classical studies

CALL FOR PAPERS

Experience & Expression in the Renaissance: Exploring Early Modern Media

5th Annual Conference by the Association of Renaissance Students

15 March 2019

Victoria College

University of Toronto

Crossing Boundaries: Towards an Interdisciplinary Medieval Studies

The 14th Annual Pearl Kibre Medieval Study Graduate Student Conference

Date: May 4, 2018 

Location: The Graduate Center, CUNY 

Keynote Speaker: Shirin Khanmohamadi, San Francisco State University

Authors are invited to submit articles for publication in „Studia Ceranea. Journal of the Waldemar Ceran Research Centre for the History and Culture of the Mediterranean Area and South-East Europe” 9/2019. Manuscripts should be submitted through Open Journal Systems:  https://czasopisma.uni.lodz.pl/sceranea/user/register by April 30th, 2019.

Special Issue "War and Literature: Commiserating with the Enemy"

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A special issue of Humanities (ISSN 2076-0787).

Deadline for manuscript submissions: 11 January 2019

We would like to invite researchers to submit their abstracts to the Political Performances Working Group at the 2019 IFTR conference, which will take place on 8-12 July in Shanghai, China. The theme for the 2019 conference is Theatre, Performance, and Urbanism. We have identified three loose strands that reflect the recent work of many researchers in the wider field of political performances, but that also align with the 2019 conference theme. The Political Performances Working Group therefore invites proposals for papers on the following topics:

(A)     Citizenship

Call for Papers

Myth and Fairy Tales

Southwest Popular / American Culture Association (SWPACA)

40th Annual Conference, February 20-23, 2019

Hyatt Regency Hotel & Conference Center

Albuquerque, New Mexico

http://www.southwestpca.org

Proposal submission deadline: November 1, 2018

Call for Papers–2019 Conference 43rd Comparative Drama ConferenceText & PresentationApril 4-6, 2019Orlando, Florida

2019 Keynote Event

April 5, 2019     8 p.m. (followed by a reception)

Keynote Q&A:  Branden Jacobs-Jenkins

“Bites Here and There”:

Literal and Metaphorical Cannibalism across Disciplines

The organiser of the Bites Conference (University of Warwick, 17 November 2018) invites contributions for an edited essay collection, provisionally titled “Bites Here and There”: Literal and Metaphorical Cannibalism across Disciplines.

I am interested in submissions that explore instances of literal or metaphorical cannibalism across fields, and we invite abstracts on topics and disciplines including, but not limited to:

The literature of ancient Greece and Rome has survived for thousands of years. As a result, Classical literary and philosophical works have served as a profound influence on the writings of subsequent time periods. Indeed, in many subsequent time periods, the ability to quote from Classical sources became a marker of status and intelligence. However, many works of ancient Greece and Rome are not wholly original, but in fact flaunt their use of source materials, citing earlier versions of myths and epics. Often, Classical and post-Classical authors would modify their source materials, and we are able to see them not only as writers, but as readers in their own right.

Those scholars committed to an inter-disciplinary perspective on human experiences confront centuries-old divisions between and among the natural sciences, social sciences and the humanities, competing investigative methods, descriptive foci, and explanatory emphases. Bolstered by specialization, administrative demarcations, professionalization, and expertise, the discontinuities generate trajectories of intellectual enrichment and progress.  On the other hand, have scholars within these intellectual spheres, disciplines, and area studies become passing ships in the night?  What would constitute evidence of this condition, if this is, indeed, the case? Have scholars not been displaced from public discourse and social media?

Shakespeare gave and withheld knowledge to craft his plot and engage his audience. We are taken on a guided ride from which we glimpse what the playwright chooses thus forming our layers of knowledge through which we are manipulated. What we know can be what we knew before attending the play, based on dialogue from the characters, or from reported speech of events off stage and even in times before the play.

How does medieval war resonate beyond the battlefield? This roundtable session invites papers that consider the relationship between medieval literature and wartime. War punctuates our understanding of the Middle Ages, providing us with frameworks for comprehending and interpreting the events of history, and the corpus of literature created in response to these conditions is equally broad. In its most literal sense, wartime literature is the narration or memorialization of events on the battlefield, from the Battle of Maldon to the work of Jordan Fantosme and the poetry attributed to Laurence Minot. Wartime, however, is less a temporal or veridical marker than a loaded conceptual term. What counts as wartime? When does it begin and end?

The literature produced by the communities of early Northern Europe, where the elements of craft and material culture informed the descriptive matter of both poetry and prose, has left a legacy which demands critical analysis of the ways in which the trappings of the real and the imaginary were represented.  What were the relationships between figurative language, mimetic representation, the production of craft, and perceptions shaped by the visual arts?  Did the allegories, symbols, emblems, fancies, and verisimilitude of literature in Old and Middle English, Old Norse/Icelandic, Early Welsh, or Early Irish provide opportunities to discuss the interface of descriptive writing with other modes of representation?  Potential papers are asked to cons