film and television

International Holocaust Cinema is a planned collection edited by Dr. Elyce Rae Helford (professor of English, Middle Tennessee State University) with support from Edinburgh University Press for publication in 2027.

I seek chapters on famous or lesser-known Holocaust-themed films from diverse nations/national cinemas. Each chapter should have a specific thesis as well as attention to cultural context, production history, and/or other important elements for those interested in learning more about the film – for research, teaching, or personal interest. 

Call for Papers

Tolkien in Popular Culture

Southwest Popular / American Culture Association (SWPACA)

2026 SWPACA Summer Salon

June 25-27, 2026

Virtual Conference

https://swpaca.org/

Submissions open on March 30, 2026

Proposal submission deadline: April 27, 2026

Research group “Translation and Language Studies” (Faculty of Social Sciences, Arts and Humanities, Kaunas University of Technology) is organising an international conference on linguistics, discourse, media, communication, translation, cultural literacy and impact on society “Intermediality in Communication: Translation, Media, Discourse” held in Kaunas, Lithuania.

The scope of the conference includes 8 thematic sections with their own set of topics:

Linguistics. This section aims to examine the current directions in linguistic research, particularly focusing on how language interacts with different forms of media. 

Call for Papers

SHONDALAND

Southwest Popular / American Culture Association (SWPACA)

2026 SWPACA Summer Salon

June 25-27, 2026

Virtual Conference

https://swpaca.org/

Submissions open on March 30, 2026

Proposal submission deadline: April 27, 2026

Wildcat–the 2023 biographical film about Flannery O’Connor–is notable for its unconventional style. Rather than narrating the author’s life in a linear, straightforward fashion, the film fuses scenes from O’Connor’s fiction with events in the author’s life and the musings of her imagination. As a result, the film feels fragmented and somewhat difficult to categorize–both in terms of genre and the ultimate connection between the facts of O’Connor’s life and the purpose of her fiction.  Instead, the viewer feels the influence of the author’s inner conflicts in relation to a variety of issues: Her Catholic upbringing, bodily difference and disability, and humanity’s capacity for redemption.

DEADLINE EXTENDED

“There is more savagery, more brutality, in the pages of Wuthering Heights than in any novel of the nineteenth century, and, for good measure, more beauty too, more poetry, and, what is more unusual, a complete lack of sexual emotion…” Daphne du Maurier.

Global Cinema Symposium

Organized by the Harry W. Bass Jr. School of Arts, Humanities, and Technology

 
Nov. 13-14, 2026

In-person at the University of Texas at Dallas

Keynote Speakers:

Professor Katarzyna Marciniak, Occidental College

Professor Meta Mazaj, University of Pennsylvania

Call for Papers

The everlasting debates surrounding the relationship between literature and film as distinct mediums of artistic expression have long fascinated both philosophy and critical theory. While proponents of cinema argue that cinema is superior to other forms of artistic expression, especially literature, in the sense that it has a unique ability to engage emotions, convey abstract concepts in tangible settings, and challenge, what Gilles Deleuze might call, human “sensory-motor” perception through cinematic techniques, others might disagree by saying that cinema is inferior to literature due to its passive nature and over-reliance on immediate sensory experience rather than intellectual abstraction, which is one of the major characteristics of literature.

Call for Papers

MeCCSA Postgraduate Network Conference 2026

Media and Sustainability

University of Reading,

Minghella Studios, Whiteknights Campus

Reading RG6 6BT

9th September 2026

Organising committee: Babsie Keulemans, Emir Anday and Elizabeth Heaney

Any questions about the conference or the submission process can be directed to:

Babsie Keulemans – e.l.keulemans@pgr.reading.ac.uk 

Call for Papers

Stardom & Fandom

Southwest Popular / American Culture Association (SWPACA)

2026 SWPACA Summer Salon

June 25-27, 2026

Virtual Conference

https://swpaca.org/

Submissions open on March 30, 2026

Proposal submission deadline: April 27, 2026

The Indian National Emergency (1975 – 1977) and its afterlife: creative engagements and the cultural politics of memory

Special Issue Proposal - CFP

This Special Issue is a follow up to a panel organised at the 2025 ECSAS (European Conference for South Asian Studies) in Heidelberg on Emergency and Its Afterlife. Panel convenors (Dr Deimantas Valanciunas, Vilnius University, and Dr Clelia Clini, London Metropolitan University) would like to invite proposals for articles for a special issue on creative engagements with the Emergency.

This roundtable, inspired by the 2026 PAMLA conference theme “Our Ruling Classes: Culture, Power, Conflict,” invites short (5-minute) presentations on possible approaches and challenges to teaching figures who have been rejected by cancel culture for their harmfully dated representations of marginalized figures and communities or their creators’ mistreatment of other people or toxic attitudes: writers like Mark Twain, Vladimir Nabokov, and J.K. Rowling; filmmakers from Alfred Hitchcock to Woody Allen; and performers like Kevin Spacey and Louis C.K. Possible approaches might include:

The 123rd Annual PAMLA Conference's Digital Studies session examines how digital technologies shape human life, culture, the environment, and academia. The area remains interested in a broad range of work at the intersection of the humanities, the arts, and digital culture. However, in line with this year’s conference theme (“Our Ruling Classes: Class, Power, Conflict”), we are particularly interested in the power structures that shape how technologies are used, by whom, and to what ends. Who is included in the design and implementation of digital technologies, and who is left out? Who benefits, and who pays the greatest costs?

For its forthcoming issue, Mise-en-scène: The Journal of Film & Visual Narration (MSJ) invites submissions that encompass the latest research in film and media studies. Submission categories include feature articles (6,000-7,000 words); mise-en-scène featurettes (1,000-1,500 words); reviews of films, DVDs, Blu-rays or conferences (1,500-2,500 words); interviews (2,500-5,000 words); undergraduate scholarship (2,000-2,500 words) or video essays (8-10 minute range). All submissions must include a selection of supporting images from the film(s) under analysis and be formatted according to MLA guidelines, 9th edition.