"A Living Presence": Tagore Today
Special Issue, October, 2010 (Vol 2 No 4)
"A Living Presence": Tagore Today
To be guest edited by Amrit Sen, Visva Bharati, Santiniketan
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Special Issue, October, 2010 (Vol 2 No 4)
"A Living Presence": Tagore Today
To be guest edited by Amrit Sen, Visva Bharati, Santiniketan
CALL FOR PAPERS
WORD / IMAGE / CULTURE
25th Annual Interdisciplinary Conference in the Humanities
Sponsored by the Department of Foreign Languages and Literatures of the University of West Georgia: November 11 – 13, 2010
Keynote Speakers: Dr David Platten (University of Leeds) and Dr Stephen Morton (University of Southampton). Reading by Courttia Newland
On the occasion of the bicentennial of Mexican Independence, we are dedicating this Special Issue (Vol 2, No 3) of Rupkatha Journal on Interdisciplinary Studies in humanities (ISSN 0975-2935) on Latin American literature and arts, including those of Mexico in particular. This issue will be guest edited by Prof. Reynaldo Thompson, Universidad de Guanajuato, Mexico.
We invite articles and book reviews on the following broad areas:
1. General Topics:
i. Discussion of the evolution of Latin American culture, literature and arts;
ii. Analysis of trends-old and/or new-that can be marked for a better understanding of cultural facts;
iii. Theories and meta-theories for Latin American literature and arts;
Word, Image, and Contemporary Lyric Voice(s)
42nd Annual Convention, Northeast Modern Language Association (NeMLA)
www.nemla.org
April 7-10, 2011
New Brunswick, NJ – Hyatt New Brunswick
Host Institution: Rutgers University
The Cowper and Newton Journal
CALL FOR PAPERS
The Cowper and Newton Journal, a new scholarly annual published by the Trustees of The Cowper and Newton Museum, Olney, UK, is seeking submissions for its first issue, to be published in Spring 2011.
The Journal accepts contributions on any topic related to William Cowper, John Newton and their circle but also embraces the wider milieu – literary, artistic, religious, historical, horticultural – of their contemporaries in the eighteenth and early nineteenth centuries. In keeping with its museum origins, the Journal's scope also covers material culture: the study of relevant objects from the period and their wider significance.
This conference will bring together medievalists with scholars and theorists working in later periods in the humanities in order to collectively take up the broad question of what happens "after the end," by which we mean after the end of the affair, the end of the world, and everything in between. After gender, sex, love, the family, the nation-state, the body, the human, language, truth, feeling, reason, ethics, modernity, politics, religion, God, the nation-state, secularism, liberalism, the humanities, the university, teleology, progress, history, historicism, narrative, meaning, the individual, singularity, theory, practice, what else is there?
Call for Papers in Ecocriticism
at
42nd Annual Convention, Northeast Modern Language Association (NeMLA)
April 7-10, 2011
New Brunswick, NJ – Hyatt New Brunswick
Host Institution: Rutgers University
Among the 370 Sessions accepting abstracts are the following looking for essays on ecocritical issues:
Iconoclasm: The Breaking and Making of Images
University of Toronto, March 17–19, 2011
Confirmed Keynote Address by Carol Mavor (Manchester) (others to follow)
From Blanche Dubois' Belle Reve to Esperanza Cordero's house on Mango Street, houses—and the affiliated, if more abstract, idea of home—figure prominently in 20th century American literature and film. The 20th century, after all, is characterized by both inter- and intra-national migrations which have, invariably, entailed the loss of one home, followed by the acquisition of another. Moreover, the 20th century has seen a steady increase in both actual home ownership and the imaginative importance of owning a home. At the start of the 20th century, 46.5% of Americans—less than one in two—were homeowners but, by 2000, that number had risen to 66.2%, or two in three.
