Call for Chapters: Of (Hu)Man and Monarchs: Humanness and the Fictional Representations of Monarchs in literature, Arts, popular culture and Media (The title may change) contact email: email@example.com
He wrapped himself in regal garments and fastened the sash.
When Gilgamesh placed his crown on his head,
a princess Ishtar raised her eyes to the beauty of Gilgamesh.
Call for Book Chapter Proposal
Title: Queer Visuals: Gender, Sexuality and Indian Cinema
Edited by: Srija Sanyal, Research Scholar, Ronin Institute, USA
Critical articles on the representation of Muslims/Islam in Indian films are invited from research scholars/faculty members for the upcoming volume "Muslims in Indian Cinema" to be edited by Asrin Khatun and Md Sarfaraj Nawab.
When we think of the western literary canon, we tend to think of the famous authors and works that have shaped our literary and scholarly culture into what it is today: Dante, Shakespeare, Milton, Dickens, Twain, Whitman, and the list goes on and on. But In our age of cultural and technological advancement, we believe that the bodies of works we consider worthy of study should also reflect the current world around us. Thus, the goal of this issue of The Humanities Review is to shine a spotlight on those authors, works, and platforms which have not yet found a home in the literary/academic canon, but still merit the kind of close literary analysis afforded to the canon.
(une version française suivra)
"Narratives of Catastrophe"
Newspaper headlines of recent years, detailing extreme weather events, the rising spectres of authoritarian movements and the surveillance state, not to mention the COVID-19 pandemic, describe conditions uncomfortably similar to those typically found in the dystopian novel. As one bookstore in Smalltown Canada put it, “the Apocalyptic Fiction section has now been moved to Current Affairs.”
version française cf. ci-dessous / versión española véase abajo
Global Crisis(es) between Image, Language and Time: On the Fantastic in Contemporary Films and Series
Julia Brühne, Orlando Valenzuela Celis, Padraic Wilson (University of Bremen, March 03-05, 2022).
This section of the academic journal “Sinestesieonline” is open to contributions about theatre and performing arts in all historical ages, forms and variations, in English, Italian and foreign languages. We use double blind peer review.
“Il Parlaggio” is the name created by Gabriele d’Annunzio for the amphitheatre in Vittoriale – a place of empathy, a cradle of emotions, a crossroads of cultures, a connection between antiquity and contemporaneity, an emblem of the “neverending show”.
Romancing the Gothic is a free online education project which started in March 2020 and provides classes and talks on various aspects of horror, the Gothic, the supernatural, folklore and more. We put on talks each week which are then also made available online for participants. To see the YouTube channel and previous classes from a variety of speakers - https://www.youtube.com/user/Ymdol1
Two-day international conference, 23rd to 24th May 2022 to be held in person at Sheffield Hallam University, Sheffield, UK and online
Keynotes: To be confirmed
Dr James Fenwick (firstname.lastname@example.org Sheffield Hallam University)
Dr Kieran Foster (Kieran.email@example.com University of Nottingham)
Call for Abstracts:
Call for Proposals: Film History Book Series
We are seeking proposals for complete/in-progress/planned manuscripts and edited collections for a proposed book series. The series will focus on film history: both the history of film as media texts and the history/evolution of the cinematic apparatus.
RIT press has expressed interest in this series and has asked that we secure some projects before moving forward with approval.
Potential topics include but are not limited to:
CFP: FSAC Grad Colloquium, Co-Hosted by Utoronto/York (February 18-19 2022)
The following is a Call for Papers for the 24th Annual Film Studies Association of Canada Graduate Colloquium, co-hosted by the University of Toronto and York University, to take place online on 18/19 February 2022. Submission guidelines are outlined below.
CFP: Altered States
Nothing exists that doesn’t have this senseless sense – common to flames, dreams, uncontrollable laughter – in those moments when consumption accelerates, beyond the desire to endure.
- Georges Bataille, The Impossible
Call for Papers: Ghostbusters – A Companion The release of Ghostbusters: Afterlife, the fourth installment coming almost 40 years after the original Ghostbusters film, prompts inquiry into this beloved and oftentimes fraught film franchise. While the original and (and its sequel) was a paean to academics becoming the working class heroes who act as the ghost janitors of New York City, the third and fourth films, reimagined with new casts, have become a battleground for who ‘owns’ nostalgia, and have acted as meta-commentaries on the question.
The Routledge Handbook of Language and Mind Engineering
Edited by Chris Shei and James Schnell
Call for chapter proposals
Soap operas, wrestling, periodicals, reality television, comic books, literature, video game and ﬁlm franchises, vlogging, sports, advertising campaigns, and now even politics and political journalism have harnessed the power and popularity of the serialized form to build and sustain audiences in our increasingly fractured media landscape.
The Arts & Humanities Association of Graduate Students of
The University of Texas at Dallas presents
the thirteenth annual
RAW: Research, Art & Writing Graduate Student Conference
Reality, Reflection, and Retrospection:
Perceptions on Time, Space, and Subjectivity
Saturday, February 12, 2022
The Anthem Series on Exploitation and Industry in World Cinema incorporates a broad range of scholarship on filmmakers, genres, cycles and national cinemas, focusing on ways in which exploitation filmmaking and distribution subsidize riskier commercial or “art cinema” work. Titles in this series focus on a single exploitation filmmaker/producer/distributor, an exploitation genre/cycle or the exploitation component of a national cinema. The series considers new and fuller understandings of the interdependent development of exploitation, commercial and arthouse cinema as technology enables new cultures of audience reception.
Open deadline for monograph and edited collection proposals.
American Comparative Literature Association 2022 Annual Meeting
National Taiwan Normal University
Queer Asia in Crisis
Call for Papers
Television and Empathy
What is television’s capacity to elicit empathy?
Conference Call For Papers: Games in/between China and the West
12 and 13 April 2022
Call For Proposals
#IFM2022 VIRTUAL CONFERENCE
June 8-10, 2022
Hosted by Ryerson University (Canada), The University of Texas at Dallas (USA), University of Sao Paulo (Brazil), Leeds Trinity University (UK), and University of Bayreuth (Germany)
Judith Aston, Associate Professor and Wallscourt Fellow in Film ＆Digital Arts, the University of the West of England, Bristol (United Kingdom)
INTERACTIVE EPISTEMOLOGY, LISTENING, AND ECOMEDIA
Reminder: A Critical Companion to Wes Craven
deadline for submissions:
December 20, 2021
full name / name of organization:
Fernando Gabriel Pagnoni Berns
A Critical Companion to Wes Craven
edited by Fernando Gabriel Pagnoni Berns and John Darowski
Part of the Critical Companion to Popular Directors series edited by Adam Barkman and Antonio Sanna
FILM REVIEWS FOR THE QUINT