classical studies

Please consider submitting a proposal for the following Call for Papers.

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III International Conference on “Hermeneutics of Symbol, Myth and ‘Modernity of Antiquity’ in Italian Literature and the Arts from the Renaissance up to the Present Day” (Milan, Università Cattolica del Sacro Cuore, 15-16, December 2017)

Deadline: 24 October 2017

Università Cattolica del Sacro Cuore (Milano) - Katholieke Universiteit Leuven

The ancient Greek word topos is commonly translated as “place” and referred to a region, site, or geographical position. While the ancient Greek language is long gone, the term topos has survived and passed into the modern vernacular. Today, the word topos is used in literary theory and refers to any common literary theme or motif. This passage of the term for “place” into literary analysis is the natural extension of how the Classics viewed space, as they defined their world through fictions and mythology. The flora and fauna found in the pastoral realm had their origins in various myths, while the city gave the temple a central location and tie its central civic and religious festival to theatre.

Theoretical Studies in Literature and Art (ISSN 0257-0254), launched in 1980 and published bimonthly, a most highly recognized peer-reviewed journal in China, publishes original papers in Chinese or English in arts and humanities, especially literary studies. We welcome MLA-style papers of 6000-12000 words in the fields of literary theory, critical theory, aesthetics, philosophy of art, cultural studies, etc.

Appel à communications : « La foi et le littéraire : Quêtes et défaites spirituelles dans les littératures », colloque annuel de la revue Post-Scriptum, Université de Montréal, 26-27 avril 2017

Colloque organisé par Gabriel Tétrault (Doctorant, littérature comparée, Université de Montréal), Louis-Thomas Leguerrier (Doctorant, littérature comparée, Université de Montréal) et Laurence Sylvain (Doctorante, littérature comparée, Université de Montréal)

*English follows

This year's theme is "kindness."

Specific to Goddess Studies, what are some of the ways women have been portrayed as kind in religious and mythic narrative or iconography? In which ways has the personification of kindness-as-feminine been damaging to women's roles in the larger socio-political context? Does this have specific implications for narratives including LGBTQ and people of color? Are there any narratives of figures which the mainstream has adopted as malevolent, but actually have much more nuanced and complicated histories? Send your proposal to Angela Sells (omingintobeing@gmail.com.

‘Memories of Empire’

 INTERNATIONAL MEDIEVAL CONGRESS 2018, LEEDS

Cerae: An Australasian Journal of Medieval and Early Modern Studies is sourcing submissions to participate in a panel focused on ‘Memories of Empire’ for the IMC Conference at the University of Leeds (2-5 July, 2018). The focus of our panel is on the ways in which individuals or collectives used, or were influenced by, recollections and remnants of the Roman Empire.

Dear Colleagues,

INTERACTIONS Journal

Annual deadline: October 1
Interactions (ISSN 1300-574-X) is an international journal in print format featuring essays on British and American Language, Literature, Culture and Translation Studies published annually by Ege University Depts. of British and American Studies (Izmir/Turkey).

It is blind refereed by international scholars and indexed in MLA International Bibliography, Gale Cengage Learning and EBSCO, subscribed by the British Library and the Harvard University Library.

Articles (4000-8000 words) and reviews (1000-2000 words) should follow MLA parenthetical citation format.

Note: the updated dealine

Medieval-Renaissance Conference XXXI

The University of Virginia’s College at Wise

September 21-23, 2017

Keynote Address

Elizabeth J. Bryan, Brown University

Historiated Bruts: How Manuscript Illustration Twisted History in the fifteenth-Century English Chronicle

Shakespeare is preeminent among English authors, but, by today's standards, for all of his fame, little is known about Shakespeare the man. This has lead some to create an authorship controversy, though among scholars this is a non-issue as there is ample evidence linking "the man from Stratford" to the London playwright. Stylometry studies have found that Shakespeare and his fellow playwrights collaborated much more than had ever been guessed at, but such findings shed little light on his creative processes. Perhaps the best currently available avenue to gain insight into his creative strategies is by examining what at first glance appears to indicate lack of creativity—his inveterate unabashed "borrowing" of plots, characters, phrases, and more.

 CALL FOR PAPERFor young researchers, Ph.D. students and Professorsdeadlyne 31th aug 2017 Ist International Conference on Ancient DramaThe Forgotten Theatre 30th November – 1th December 2017University of Turin (Italy)Aula magna, Palazzo del Rettorato Conference coordinator Francesco Carpanelli (Professor of Greek-Latin theatre, University of Turin),Keynote speaker Enrico V. Maltese (Head of the Deparment of Classics, University of Turin). The Centro Studi sul Teatro Classico (Center for Studies on Classic Theatre) has scheduled for 30th November-1th December 2017 its first academic conference for young researchers, Ph.D.

Research papers are invited for an edited book on

THE MYRIAD SHADES OF MOTHERHOOD: CONTEMPORARY ISSUES AND LITERARY INTERPRETATIONS

This panel seeks any and all papers on the reception of classics, especially in relation to this year's theme of sight, visuality, and ways of seeing. 

Individual paper presentations will be between 15 and 20 minutes long. Please submit proposals via the online system by June 26, 2017. The PAMLA 2017 Conference will be held at the lovely Chaminade University of Honolulu (with the official conference hotel being the Ala Moana) from Friday, November 10 to Sunday, November 12.

Paper proposals must be made via our online system found here:

This session will examine how the notion of seeing and not seeing common in many classical religious texts was interpreted by ancient commentators to elaborate certain epistemological theories. We will consider why ancient interpreters from various religious traditions frequently applied the sense of sight analogously to the act of understanding. 

This session is also interested in papers that specifically focus on this year's theme of sight, visuality, and ways of seeing.