cultural studies and historical approaches

The Politics of Cute

updated: 
Tuesday, June 30, 2026 - 4:53am
Public Humanities - Cambridge University Press
deadline for submissions: 
Tuesday, December 1, 2026

Cuteness is a twenty-first-century sensation—from the global expansion of Sanrio fandom to the rise of social capital around Labubu and Jellycat, from K-Pop stars (real or animated) to cute animals like the quokka and Fennec fox. This issue explores a “cuteness turn” found in many public realms around the world. The adoration of attractive or cheerful objects associated with childishness and youthfulness is part of the human experience. However, this issue does not examine cuteness as a transcultural aesthetic or psychological condition, but we focus on its larger political implications. Throughout history and around the world, this “universal” sentiment has often been manipulated for commercial and ideological purposes.

Scholarship Under Attack

updated: 
Tuesday, June 30, 2026 - 4:51am
Public Humanities - Cambridge University Press
deadline for submissions: 
Friday, December 18, 2026

This special issue will explore current attacks on scholarship and scholars, and the multiple ways in which law, broadly conceived, is understood and deployed in these attacks with implications for who is allowed to shape and engage in the public sphere. 

NeMLA 2027 In and Out of Media – Intermediality in the Humanities of Today

updated: 
Monday, June 29, 2026 - 4:31pm
Josue Chavez / Bryn Mawr College
deadline for submissions: 
Wednesday, September 30, 2026

Historically, researching and teaching the different art forms took place in a well-sealed vacuum: for example, using literary theory to decipher one of the great texts, visual and compositional analysis to examine a sublime painting, or montage splicing to perceive the nuances of film. However, it is becoming more difficult to recognize the borders that separate cinema, literature, and the visual arts. Factors including the rise of globalized societies and the emergence of new technology have forced us to reconsider medium specificity and our relationship with creative expressions and works of art.

“Not a Monoculture”: Ideas of Irishness 


updated: 
Monday, June 29, 2026 - 2:37pm
American Conference for Irish Studies Mid-Atlantic/ New England Conference
deadline for submissions: 
Friday, August 28, 2026

American Conference for Irish Studies Mid-Atlantic and New England Regional Conference 

November 6th and 7th 2026

Seton Hall University, South Orange, NJ 

Please send abstracts of 250 words to Elizabeth.Redwine@shu.edu by August 28th, 2026. 

“Not a Monoculture”: Ideas of Irishness 


NeMLA 2027 | Animals and Madness

updated: 
Monday, June 29, 2026 - 1:12pm
Matthew Walsh
deadline for submissions: 
Wednesday, September 30, 2026

“I must be mad!” cries Elizabeth Costello at the close of J.M. Coetzee’s The Lives of Animals (1999). An author and animal advocate, Costello cannot reconcile how the atrocities of factory farming that keep her awake at night do not likewise haunt her peers. When picking up the character again over two decades later in The Pole and Other Stories (2023), Coetzee presents Costello in the grips of early dementia, which has brought her into even greater communion with the suffering of animals. As she discloses to her son, “I can’t put the image out of my mind, John.

Developmentalism, Capitalism, and Vulnerable Lives: Reflection on Regional Literature in India

updated: 
Monday, June 29, 2026 - 12:33pm
Joydev Maity, Ravenshaw University, India
deadline for submissions: 
Saturday, October 31, 2026

In India, the displacement of Adivasis, tribals, poor, farmers, forest-dwelling and land-based people, and other marginalized communities for development and infrastructure projects like dams, railways, power projects, and bridge construction, or for capitalist accumulation like mining, resource extraction, tourism, and industry, is a common occurrence. The trajectory of such displacement has a long history, starting in the colonial period and being aggravated in the postcolonial period under the Nehruvian model of development. Although such projects are implemented for the sake of the ‘greater common good’ for all, only a few elites enjoy the benefit of these projects, depriving millions of displaced, marginalized people (Roy 1999).

Indian Cultural Heritage: Perspectives

updated: 
Monday, June 29, 2026 - 6:15am
Hijam Georgie Philemon
deadline for submissions: 
Sunday, September 20, 2026

About the Book

Indian Cultural Heritage: Perspectives is an edited volume that invites interdisciplinary scholarship on the diverse and dynamic dimensions of India's cultural heritage. The volume welcomes original contributions exploring tangible and intangible heritage, indigenous knowledge systems, languages, literature, folklore, performing arts, architecture, material culture, cultural memory, museums, heritage conservation, digital heritage, and contemporary issues of identity, sustainability, and cultural preservation. By bringing together diverse academic perspectives, the volume seeks to advance critical understanding of India's rich cultural traditions and their continuing significance in a rapidly changing world.

Gender and the History of Institutions

updated: 
Monday, June 29, 2026 - 6:01am
MARIA ISABEL ROMERO RUIZ
deadline for submissions: 
Monday, December 31, 2029

The aim of this book series is to examine the history of institutions around the world through the lens of gender. Of interest
are institutions established with the specific purpose of regulating gender and sexuality (e.g. the Magdalen
asylums, Magdalen hospitals, penitentiaries, refuges, mother and baby institutions) as well as those with more general
purposes where gender has had an important role in their operation and function (e.g. prisons, workhouses, lunatic
asylums), including both religious and private organisations. The series supports the increasing interest in these
institutions internationally, both in academia and in the treatment of ‘historical’ abuse.

