fan studies and fandom

Pop Cultures: Cultural and Creative Industries, Concepts and Problems
A Global Inclusive Interdisciplinary Conference

Sunday 19th March 2023 - Monday 20th March 2023
Prague, Czech Republic

Depictions of Gender and Sexuality in Popular/Public Culture

Call for Chapters

Editors: Laura Getty, University of North Georgia (Laura.getty@ung.edu) and Josef Vice, Purdue University Global (jvice@purdueglobal.edu)

Publisher: international academic press to be confirmed

Deadline for submitting chapter proposals (400 words): October 7, 2022 

Notification of acceptance: ongoing, no later than October 30, 2022

Provisional deadline for essay draft submission (approximately 10,000-15,000 words): May 5, 2023

V INTERNATIONAL CONGRESS ON FANTASTIC GENRE, AUDIOVISUALS AND NEW TECHNOLOGIES

The International Congress of Fantastic Genre, Audiovisuals and New Technologies is an activity of scientific and academic dissemination that is part of Elche International Fantastic Film Festival – FANTAELX, with the collaboration of the Miguel Hernández University.

Its mission is to disseminate research studies within the different thematic lines of the Fantastic Genre, covering all its possible variants and platforms: cinema, television, theatre, literature, comics, videogames, virtual reality, plastic arts, etc.

PARTICIPATION

Florida Atlantic University Honors College
Jupiter, United States

Details

Video games are more popular than ever, and gaming is an increasingly common hobby. However, gaming raises a number of complex ethical issues. Perhaps the most familiar is the question of whether violent video games are morally appropriate or not. But beyond questions about the morality of gaming and what is appropriate content we might wonder what the overall value of gaming is. Gamers are quite passionate about their hobby, and with concerns about gaming-disorder on the rise, it is reasonable to ask what redeeming value video games have. What role, if any, can video games have in the good life? 

With the advent of social media and platform infrastructures, cancel culture has engendered new means of regulation through digital media platforms which appear to further silence already marginalised communities. Having roots in the Black vernacular tradition, the clear social justice agendas of culturally linked meta-networks of social media practices and community digital infrastructures are argued to have become highjacked by social elites (Clark, 2020). For some commentators this means that the viral nature of social media backlash can claim, to the detriment of democracy, various careers and reputations among well-known celebrities, political figures,

To mark the 50th anniversary of Joanna Russ’s landmark short story, ‘When It Changed’, the Science Fiction Foundation and the Centre for Fantasy and the Fantastic at Glasgow University are proposing an online conference (3-4 December 2022) on women’s role in reshaping science fiction.

The Gothic is a wide-ranging mode that comprises multiple genres, including but not limited to literature, drama, film, television, art, music, games, comics, and graphic novels. It is also a shape-shifting mode. Like vampires or werewolves, expressions of the Gothic frequently and uncannily change form, thereby calling into question the stability and desirability of fixed generic, cultural, and mediatic boundaries. Bram Stoker’s Dracula (1897), the most often adapted Gothic text, first took the shape of both a novel and a play before transforming into innumerable plays, operas, ballets, graphic novels, TV shows, films, comics, and games.

 Live Xinema IV– Invitation to Participate

Building on the successes of the Live Cinema Conference held at King’s College London in 2016, the Live Cinema Summit at Sheffield Doc/Fest 2018,  and our online event Live Cinema III: The ReOpening in September 2020, we are convening: Live Xinema a new festival of research and innovation exploring the role of hybridity and liveness in the future of cinema.   The Xinema in this year’s title reflects the hybrid nature of the event (across platforms) and expresses the sense of a crossroads, of converging and diverging paths of development and innovation. 

We are considering three broad areas of enquiry:

“Lesbian Aesthetics: Living Queer Lives With Ali Smith”

Proposals are due August 15, 2022; the Full manuscripts due December 15, 2022.

Editors 

Jaime Harker, 

Director of the Sarah Isom Center for Women and Gender Studies at the University of Mississippi; jlharker@olemiss.edu

Turner Nat Byrd, University of Mississippi; tbyrd1@go.olemiss.edu

Ali Smith is an anomaly in the contemporary publishing scene: an experimental writer

popular enough to be interviewed by the prime minister of Scotland; a lesbian writer lauded as

INSIDE VOICES

Fan Studies Network – North America Virtual Conference
October 13–16, 2022

SUBMISSIONS DUE AUGUST 1

NeMLA 2023: Niagara Falls, NY. March 23-26, 2023. 

Fandom flourishes thanks greatly in part to the contributions made by members of marginalized communities. From fanfictions based on queer readings of the original material, to fan art depicting BIPOC character headcanons, fandom has given people the opportunity to engage with media in ways that are oftentimes more inclusive than the original text itself. 

As a sport, basketball follows a certain set of rules and conventions which serve as a framework for players, coaches, and teams to play the sport. By their very nature, these rules are meritocratic which means that all participants are equal on the court, play by the same rules, and the only relevant (read as: game deciding) factors are effort, skill, and fortune. Such a perspective on basketball and sports leads certain fans and observers to statements such as “politics should be kept out of sports”.

The call for papers for the next issue of the Australasian Journal of Popular Culture (Issue 11.1-2), on the general theme of 'narrative and identity', is now open.

Article submissions on any aspect of the theme are encouraged. The Issue's Editors particulalry invite articles on the following topics:

- self-representation on social media
- representations of disability and neurodiversity in popular culture
- re-inventions of genre and viewership/readership in popular culture
- alternative realities and modes of storytelling in (video) games
- online fandoms and identity
- popular icons