cultural studies and historical approaches

After the success of the Folk Horror in the Twenty First Century conference hosted by Falmouth University, we are holding another related conference in 2020.

The present is dark. With the rise of right-wing populism, global migrations and immigrations, continued violence, abuse and crime, prejudice and intolerance, there is increasing anxiety about the future. The Earth itself is under threat from environmental catastrophe and a mass extinction event is anticipated. The collapse of society, morality, and the environment was often also feared in the past, particularly in Gothic, horror and dystopian fictions and texts. What were the monsters of the past? What are our monsters now?

Dragons: A Series of Edited Volumes

deadline for submissions: 

January 15, 2020

full name / name of organization: 

Northwestern State University

contact email: 

rachel.carazo@snhu.edu

I received a great response to the last call for papers regarding the volumes on dragons. As a result, I have been better able to refine and divide results.

Below are the new details for the updated call for papers:

Theorizing about the body has never been more urgent than in our current era of climate change. Stacy Alaimo has compellingly argued that “potent ethical and political possibilities emerge from the literal contact zone between human corporeality and more-than-human nature.” In the decade or so since she first penned those words, these ethical and political possibilities have become even more urgent, and the borders of the contact zones themselves have become more blurred. Climate change has had increasingly intimate corporeal implications (especially in the Global South), and the widening gap between the rich and the poor has only exacerbated these matters, as has the global rise in right-wing extremism.

"African Perceptions of the Black Diaspora"

It is not surprising that the diaspora, in its representations of the origin seeks to establish and maintain the links with the dreamed motherland for everything leads to think that the place left, voluntarily or because of political, historical and even natural contingencies, do not leave the diasporic subject. Confronted with an in-between situation, his creative work articulates different identities, opposing cultures and a vague memory of the origin. But how does this origin think and represent its diaspora? This is the central question of this anthology, essentially dedicated to Africa.

Human Matters: Engaging Publics in the Humanities

July 8-11, 2020

University of British Columbia Okanagan, Kelowna, Canada

Call for Papers

Deadline for paper and session proposals: January 15, 2020