“I overstand you, you understand”: Joyce and the Nightmare of Interpretation

updated: 
Monday, June 29, 2026 - 5:39am
The James Joyce Italian Foundation
deadline for submissions: 
Monday, November 9, 2026

Call for Papers“I overstand you, you understand”: Joyce and the Nightmare of Interpretation

 

Conference Dates:

4–5 February 2027

Deadline for Abstracts:

9 November 2026

Successful Applicants Will Be Notified By:

30 November 2026

Keynote speakers:

Sara Sullam, University of Milan

Kris Peeters, University of Antwerp

 

Organisers:

Franca Ruggieri,

Fabio Luppi,

Enrico Terrinoni,

Serenella Zanotti

 

Empowering Communities in the 19th-century British Novel

updated: 
Monday, June 29, 2026 - 12:41am
NeMLA
deadline for submissions: 
Tuesday, September 15, 2026

Nineteenth-century British literature frequently interrogates the boundaries of community dynamics, examining not only what the individual contributes to a collective and what it means to belong, but how communal engagement fundamentally reshapes the individual. 

Consistent with the NeMLA 2027 theme, "Empowering Communities," this panel explores a vital dual imperative within the nineteenth-century British novel: the structural tension between individuals whose actions serve to empower their communities, and communities that conversely function to shield and empower otherwise fragile individuals.

the engine(idling litmag Issue #10, Theme: A Day in the Life

updated: 
Sunday, June 28, 2026 - 1:33pm
the engine(idling
deadline for submissions: 
Monday, August 31, 2026

6/26/26 - 8/31/26: Subs are OPEN for our big 10th Issue: A Day In The Life.


… um, like The Beatles’ song?‍ ‍

YES!

We’re interested in the ways in which art like this exists in the world — with such wildly different fragments and contrasting energies not just coming together but overflowing with a vivid, mad, inventive creativity! (We do like this song.)

So, do we want poems and artworks about this song, or pieces about The Beatles? NO!

Large loose baggy monsters: Communities in the multiplot horror

updated: 
Sunday, June 28, 2026 - 11:19am
Joshua Gooch / NeMLA
deadline for submissions: 
Wednesday, September 30, 2026

When Henry James described the Victorian multi-plot novel as “large loose baggy monsters,” he didn’t have twentieth and twenty-first century horror in mind, but the echoing effects of the Gothic on writers like Charles Dickens, Wilkie Collins, Mary Elizabeth Braddon, Charles Reade, and others. These writers drew on the multiplied plots and perspectives of the Gothic to represent how social worlds were constructed and constrained. 

Reading Chaucer outside the Anglophone World

updated: 
Sunday, June 28, 2026 - 8:54am
Sophia Yashih Liu / National Taiwan University
deadline for submissions: 
Tuesday, June 30, 2026

Reading Chaucer outside the Anglophone World: Receptions, Translations, and Traditions
Date: March 12–13, 2027
Venue: National Taiwan University, Taiwan

Conference website: https://readingchaucer.com/

 

Roth Unbound: Transcultural signposts from Goodbye Columbus to Nemesis Roots and Routes in Philip Roth’s Works

updated: 
Sunday, June 28, 2026 - 5:55am
Aristi TRENDEL
deadline for submissions: 
Saturday, April 11, 2026

 

International Conference at Le Mans University, France

in association with The Philip Roth Society

and The National and Kapodistrian University of Athens

 

April 7-8, 2027

 

Roth Unbound: Transcultural signposts from Goodbye Columbus to Nemesis 

Roots and Routes in Philip Roth’s Works

 

 

Autonomous Black Worldmaking as Community Empowerment

updated: 
Sunday, June 28, 2026 - 12:44am
North East Modern Languages Association (NeMLA)
deadline for submissions: 
Wednesday, September 30, 2026

In her resolute commitment to telling stories about Black life without the white gaze, Toni Morrison articulated a model of community empowerment grounded in local knowledge, intra-communal collaboration, and the self-reflexive narration of Black worlds. While Morrison remains one of the most visible public advocates of this aesthetic and ethical orientation, practices of Black worldmaking across African and diasporic literatures have long exceeded mere response to anti-Blackness. Even under conditions structured by racial violence, coloniality, displacement, and social rupture, Black communities have continually generated modes of life, relation, memory, and imagination that assert the possibility of worlds otherwise.

