film and television

I seek proposals for brief scholarly essays (3500-5000 words) that provide an overview of a chosen aspect of motherhood in the American imagination for a volume under contract with a new Bloomsbury series called Exploring the American Imagination: Ideals, Values, and Myths in Popular Culture. 

These overview essays should cite a number of popular culture texts to provide an overview of the tensions and contradictions as well as the foundational beliefs inherent in various aspects of American motherhood. Essays should cover multiple genres (film, fiction, television, graphic novels, music) and a broad time period. These are overviews or research starters rather than narrow analyses.

EBSN 14TH Annual Conference (Online)

The conference organizers invite proposals for papers, panels, roundtables, and creative performances for the14th Annual Conference of the European Beat Studies Network, which will take place via the online Google Meet platform, November 12-14, 2026.

CFP – “BLACK ESSAYSM: FORMAL EXPERIMENTATIONS IN BLACK CREATIVE/CRITICAL PRACTICES”

liquid blackness: journal of aesthetics and black studies 12, no. 1, Spring 2028

Guest editor: Walton Muyumba

Submissions due: January 30, 2027

The New Italians session explores contemporary Italian literature, culture, media, music, and film through the lens of migration, mobility, and evolving forms of Italian identity in a globalized world. In dialogue with PAMLA 2026’s theme, “Our Ruling Classes: Culture, Power, Conflict,” the session considers how cultural production engages structures of power shaping belonging, citizenship, linguistic authority, and cultural legitimacy in Italy and its diasporic contexts.

At its most ambitious, the New Hollywood was a movement intended to cut film free of its evil twin, commerce, enabling it to fly high through the thin air of art. The filmmakers of the '70s hoped to overthrow the studio system, or at least render it irrelevant, by democratizing filmmaking, putting it into the hands of anyone with talent and determination.

While tragedy and horror are often treated as distinct genres, both traditions ask audiences to look steadily at what ordinarily repels them. From unburied corpses and undead monsters to violated kinship and failed agency, these spectacles produce fear, pity, disgust, and sorrow alongside fascination. This session explores what might be understood as a tragedy–horror continuum, examining the aesthetic, affective, and ritual overlaps between tragic and horrific representation across historical periods and media.

Still Screaming: An Online Conference Celebrating 30 Years of Scream

2026 marks the 30th anniversary of Wes Craven’s Scream (1996), which has had a profound impact on horror films and the slasher subgenre specifically. In the past three decades, Scream has become a franchise of seven films and a television series (2015-16, 2019). Scream has also expanded beyond the screen, reverberating throughout the popular culture landscape and serving as the foundation for a game, collectible figures, multiple Ghostface mask variations, and an entire collection of merchandise at Spirit Halloween (and elsewhere). 

Media, Press Freedom, and Cultural Production in an Authoritarian Age (Submission Deadline Extended, Now July 19, 2026)

CFP: Media, Press Freedom, and Cultural Production in an Authoritarian Age

 Co-sponsored by the Union for Democratic Communications, Project Censored and the Park Center for Independent Media

Oct. 23-24, 2026

Ithaca College, Ithaca, NY

RISING ASIA JOURNAL is a peer reviewed journal published three times a year in January, May, and September. 

Reviewers are welcome to submit book reviews on any aspect of Asia, covering India's Northeast, Southeast Asia, and East Asia (China, Japan, the Koreas, and Taiwan). 

For details on our book reviews and manuscript preparation guidelines, please go to SUBMIT ARTICLES in our website www.rajraf.org 

Send your reviews to Professor Tuan Hoang at tuan.hoang@pepperdine.edu and to the Editor Dr. Harish Mehta at hmehta76@yahoo.ca

Call for Abstracts/Chapter Proposals

SCREEN STORYTELLERS: The Works of Jaco Van Dormael

Edited by Albert Lee

Panel on Bill Lawrence for SCMS 2027 Since Spin City, the shows of Bill Lawrence have navigated the complexities of workplaces, friendships, grief and family. This panel intends to explore the Bill Lawrence universe from a diverse range of angles, with the overarching aim of seeing the series as part of a collective body of work. Papers are welcomed on Scrubs, Scrubs: The Revival, Rooster, Ted Lasso, Shrinking, Spin City, Cougar Town and Ground Floor.  Abstracts of no more than 250 words should be sent, with a 100 word bio to c.wilkins@bham.ac.uk by 20th July. 

Childhood is often imagined as a period of innocence, protection, and dependence. However, across many historical and contemporary contexts, children experience various forms of violence, including interpersonal abuse, structural inequality, displacement, war, and environmental harm. Recent scholarship in childhood studies has challenged the tendency to view children solely as vulnerable victims, emphasizing their capacity for agency, resilience, and political engagement. Understanding how cultural narratives represent these experiences is essential for examining broader questions of justice, rights, and social belonging.

Congreso Estética(s) del Horror: Filosofía, Cine y Literatura.

Invitación a envío de propuestas. Congreso presencial

 (English version below)

En los últimos años, el terror ha experimentado una renovada visibilidad cultural. El éxito del cine reciente, la consolidación de una auténtica edad de oro de las series televisivas y la aparición de nuevas voces literarias, impulsadas también por el trabajo de editoriales especializadas, evidencian que el horror ocupa hoy un lugar central en el imaginario colectivo y mantiene una extraordinaria capacidad para dialogar con las preocupaciones estéticas, sociales y políticas de cada época.

The 98th annual SAMLA Conference is taking place Thursday, November, 5, through Saturday, November, 7, 2026, at the Wyndham Atlanta Buckhead Hotel & Conference Center in Atlanta, GA.  For more information, see https://southatlanticmla.org/.