This panel will examine the ways in which Victorian Sensation Fiction interacted with Modernity. We will ask: How did the genre anticipate and respond to late 19th century Parliamentary activity? In what ways did sensation fiction challenge or reflect evolving ideas about gender and identity? Panelists will interrogate sensation fiction's relationship to art and aestheticism movements, advances in technologies including "iron horses," commercial culture, and Modernity's historical and political events, including Britain's empire project. We will discuss the ways in which sensation fiction seeded later literary movements such as the "New Woman" novels.
The 19th Annual 18th- and 19th-Century British Women Writers Conference The Ohio State University Columbus, OH "Curiosities" March 31- April 3, 2011 Call for Papers: The theme for this year's conference is "Curiosities." We encourage submissions that consider how the concept of curiosity—in its dual meaning of intellectual pursuit and particular material objects—influenced the lives and work of eighteenth- and nineteenth-century women writers, and continues to drive our scholarship today.
Call for Papers
Session: The Ecogothic in Italian Literature and Culture
Sven Birkerts identifies language erosion as one of the morbid symptoms of the electronic age: "Syntactical masonry is already a dying art; simple linguistic pre-fab is the norm. Ambiguity, paradox, irony, subtlety, and wit – fast disappearing. In their place, the simple 'vision thing.'" The popularity of James Cameron's Avatar may prove the worldwide spread of this morbid symptom.
I am pleased to announce the publication of the third volume of "Ravenna", an online interdisciplinary journal devoted to the relationship between nineteenth-century Britain and Italy. "Ravenna" is edited by Elisa Bizzotto and Luca Caddia and published by Steven Halliwell at The Rivendale Press as one of THE OSCHOLARS group of fin de siècle journals under the general editorship of David Charles Rose.
http://www.oscholars.com/Ravenna/Ravenna3/toc.htm
This issue includes the following articles:
- Fabio Camilletti, "Veils. A Reading of Dante Gabriel Rossetti's 'St. Agnes of Intercession'";
Spaces of Alterity: Conceptualising Counter-Hegemonic Sites, Practices and Narratives
University of Nottingham, UK
28th-29th April 2011
Confirmed Plenary Speakers:
China Miéville and Dr. Alberto Toscano
This two day international conference for postgraduate and early career researchers explores interdisciplinary conceptions and representations of radical, counter-hegemonic space.
Oftentimes an actual historical tragedy makes its strongest impact when it is delivered to the public in the form of fiction. In the hands of a skilled artist, the story can not only capture the enormity of the event, but also expose and express the human perspective. Many contemporary American writers utilize landscape and heritage to speak to today's important global ecological issues. One poignant example is writing set in the Appalachian South. Present Appalachia may best be understood if approached through the lens of postcolonial theory since the mountain people are as disenfranchised as those in colonized nations. America's insistence on cheap energy, with strip mining and mountaintop removal, has had devastating effects on the Appalachian area.
Women in film and media:
Over the last two decades, cinematic privileging of the postcolonial other has evolved a new, significant wedge against the plethora of hegemonic films. From Avatar to Slumdog Millionaire to The Secret of Roan Inish, the popular role of the postcolonial other in film has yielded a new transnational awareness as well as place in contemporary cinema. Additionally, these film depictions have alternately problematized and/or privileged themes of gender, migration, displacement and adaptation. This roundtable will examine through theoretical lenses how and why the postcolonial other has been positioned in privileged and colonized cultures by today's film industry.
New York Institute of Technology/Nanjing University of Posts and Telecommunications Spring Conference 2011
"Crossing Borders: Traveling, Teaching, and Learning in a Global Age"
Location: Nanjing, China
Dates: April 16th and April 17th, 2011
Abstract and panel proposal submission deadline: August 31st, 2010
(Please circulate widely & apologies for cross-postings!)
