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film and television

CFP: Fan Studies Network - North America Virtual Conference (October 13-17)

updated: 
Monday, July 13, 2020 - 10:27am
Fan Studies Network - North America
deadline for submissions: 
Saturday, July 25, 2020

 Call for Papers

 

 

Fan Studies Network North America Virtual Conference 2020

 

 

October 13-17, 2020

 

 

For this year, we have decided to host the virtual-only Fan Studies Network North America over five days in October to encourage participation and access, and to limit Zoom mental overload. The conference will combine synchronous and asynchronous conversations. Rather than traditional papers, we will have virtual workshops, salons, and posters.

Adoption in Film

updated: 
Monday, July 13, 2020 - 10:26am
Adoption & Culture
deadline for submissions: 
Monday, January 11, 2021

Title:    Adoption in Film

Adoption & Culture 9.2 [ 2021]

Adoption & Culture publishes essays on any aspect of adoption’s intersection with culture, including but not limited to scholarly examinations of adoption practice, law, art, literature, ethics, science, life experiences, film, or any other popular or academic representation of adoption. Adoption & Culture accepts submissions of previously unpublished essays for review.

Mediating Democracy: Contemporary Politics in Film and Media

updated: 
Thursday, July 9, 2020 - 4:25pm
SFSU Cinema Studies Graduate Student Association
deadline for submissions: 
Tuesday, September 1, 2020

SFSU School of Cinema 22nd Annual Cinema Studies Graduate Conference:

Mediating Democracy: Contemporary Politics in Film and Media 

February 11-12, 2021 

Keynote Speaker: Ellen C. Scott (Associate Professor, UCLA School of Theater, Film, and Television)

 

Alternative Cinema(s) of South Asia

updated: 
Saturday, July 11, 2020 - 3:35am
GGSIP University, New Delhi, Shivaji University, Kolhapur
deadline for submissions: 
Thursday, August 20, 2020

South Asia in Alternative Cinema(s)
Concept Note

Literature of Crisis and Apocalypse PAMLA Panel

updated: 
Thursday, July 9, 2020 - 7:16am
Pacific Ancient and Modern Language Association
deadline for submissions: 
Wednesday, July 15, 2020

Apocalyptic literature and its study have typically centered around notions of Christian eschatology, i.e. the judgement presented in the Book of Revelations. However, the aftermath of the second world war helped reshape our notions of this genre. Apocalyptic and post-apocalyptic fiction of the twentieth and twenty-first centuries has begun to examine the relations between humans and the Earth during the Anthropocene. Images of global thermonuclear war, fears of communism, and a burgeoning climate change (with its subsequent and constituent crises) have eclipsed the teleological notions of divine creation and its eventual, inexorable movement towards eschatology.

Final call for chapters: Call Me by Your Name edited collection

updated: 
Thursday, July 9, 2020 - 7:16am
Dr. Edward Lamberti and Professor Michael Williams
deadline for submissions: 
Monday, July 13, 2020

Final call for chapters:

Call Me by Your Name edited collection

 

Editors: Edward Lamberti and Michael Williams

 

We hope everyone is staying safe and well during these difficult times.

Female Body Image in Contemporary Indian Literature and Popular Culture (Edited Collection)

updated: 
Thursday, July 9, 2020 - 7:11am
Srirupa Chatterjee (Associate Professor of English at Indian Institute of Technology Hyderabad, India) and Shweta Rao Garg (Associate Professor of English at Dhirubhai Ambani Institute of Information and Communication Technology, Gandhinagar, India)
deadline for submissions: 
Monday, August 31, 2020

Female Body Image in Contemporary Indian Literature and Popular Culture (Edited Collection)

 

Call for chapter proposals (Publishing interest from Routledge Press)

 

CFP for NeMLA 2021 | The Dread of Difference(s): Horror, Gender, and Cinematic Defiance (Seminar)

updated: 
Thursday, July 9, 2020 - 7:10am
Northeast Modern Languages Association (NeMLA)
deadline for submissions: 
Wednesday, September 30, 2020

Since Carol J. Clover’s seminal work Men, Women, and Chainsaws (1992), feminist readings of horror movies have gained an enthusiastic theoretical momentum. In employing various frameworks and lenses and by complicating our spectatorial position, this rich corpus of literature has perhaps contributed to a resignification of the genre and its tropes. However, amid the emergence of luminous movies that defy and challenge horror’s misogynistic and racialized foundations, several questions arise: Is contemporary horror cinema really abjuring its heteronormative, original structure? Does mainstream horror still convey trite reactionary messages with renewed vigor?

The Odyssey of Communism. Visual Narratives, Memory and Culture

updated: 
Thursday, July 9, 2020 - 7:07am
Dunarea de Jos University of Galati
deadline for submissions: 
Wednesday, September 30, 2020

Goal: With obvious propagandistic aims, the feature films and documentaries produced in the Eastern Bloc would ‘rewrite’ the history in the making, providing their home audiences with the image of a system that should have been perceived as victorious against the evils of the corrupt, capitalist West, and as a blessing for the ones fortunate enough to be under the protection of the Party.

Equally worth commenting on are the few cultural products of the age that escaped censorship in their attempt to fight the regime, either by subtle insertion of subversive elements in the communist visual propaganda or by ‘emigration’ to a free world that was more than willing to find out what was going on behind the Iron Curtain.

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