Digital Intimacies 12: Intimately Disconnected

updated: 
Saturday, June 27, 2026 - 10:35am
University of Sydney
deadline for submissions: 
Wednesday, August 26, 2026

Intimately Disconnected
4-5 December 2026 (Friday and Saturday)
The University of Sydney

Digital Dalits and Global Solidarities: Collaborative Action in the 21st Century (Roundtable)

updated: 
Saturday, June 27, 2026 - 3:06am
NeMLA
deadline for submissions: 
Wednesday, September 30, 2026

This roundtable discusses the convergence of literary expression and digital activism as means of empowering a community. The shift of passive representation to active agency in the 21st century can be common in the digital space where the local knowledge is stored and disseminated. We discuss how marginalized groups, namely Dalit writers and activists, have used digital humanities to evade authoritarian gatekeepers and develop transnational solidarities. This session welcomes people to talk about how online spaces can be seen as a form of regenerative space where the testimonios of Dalit can be heard, transforming the world into a supportive space of collective action and literary insurgency.

Handbook of the Cultural Legacy of 9/11

updated: 
Friday, June 26, 2026 - 4:52pm
Marc A. Ouellette, Old Dominion University; Peter Pericles Trifonas, University of Toronto
deadline for submissions: 
Tuesday, December 1, 2026

CFP: Handbook of the Cultural Legacy of 9/11. (under contract with Springer)

 Edited by:

 Marc A. Ouellette, Old Dominion University, (mouellet@odu.edu) and Peter Pericles Trifonas, University of Toronto

FRAME 40.1 "(Be)Longing"

updated: 
Friday, June 26, 2026 - 5:00am
FRAME, Journal of Literary Studies
deadline for submissions: 
Friday, September 4, 2026

 

CALL FOR PAPERS FRAME 40.1 “(Be)Longing”

Marjorie Kinnan Rawlings Journal of Florida Literature

updated: 
Thursday, June 25, 2026 - 9:56pm
Marjorie Kinnan Rawlings Society
deadline for submissions: 
Friday, November 27, 2026

Call for Papers and Creative Submissions

Deadline: November 27, 2026

The Marjorie Kinnan Rawlings Journal of Florida Literature publishes articles, book reviews, notes, fiction, poetry, and other creative work in the spirit of or regarding the life and work of Rawlings, her circle, and other authors and artists inspired by Florida.

The journal welcomes submissions from various approaches focusing on Rawlings and Florida in broader contexts, including these topics: 

LIFE at its Limits: Medicine, Literature, Philosophy

updated: 
Thursday, June 25, 2026 - 4:12am
Department of English Studies, Eötvös Loránd University, Budapest, Hungary
deadline for submissions: 
Friday, September 4, 2026

LIFE at its Limits: Medicine, Literature, Philosophy 

Department of English Studies, Eötvös Loránd University, Budapest, Hungary 

10–12 December 2026

 

Black Aesthetics and the Affordances of Photography, International Conference

updated: 
Thursday, June 25, 2026 - 3:18am
Nicole Schneider, Amerika-Institut, LMU Munich
deadline for submissions: 
Tuesday, September 15, 2026

Black Aesthetics and the Affordances of Photography

International Conference, Amerika-Institut, LMU München

Philologicum, 9-11 June 2027

 

Thinking through and with the concept of Black Aesthetics this conference addresses the Affordances of Social Justice Photography in order to consider the medium’s possibilities toward placemaking, activism, and social justice as well as the varied agencies inherent in photographic images and in different processes of looking.

Translating Emotions in Medieval Europe: Modes, Models, and Cultural Strategies

updated: 
Thursday, June 25, 2026 - 3:09am
The Medieval Translator / University of Trento, Italy
deadline for submissions: 
Wednesday, September 30, 2026

Translating Emotions in Medieval Europe: Modes, Models, and Cultural Strategies

 

In recent decades, the upsurge of emotion studies within the field of Medieval Studies has contributed to reshaping its borders, revealing that medieval affectivity is a dynamic cultural construct that invites cross-cultural and comparative approaches. At the same time, translation in the Middle Ages was rarely a literal, word-for-word process; rather, it functioned as an act of cultural adaptation, political appropriation, and linguistic innovation.

NeMLA 2027 | Demystifying the "Speculative" and its Real World Connection

updated: 
Wednesday, June 24, 2026 - 4:33pm
Daniel C. Charlton / Montana State University
deadline for submissions: 
Wednesday, September 30, 2026

In this modern moment, there have been a myriad of proposals exploring the contours of “speculative fiction”—be that social, environmental, &c. This session seeks to deconstruct the ways in which the speculative shapes the contours of the “real” or realized. Though sensationalization can be found in works of fiction, the threads of one’s reality—intersectional as it may be—provides a rich narrative that encourages further exploration and the fears provided in what we would safely relegate to fiction. However, there remains a “seeping out” of those fears that can eerily be represented in the real world.

Identity in Popular Culture (SAMLA)

updated: 
Wednesday, June 24, 2026 - 12:13pm
South Atlantic Modern Language Association
deadline for submissions: 
Tuesday, September 1, 2026

Hosting Identity: Boundaries, Bodies, and Belonging in Popular Culture
Who—or what—do we let in?

This panel invites papers that examine how identity in popular culture is shaped through the logics of hospitality: encounters structured by thresholds, boundaries, and negotiations of belonging. From the body to the home to the platform, popular media repeatedly stages identity as something that must be received, managed, or refused.

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