cultural studies and historical approaches

Audiovisual Translation and Minority Cultures

International Conference

Sponsored by CenTras (Centre for Translation Studies @UCL - UK), AIA (Italian Association for English Studies) and CUSVE (The University Centre for Victorian and Edwardian Studies)

Museo delle Genti d’Abruzzo

Pescara, 3-4 June 2022

Call for Papers

The 2nd International Conference on Medical Humanities in the Middle East (online)
April 9-10, 2022

“The Politics of Sound” - Intersections | Cross-sections (IS|CS) Annual Graduate Conference 2022

Presented by the joint graduate program in Communication & Culture , at X* University & York University

March 18th - 19th, 2022 - Virtual and in-person programming.

Call for presentations: “The Politics of Sound”

Deadline for submissions: Monday January 10th, 11:59pm EST.

What is the continued role of feminist theory and feminist analysis in literary studies today in these lands claimed by Canada?  How and why is feminist analysis still relevant to our work? We seek contributions for a special issue of Canadian Literature on feminist critique and/in Canada today.

Deadline extended!

Comhfhios Boston College is an interdisciplinary Irish Studies Conference. This year's theme is "Other Irelands" and the conference will take place in Chestnut Hill, MA on February 25-26, 2022. See full cfp below: 

The Irish Studies Graduate Students of Boston College, in conjunction with the Irish Studies Program, are pleased to be hosting the fifth annual Comhfhios Boston College conference. Comhfhios (pronounced “co-is”) meaning “knowledge together,” or “open to all knowledge,” invites emerging scholars in all Irish Studies fields to gather again in Boston. 

#DouglassWeek is excited to invite poets, writers and other creators from around the world to submit entries for the second annual #Douglassweek poetry competition. This year, the theme of “Intergenerational Conversations” may inspire your creations.

Since COVID-19’s first infection, the virus has mutated. Each expected virological mutation summons increased governmental and medical surveillance, received both positively and suspiciously by the public. The instituted state of exception was most aggressively diagnosed by the Italian philosopher Giorgio Agamben. Agamben, however,  is not alone in theorizing the pandemic. Thinkers like Slavoj Zizek, Jean-Luc Nancy, Sergio Benevenuto, and Catherine Malabou have also published reflections on the virus’s spread. In fact, a veritable sub-section of academic publishing has emerged due to the virus.

The next issue of Disegno will investigate, from the perspective of design culture, the contemporary role and significance of cinema, film, VR and moving image installations within the context of the institutional, technological, and media-related developments and lifeworld in the twenty-first century. Our basic aim is to shed more light on how critically oriented design culture studies conceive of design not as it is in the world but how it creates our lifeworlds (Lebenswelten) as seamless webs of discursive meanings and sensual experiences. On closer inspection, our particular interest lies in how this worlding (scil. es weltet) can be understood in the realms of cinema and film making.

Nearly thirty years after the publication of Nina Auerbach’s seminal study Our Vampires, Ourselves, we felt the 150th anniversary of J. S. Le Fanu’s Carmilla provided an opportunity to revisit vampire fictions centred on female figures – as yet a largely unchartered territory. Despite a few pages devoted to Carmilla and queer vampires – in The Vampire Book by Gordon J. Melton, 1999, Le miroir obscur. Histoire du cinéma des vampires, by Stéphane du Mesnildot, 2013, or the catalogue of the 2019 exhibition at the Cinémathèque Française –, the centrality of Dracula and male vampires still remains prevalent in critical literature.

Call for Papers

RELIGHTING THE CROSSROADS:

HISTORICAL AND CULTURAL ENCOUNTERS BETWEEN HAITIANS AND AFRICAN AMERICANS

20-22 May 2022

A Virtual Conference

 CUNY Haitian Studies Institute and the Department of Africana Studies

Brooklyn College, City University of New York

I. Conference Details

Call for Papers: The St. John’s University’s Humanities Review Spring 2022 Issue 

“Crashing the Canon: A Spotlight for the Underrepresented in Higher Education”

Deadline for abstracts: December 22, 2021

Deadline for accepted submissions: February 22, 2022

Editors: Alexander Radison & Kainat Cheema

Contact email: alexander.radison21@my.stjohns.edu & kainat.cheema21@my.stjohns.edu 

Queerness has been represented on film, in varying ways, from the advent of motion pictures to the present day. This special issue of the academic journal Queer Studies in Media & Popular Culture will explore the forms and functions of groundbreaking queer cinema in the early decades of the 21st century. Completed articles on any topic pertaining to contemporary cinema studies at the intersection of gender/sexuality studies and/or queer theory are invited from established and emerging scholars of various disciplines.

Call for  Paper

This seminar departs from the idea that we need a clearer understanding of elemental forms—traditional and non-traditional—that are in different stages of becoming formless (loss, disappearance, transmutation etc.). On the one hand, we build up on the critical genealogy of the formless (l’informe), a concept once popularized by Bataille in the surrealist journal Documents (1929-30) and later taken up by Bataille’s readers, most famously by Rosalind Krauss & Yves-Alain Bois (1997) and Georges Didi-Huberman (1995). While, on the other hand, we also welcome proposals that conceptualize the formless through different disciplinary vantage points and bring it to bear on the question of elemental forms.