consolation and commiseration of other women; and in Eliot’s The Wasteland, her “inviolable voice” is severed from her violated body, laments to the crude unhearing.

Our scientific journal Eikón / Imago, edited by the CAPIRE research team at the Complutense University of Madrid, is already working on the next issue. It is an annual academic publication whose research interest focuses on iconography and visual culture, from a thematic scope that encompasses the forms and meanings of the images of any era, culture or country, as well as any thematic, typological or disciplinary variant: religious, mythological, political, musical, fantastic, animalistic and other.Each issue of Eikón / Imago Magazine consists of three sections:- Miscellany: related to any aspect of the general thematic coverage of the Journal (free peer review articles).- Monographic: the topic changes every year.

Vernon Press invites chapter proposals on the theme: “A Hero Will Endure”: Essays at the Twentieth Anniversary of Gladiator for an edited collection. All areas of study, with a common goal of representing the cultural and material impact of the film since its release in May 2000.

The conference will be dedicated to current issues of linguistics, languages, dialects, literature and translation.

Academics and university lecturers are cordially invited to present their research regarding current issues of linguistics, languages, dialects, literature and translation in English or Arabic.

The selective full papers of the conference will be published as the book of conference and also will be indexed in CIVILICA (however, the book of abstracts will be published too).

Optional Services for Participants (If they wish to use)

The global lockdown has made us confined to our primeval cave-like shelter of home. The postgobal earth is in suspended condition, as if it needs some time for hibernation. In the face of increasing number of death, we all are seeking solutions, exploring options and thinking of new patterns of life. Surely the world will change permanently after this and if we are fortunate enough to see the post-Corona world, we will reminisce about our pre-Corona days. In between, during the uncertain lockdown period, we expect humankind to respond to the pandemic in creative ways.

We are seeking submission of creative works for a Special Collection to be created from the submitted works in Continuous Publication mode.

The next issue of 'Archives of emotions' aims to explore the interactions between language and emotions. By 'language', we generally mean a system of signs. Since ancient times, rhetorical strategies of emotions have been known and practiced. We will, therefore, ask ourselves how literature, in each age, manages to represent, simulate, reproduce and arouse, through written and oral language, the experience of emotion and its cognitive, physiological and psychological bases. Possible subjects for the essays collected in this issue could also concern the performing and visual arts, dance, cinema, and theater and their respective languages.