JNT: Journal of Narrative Theory invites submissions exploring the life and work of refugees as they engage the humanities today. Just as the mid-twentieth century refugee crisis shaped the emergence and development of aesthetic and theoretical movements around World War II, the mass movement of displaced peoples today stems from a convergence of forces concomitantly reshaping art and humanistic thought, from economic globalization to climate change, neoliberalism, neoimperialism, resurgent nationalisms, violence against black, latinx, Muslim, and queer peoples, and the waning securities of sovereignty and citizenship.
ecocriticism and environmental studies
Clemson University Press is pleased to invite essay submissions of approximately 7,000 words to volume 3 of The T. S. Eliot Studies Annual (2019 publication). We welcome work on our special topic, “Eliot and the Biological,” particularly essays that engage with ecocriticism, animal studies, and theorizations of the body.
Please send an abstract of no more than 300 words and a brief CV to Julia Daniel, guest editor, at firstname.lastname@example.org, before January 30th. Accepted essays will due by August 1, 2018.
The œuvre of E. M. Forster is undoubtedly based on contrast: nature vs. culture, nature vs. queer, and/or culture vs. queer. However, there seems to be many instances when the oppositions dissolve in the triad of nature, culture and queerness. Nature sometimes functions as a connection between culture and life, and the life tends to be quite specific, queer. Sometimes still it is queerness (of the sex or of the mind) that links nature with culture. In turn, culture may be responsible for bringing nature and queerness together. The proposed conference shall shed more light on the relation of the triad nature, culture, and queerness in relation to the life and works of E. M. Forster.
The D.H. Lawrence Society of North America is organizing a virtual conference for graduate students, on Saturday, April 14, 2018.
Abstracts are welcome on any topic in D.H. Lawrence studies, including any aspect of his poetry, prose, essays, his circle, modernism, and WWI. We especially welcome papers on Lawrence and the 1920s or Lawrence and New Mexico, in anticipation of the next International D.H. Lawrence conference, which will be held in New Mexico in 2020.
CFP: Gothic Animals: Uncanny Otherness and the Animal With-Out
The boundary between the animal and the human has long been unstable, especially since the Victorian period. Where the boundary is drawn between human and animal is itself an expression of political power and dominance, and the ‘animal’ can at once express the deepest fears and greatest aspirations of a society (Victorian Animal Dreams, 4).
The animal, like the ghost or good or evil spirit with which it is often associated, has been a manifestation of the uncanny (Timothy Clark, 185).
Call For Papers: Special Issue of Alternative Francophone
“Nature, Environment, and Ecology: Ecocritical Approaches to Francophone Literature”
The fiction of Octavia E. Butler has fired the imaginations of academics and activists alike. Quite often, however, these communities are walled off from one another. Butler’s explorations of the environment, sexuality, race, politics, and many other topics have established her legacy as a revolutionary, and her influence cannot be contained by the traditional categories and boundaries in which knowledge is typically organized. Her work is too vital to be put into any kind of box. For our second biennial conference, the Octavia E.
Issue 10.1 Spring 2019. Toward an Ecopoetics of Randomness and Design. Guest Editors: Franca Bellarsi and Judith Rauscher. Université libre de Bruxelles and Otto-Friedrich-Universität Bamberg. (Submissions open on 15 May 2018 and close on 15 July 2018).
Confirmed Speakers: Helen Rozwadowski (UConn); Tim Dee (BBC)
In Katherine Mansfield’s 1912 short story ‘How Pearl Button Was Kidnapped’, a young girl sees the ocean for the first time. Terrified by the sight of this ‘big piece of blue water […] creeping over the land’ she asks: ‘Will it hurt us – is it coming?’ The response she is given is that ‘no, it doesn’t come to us. It stays in its place’.
This panel explores the genealogies of Latinx eco-media, defined broadly to include literature, visual art, film, music, and everything in between. As Euro-American fantasies like the pristine wilderness and the balanced ecosystem become increasingly untenable, it looks to Latinx eco-media for aesthetic, conceptual, and political alternatives. And as the effects of climate change become increasingly pervasive, it recovers Latinx strategies for reimagining—and ultimately, transforming—human communities and nonhuman environments.