film and television

Call for ChaptersInvoking History: Power, Bodies, BDSM

Edited Volume (proposed for Routledge)

About the Volume

It was a few years after the eve of Senegal’s independence that the first film made by an African was produced, as a way of offering an African account of Black struggles and living conditions. Ousmane Sembène viewed cinema as a more powerful medium for conveying African realities because it does not require literacy to grasp its message, making it a more effective tool for explaining the lived realities of Africa. A similar approach can be observed in the work of Alain Kassanda, especially in his documentary Colette and Justin, which not only revisits the historical context surrounding Patrice Lumumba and his death, but also dismantles claims often associated with Africans that are in fact inherited from colonialism, such as the non-schooling of girls.

In an era marked by digital mediation, political polarization, and heightened ethical scrutiny, humour has become a high-stake cultural practice: jokes travel rapidly, provoke backlash, generate solidarity, and often become flashpoints for debates around offence, free speech, and accountability. In the twenty-first century, humour has emerged as one of the most powerful, contested, and ubiquitous modes of cultural expression. Circulating across literary texts, theatrical stages, digital platforms, popular media, and everyday social interactions, humour today functions not merely as entertainment but as a deeply performative, political, and ethical practice.

Call for Proposals:

Italian Americans and the Making of America:
Design, Diaspora, and the Architecture of Belonging

58th Annual Conference of the Italian American Studies Association
November 5-8, 2026

Tufts University, Medford, MA

https://italianamericanstudies.submittable.com/submit/348486/58th-annual-iasa-conference-at-tufts-university

Jason Lives – essays on the Friday the 13th franchise

In 1980, inspired by the success of John Carpenter’s Halloween two years prior, Sean S. Cunningham wanted to create a horror film that would serve as a ‘roller coaster ride’ – that film, Friday the 13th, would launch one of the key horror franchises of the 20th century, comprising twelve films, a TV series, a selection of books, games and merchandise, and the establishment of hockey mask-wearing killer Jason Voorhees as a cultural phenomenon.

Call for Papers: SCMS Horror Studies SIG Graduate Student Essay Prize

The SCMS Horror Studies Scholarly Interest Group is delighted to announce that submissions are now open for our annual Graduate Student Essay Prize.

The winning essay will be published in an upcoming issue of the open-access journal Monstrum and the author will receive:

Event Date & Location: October 16th – 18th, 2026, at the Hilton Peachtree City, 2443 HWY 54 West, Peachtree City, Georgia, 30269

Deadline for Submissions: Friday, May 1, 2026

Name of Organization: Multiverse Convention

Organization Website: https://www.multiversecon.org

Contact Email: Kenneth Broome, Jr., Learn@Multiversecon.org

CONVENTION THEME:

For much of the twentieth and twenty-first centuries, Italian Americans have occupied an uneasy position within U.S. racial, cultural, and national narratives—simultaneously marked as insiders and outsiders, assimilated and othered, white and not-quite-white. This call for papers invites scholars to revisit and re-theorize Italian American identity through the lens of Otherness, drawing on and expanding the concept of Italianità as articulated by Fred Gardaphé and Anthony Julian Tamburri.

Call for Papers: Film, Fashion & Consumption

Special Issue: 'Dress Against: Aesthetics of Power and Normativity in Contemporary Cinema'

Guest Editor : Danae Ioannou

Submission deadline: 31 August 2026

View the full call here>>

https://www.intellectbooks.com/film-fashion-consumption#call-for-papers

CALL FOR PAPERS
Impregnable: Mediated Meanings of the Body in Resistance

Impregnability has many strong meanings - not becoming pregnant but also capable of withstanding assault. It's a term that lives in connotative alignment with infertility, of non- and un-reproducibility, but it also carries presence over absence, power over victimization. Think protesters who link arms to create an impregnable wall of resistance. Think castles that cannot be stormed. Indeed, the word literally means “unable to be defeated or destroyed; unassailable.”

ESSE 2026 conference, Santiago de Compostela (SPAIN)

31st August - 4st September 2026

Seminar 61.- Violence in Early Modern English Drama: From Stage to Screen

From the brutality of Titus Andronicus to the psychological torment of The Duchess of Malfi, early modern English drama is saturated with violence—performed or described, symbolic or spectacular. This seminar will explore how violence has functioned as a dramatic, cultural, and ideological force in early modern English theatre, and how its representations have evolved across time, including contemporary screen adaptations and TV series that borrow early modern tropes of violence, such as House of Cards or Game of Thrones.

Instructions for Authors

International Conference on Innovations in Technology for Humanity (IIHTC 2026)  invites original research contribution from different fields as mentioned in topics provided that the context of the work is clearly explained. Papers must be submitted on or before the last date of paper submission. After this deadline, you will not be able to register new papers, however you will be able to edit the information of existing submitted papers. 

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CALL FOR PAPERS, ABSTRACTS, AND PANEL PROPOSALS

Midwest Popular Culture Association/Midwest American Culture Association Annual Conference

Friday-Sunday, October 9-11, 2026

Horizon Convention Center | Muncie, Indiana

The Midwest Popular Culture Association/American Culture Association is accepting proposals for the organization’s 50th annual conference this October in Muncie, Indiana. Submit paper, abstract, or panel proposals (including the title of each presentation within the panel) with the appropriate keywords via the submissions website at https://www.mpcaaca.org/submit-panels.