November 17-20, 2016
This panel will explore new directions within the field of modernist studies that reconsider the boundary between text and context. The early New Critical reception of modernism often privileged form at the expense of context, whether biographical, socio-political, or historical. More recently, a historicist turn in modernist studies has reintroduced context as crucial to the study of modernist texts. In yet another dialectical swing of the pendulum, "new formalism" has attempted to renovate the concept of form by rethinking its relation to context.
Recently scholars of modernism have advocated for a "global turn". Accordingly, the field of modernist studies has expanded to encompass times and places, authors and texts, which have been overlooked by traditional, canonical accounts of modernism. Extending the spatial and temporal boundaries of modernism has opened new avenues of inquiry and discovery. The decentering of modernist studies from its European focus has led to the inclusion of many non-European traditions and literatures. However, some argue that a global approach to the study of modernism ignores the particularities of history, culture, and language.
One goal of military basic training is to replace recruits' focus on their own individuality with an unquestioned devotion to group solidarity. No military unit—whether as small as a squad or as large as an army—can survive unless its members subordinate their personal desires to collective action. This "de-individualization" is evident in everything from dress codes to forms of address, from small-arms drill to a reverence for "proper channels" and "chain of command." To be a member of the armed forces is, by definition, to be subordinate not only to those higher in rank but also to a protocols, regulations, and orders designed to ensure the efficient functioning of the whole.
Making Contact: Artistic and Linguistic Representations of Conflict and Commonality (Conference date: March 10-12, 2016)
Call for Papers
A renowned Polish academic journal "The Problems of Literary Genres" (Zagadnienia Rodzajów Literackich) invites contributions for 59 issue (vol. 1/2016 and 2/2016). We are waiting for critical, original, unpublished and innovative submissions written from any theoretical angle, which can attract both oversees and Polish readers. In 2016, we are especially interested in papers about different aspects of "style of hatred" and "hate speech" in contemporary, especially literary discourses.
The deadline: 30th April 2016
Full Title: Theatre Symposium 2016: Pages, Stages, Audiences
Date: 08-May-2016 - 09-May-2016
Location: Qatar University Campus, Doha, Qatar
Contact Person: Dr. Anastasia Remoundou-Howley firstname.lastname@example.org
Call Deadline: February 28, 2016
The Department of English Literature and Linguistics at Qatar University inaugurates a two-day Theatre Symposium open to scholars and theatre practitioners with an interest in theatre and theatrical praxis in and about the Middle East.
As Europe is currently facing the worst displacement crisis since the Second World War, the dominant public discourse on the issue is characterized by a curious mixture of xenophobia and humanitarianism. What is forgotten in this debate is that, historically speaking, Europe has always been a place of migrations. After all, the rough outlines of today's national composition of the continent is to a very great extent the result of the Great Migration (4–8 century AD). The people who came to Europe at that time met populations, like the Greeks and the Romans, who were themselves the children of earlier migrants.
*Deadline for abstract submissions extended to January 20, 2016*
CALL FOR PAPERS
April 8-9, 2016
Brown University | Providence, Rhode Island
Keynote: Morgane Cadieu
Assistant Professor of French, Yale University
Interdisciplinary Graduate Conference: (Un)Stable Identities: How the Self is Forged and Found
"There will be time / to prepare a face to meet the faces that you meet." Eliot, Prufrock
"We know what we are, but now what we may be." Shakespeare, Hamlet
"I am not an angel...and I will not be one till I die. I will be myself." Bronte, Jane Eyre
Prof. Howard Caygill (Philosophy, Kingston)
Dr. Priyamvada Gopal (English, Cambridge)
Prof. Thomas Docherty (English, Warwick)
Attention: All Scholars!!
Don't miss this opportunity to have your work considered to be on the program at this unique Texas conference of medieval and renaissance scholars celebrating beauty!
Send your 250-300 word abstract to Dr. Darci Hill, Conference Director via email to email@example.com. Papers exploring any aspect relating to the medieval and renaissance time period are welcome. Disciplines typically represented at this conference are, art, music, history, philosophy, linguistics, literature, theater, and dance.
Our plenary speaker is Dr. Caroline Bruzelius, art historian from Duke University, whose fascinating research focuses on medieval cathedrals.
How did important texts from the postwar period frame the suburbs as a locus of refuge, anger, hysteria, or (even) self-realization at a moment when American cities themselves experienced a shifting and growing economy, African American rights protests, atomic fears, etc.? How did the suburban aesthetic, the collision of romantic and realist, and spatial concepts including place, space, geography, zones, neighborhoods, distance, and scale feature in suburban narrative? We welcome all papers treating the suburban experience, as this approached or averted the apocalyptic, in American texts, 1945-1975.
How did war terminologies and war mentalities manifest themselves in important texts from the postwar period? Did war narrative change significantly after WWII, in the period 1945 to 1975? Did it go underground, such that we could no longer tell stories about battles, foxholes, and beloved leaders in the way we did in the mid-century? Did Heller's Catch-22 and Vonnegut's Slaughterhouse Five rewrite the rules in significant ways? We welcome all papers treating representations of war in influential American texts, 1945-1975.