film and television

We warmly invite additional chapters for The Handbook of Trans Cinema, with high priority for chapters exploring transgender films from Africa, Latin America, Asia, Oceania, and Europe. Proposals are due April 17, 2025. We already have over 70 confirmed chapters exploring trans films from 6 continents. After the following list of confirmed chapters, you will find details about how to submit your proposal for additional chapters. The handbook will include only one chapter for each topic, so please do not send proposals for any of the confirmed chapters listed here:

Seeking chapters about European films featuring transgender themes as part of a global survey for The Handbook of Trans Cinema. We already have over 70 confirmed chapters by prominent scholars exploring trans films from 6 continents, including chapters devoted to France, Germany, Greece, Ireland, Italy, Poland, Portugal, Romania, Spain, and Sweden. We especially welcome the following high-priority chapters on European films for the handbook's Part II (National Overviews of Trans Cinema): 

 International Journal of Humanities, Art and Social Studies

ISSN : 1832-624N 2974-5962 (Print)

https://flyccs.com/jounals/IJHASS/Home.html

*** March Issue***

Submission System 

Scope

Deadline for Abstract Submission: May 15, 2025

Final Chapter Submission: December 30, 2025

Editors: Aswathi Velayathikode Anand (Visiting Assistant Professor, IIM Indore, India) & Swathi Krishna S. (Assistant Professor, IIT Bhubaneswar, India)

Contact Emails: aswathiv@iimidr.ac.in, swathi@iitbbs.ac.in

Stories of Strength and Survival: Resilient Women in Indian Fiction(Edited Collection) (With a strong publishing interest from Bloomsbury Publishing, USA)

June 26-28, 2024

Virtual Conference

https://swpaca.org/

Submissions open on March 25, 2025

Proposal submission deadline: April 15, 2025

Film Journal Thematic Issue Proposal: First Films and Early Style

Co-editors: Omid Bagherli and Charline Jao

We are seeking prospective contributers for a special issue of Film Journal on the topic of early style.

Throughout the 20th and 21st centuries, popular culture increasingly served as an intermediary to present and, in some cases, reimagine academia and the academy for mass audiences. This mediation results from an assembly of narratives from various media forms and contexts, both by those inside and outside the academy. The result is a vision of the academy in Western popular culture that is exciting and inviting at turns, but is more frequently shark-like, insular, and intimidating. 

Space is not defined objectively, but in relation to bodies, as it is a manifestation of their needs, intentions, and desires. It is not a container in which objects exist but is intertwined with the body’s orientation in the world and its movements within the space. Human body, therefore, is at the centre of all spaces, which are more than a geometrical concept in abstraction. Individual bodies apprehend and appropriate space differently and give meaning to embedded systems and institutions through established and evolving associations. Any assumption of personalised space, whether private or public, is embedded with historical, cultural, and social meanings which help curate embodied experiences.

An International Conference

On

Labouring Bodies in South Asian Films and Filmmaking: From Beginning to Now.

Organized by

The Cultural Studies Cell, School of Arts and Humanities, Christ University, Bengaluru

Conference Dates: 19 & 20 June 2025

“Pause to think a hundred times, a thousand times, on the doorstep of the film factory.”

Viktor Shklovsky: The Film Factory (1927)

Call for panelists for a paper at the American Association of Chinese Studies (AACS)

67nd Annual Conference, hosted by Adelphi University, Garden City, New York on October 24-26, 2025. According to the AACS conference description: the theme of the conference is “Charting New Paradigms: China and the Chinese Diaspora in a Changing World Order” in multiple aspects of culture, diplomacy, economy, education, health, history, literature, politics, and society.

Detecting New Paradigms: The Detective Genre in Contemporary Chinese Culture

Multiverse Convention LEARN Track Call for Submissions

Event Date & Location: October 17 - October 19, 2025 at the Hilton Peachtree City, 2443 HWY 54 West, Peachtree City, Georgia, 30269

Deadline for Submissions: Friday, May 2, 2025

Name of Organization: Multiverse Convention Organization

Website: https://www.multiversecon.org

Contact Email: Kenneth Broome, Jr., Learn@Multiversecon.org

CONVENTION THEME:

Critical Arts: south-north cultural and media studies 

【Special Issue】Global thinking and regional acting: From eco-aesthetics to cultural discourses of the Asian natural environment

Guest editor

Goutam Karmakar, University of Hyderabad, India; Durban University of Technology, South Africa
GoutamK@dut.ac.za

CALL FOR PAPERS

Online 25-26 September 2025

PopCRN (the Popular Culture Network) will be holding a free conference online exploring representations of food in popular cultures in history and today, on 25 and 26 September 2025.

Delicious, Nutritious and Fictitious: Food in Popular Culture is asymposium that aims to interrogate the ways that food, recipes, cooking, eating and nutrition are evident in popular culture. This may be representations of food in television, film, literature, art, music, as text, narrative, discourse or any other scholarly form or genre.

estrema: interdisciplinary journal of humanities, an online, double-blind peer-reviewed journal from the Centre for Comparative Studies at the School of Arts and Humanities, University of Lisbon (CEComp-FLUL), is currently accepting article and review submissions for the first issue of its Volume 4 until 12 May 2025. The previous issue featured reflections, in the form of articles and interviews, on the life/death dichotomy, approached from an interdisciplinary, comparative, and innovative perspective. In 2025, we are launching estrema's first call for papers specifically focused on a particular field of study: Speculative Fiction.