film and television

We are pleased to announce we are accepting abstracts for chapters for our tentatively titled book, Teaching Black American Speculative Fiction & Beyond: Equity, Justice, and Antiracism. This proposed collection is based on our popular 2021 NCTE Assembly on American Literature (AAL) session, which focused on American speculative fiction and issues of social justice. The collection will focus on equity, justice, and antiracism within different genres/modes of speculative fiction (e.g., science fiction, fantasy, horror) and various formats (e.g., short and long fiction, film, graphic novels, comics, and plays).

For close to seven hundred years, Gawain has been a favorite hero in Arthurian myth, especially when it comes to his legendary accomplishments—and faults—in Gawain and the Green Knight. No matter how much readers may root for him in his quest with the Green Knight, many of us can’t help but wonder…what if? All of that changed with David Lowery’s 2021 film, The Green Knight, which presents viewers with an abundance of scenarios that many of us haven’t even anticipated. In doing so, Lowery has forever altered the way scholars approach the medieval poem.

Call for Papers

Queering Camelot: LGBTQQA+ Readings, Representations, and Retellings of Arthuriana 

Fantastika Special Issue

Guest Editors: Rebecca Jones and Sebastian F.K. Svegaard

This is an open call for papers for a special issue of Fantastika continuing on from its Queering Fantastika issue, which will explore the queer side of Arthurian tales, adaptations, and fanworks. It seeks to include any and all media, whether directly adapting or only alluding to Camelot and Grail narratives. This issue will present a multivalent approach and is seeking both critical and critical practice-based research on this subject. 

The Mid-Atlantic Popular and American Culture Association is accepting proposals until June 30 for their 2022 conference, Nov 10 - 12, in Princeton, NJ. General guidelines can be found at mapaca.net.

Third Cinema films successfully manages to depict the socio-political issues of the world. These issues include the effects of colonization, oppression, and conflict between classes or nations. These films are especially pivotal for the political issues of the Third World. In this sense, films play a fundamental role in the struggle for justice for marginalized communities. Third Cinema is a tool through which debate, activism, and discussion are evoked in society. These films expose the realities of the world and have gained recognition in terms of art, politics, and humanity. Indeed, the Third Cinema is revolutionary for society in every convincible way. 

Vernon Press invites book chapter proposals to be included in a forthcoming scholarly volume on "Monsters and Monstrosity in Media - Reflections on Vulnerability".

How might on-screen constructions of the monster and monsterity represent notions of difference, perceived (non)belongings, and disruptions of traditional identity markers? How do these constructions conceal various vulnerabilities and implicitly endorse violence towards the labelled Other?

Adapting Bridgerton

If Jane Austen and the history books present one version of the regency, Bridgerton shows a far different one. While the series had many surprises for viewers, it’s less clear what’s responsible. Does this come from being a 2020 show? From Netflix style? From the romance novels source material? Let’s consider and also weigh what worked and what didn’t. I’m seeking essays on:

Length will depend on how many submissions arrive. They will be in MLA format, secondary sources welcome, scholarly be approachable and fun for fans. Abstracts still accepted, essays due June 30. 

Please send to valerie@calithwain.com with a subject of Bridgerton.

The call for papers for the next issue of the Australasian Journal of Popular Culture (Issue 11.1-2), on the general theme of 'narrative and identity', is now open.

Article submissions on any aspect of the theme are encouraged. The Issue's Editors particulalry invite articles on the following topics:

- self-representation on social media
- representations of disability and neurodiversity in popular culture
- re-inventions of genre and viewership/readership in popular culture
- alternative realities and modes of storytelling in (video) games
- online fandoms and identity
- popular icons

Call for Submissions

Here for the Right Reasons: The Bachelor at Twenty

On the occasion of the twentieth anniversary of the premiere of The Bachelor (March 22, 2002), we seek submissions of abstracts for articles for a Contemporaries cluster devoted to the franchise. Since its premiere, the show has spawned a legion of spinoffs (The Bachelorette, Bachelor Pad, Bachelor in Paradise, Winter Games) as well as imitators and fictionalizations (Love Island, FBOY Island, UnREAL). The franchise also comprises a prodigious fanbase known as Bachelor Nation that encompasses a cottage industry of influencers, podcasters, and recappers.

FIRST FORUM CONFERENCE 2022

DIVISION OF CINEMA AND MEDIA STUDIES

UNIVERSITY OF SOUTHERN CALIFORNIA

OCTOBER 20TH AND 21ST

CALL FOR PROPOSALS: Accumulation and Excess

Accumulation and excess are rich, polymorphic concepts that can speak to local and global histories, radical filmmaking traditions and other poetic acts of defiance, or even the basic sensory schemata through which we experience our social and aesthetic environments. We seek to experiment openly with the articulation and intersection of these terms, as we examine how they are mediated, developed, and problematized by film, television, and other audiovisual forms.

Hi! My name is Dan Dissinger. I'm a professor in the USC Writing Program and I host a pop culture/nerd/nostalgia comedy podcast with my longtime friend and micro-brewery owner Manny Coelho. 

The aim of the podcast is to revisit our childhood movies, tv shows, video games, music, etc, and to the ultimate test--THE NOSTALGIA TEST! It's a fun comedy podcast, and we always aim to have a great time. 

“Lost in La-la-land, or, W(a/o)ndering in the City”

If We Could Talk to the Animals: Representations of fauna in popular culture

PopCRN are celebrating World Animal Day with a virtual symposium exploring all things fauna in popular culture to be held online on Thursday 6th of October 2022.

This edited volume seeks to examine how sexual violence and feminist interventions in South Asia and the Diaspora have been articulated in the context of but, more importantly, in opposition to the #MeToo Movement. We seek to understand how the feminist movement has radically diverged from the assimilationist discourse of the #MeToo Movement and, consequently, the Global North. The #MeToo movement has not made an impact at the grassroots level because it is hinged on the victim-survivor to speak up. In an era where the Global North has been a model for influencing change in the Global South, there has been an inconspicuous absence of recognition and impact of the #MeToo Movement.