First Call for Papers: THE ANATOMY OF MARGINALITY
A Special Issue of "The European Legacy"
Guest Editors: COSTICA BRADATAN (The Honors College, Texas Tech University) & AURELIAN CRAIUTU (Department of Political Science, Indiana University, Bloomington)
Ecocriticism informs ecological activisms, and vice versa. What kind of change can the intersections and tensions between ecocriticism and activism bring about? While ecocriticism has become an increasingly popular field of inquiry, its positionality remains an issue for negotiation. From Rachel Carson's Silent Spring (1962), which continues to influence mass eco-activisms, to the anti-GMO groups that shape discussions of bioethics, ecocriticism remains in dialogue with practical approaches in what Lawrence Buell has termed a "spirit of commitment to environmentalist praxis" (The Environmental Imagination, 1995). Moreover, current ecocritical scholarship underscores a general distrust of the romanticizing rhetoric of early ecocriticism.
Call for Papers: Literary Ecology, Ecocriticism, Place Studies
Title: Toward a Literary Ecology of Place: Studies in American Literature
Editors:
Dr. Karen Waldron, College of the Atlantic, USA
Dr. Rob Friedman, New Jersey Institute of Technology, USA
Call for Chapters:
Proposals Submission Deadline: June 30, 2010
Full Chapters Due: September 30, 2010
Keynote Speakers: Dr David Platten (University of Leeds) and Dr Stephen Morton (University of Southampton). Reading by Courttia Newland
Sven Birkerts identifies language erosion as one of the morbid symptoms of the electronic age: "Syntactical masonry is already a dying art; simple linguistic pre-fab is the norm. Ambiguity, paradox, irony, subtlety, and wit -- fast disappearing. In their place, the simple 'vision thing.'" The popularity of James Cameron's Avatar may prove the worldwide spread of this morbid symptom.
Parnassus: An Innovative Journal of Literary Criticism (ISSN 0975 – 0266) invites contributions for its combined second and third number, to be published in India (deadline for submissions: 30 October 2010). This journal aims at investigating and researching new approaches to world literatures. It proposes to promote innovative critical response in every branch of literary studies. Submissions of research papers, book reviews, conference reports and interviews are welcome from the established as well as emerging scholars. Contributions should conform to the latest edition of MLA Handbook/ Style Sheet and they should send both hard and soft copies of the material. Email submissions are preferred.
With the publication of Lost Girls and 25,000 Years of Erotic Freedom, the centrality of love and sex in Alan Moore's work has become indisputable. Thus far, however, little scholarly attention has been paid to this facet of his work. This collection, provisionally titled *Lost Loves: Why Men and Women Make It (or Don't) in the Work of Alan Moore*, aims to remedy that situation.
University of Auckland, 8-10 October 2010
Keynote speaker (to be confirmed): Prof David Leatherbarrow, University of Pennsylvania School of Design
Is architecture a cult of the externalised object? It would seem so: of 46 images of prize winning entries on the 2009 World Architecture Festival website, for example, only four show interiors.[2] So efficiently are interior and exterior sealed off from each other that they are frequently treated as discrete professional domains. However, inside and outside are always ready to be reversed and today's spaces may seem even more involuted, fragile and unsettled than those of the past.
American Literature (Duke University Press)
Special Issue on SF, Fantasy, and Myth
http://www.duke.edu/~gc24/americanliterature.html
DEADLINE: 31 May 2010
More than one commentator has mentioned that science fiction as a form is where theological narrative went after Paradise Lost, and this is undoubtedly true…The form is often used as a way of acting out the consequences of a theological doctrine….Extraterrestrials have taken the place of angels, demons, fairies and saints, though it must be said that this last group is now making a comeback.
—Margaret Atwood, "Why We Need Science Fiction"
ETUDES IRLANDAISES
French Journal of Irish Studies
Spring 2011 issue (non-thematic) /
The Editorial Board of Etudes Irlandaises is seeking submissions for the Spring 2011 volume of the journal.
DEADLINE FOR SUBMISSION: 30 SEPT. 2010