film and television

Mike Flanagan has emerged over the past fifteen years as one of the most prolific and recognizable horror creators in film and television, working across low-budget independent cinema, studio-backed films, and prestige limited series. Yet despite his prominence, versatility, and authorial trademarks, especially his collaborations with recurring actors and other artistic partners, he has received little sustained scholarly attention.

SPECTATOR 47.1 — SPEED - CALL FOR PAPERS/BOOK REVIEWS

DIVISION OF CINEMA AND MEDIA STUDIES

UNIVERSITY OF SOUTHERN CALIFORNIA

Spectator is seeking papers and reviews for issue 47.1, Speed, themed around USC’s 2025 First Forum Conference on the same topic organized by Minji Kim and Tanushree Sharma. Their call for submissions on this theme is copied below:

The contemporary moment is often thought of synonymously with the idea of speed. The 20th

and 21st centuries were marked by rapidly ascending rates of movement: the movement of

Uncharismatic Aliens: Weird Life on Earth and Beyond in Science Fiction and Bio Art

International Conference – Porto, Portugal

(June 5th 2026)

In our current postdigital condition, digital technology is so deeply embedded in everyday life that the distinction between technical and natural is becoming increasingly blurred and images have become mere byproducts of our embodied co-existence with digital media. At the same time, we see that visual forms are continuously rendered obsolete by the rapidly evolving algorithmic processes. In new media, we are no longer even looking at “the image” any more, but rather always only at a version of an image that can be infinitely modified. Cameras are regularly used to connect the eye and the machine in a way that serves no aesthetic goal, creating purely “operational images” (Harun Farocki).

Die Erstausstrahlung von Buffy the Vampire Slayer 1997 auf The WB Television Network jährt sich im kommenden Jahr zum dreißigsten Mal. Die Serie hat die Populär- und Medienkultur der Jahrtausend-wende maßgeblich mitgeprägt und ist zugleich als Referenztext weit über diesen historischen Moment hinaus wirksam geblieben. Ihre anhaltende Relevanz beruht nicht zuletzt auf der ästhetischen und narrativen Verfasstheit: Genre-Hybridität, Intertextualität, ironisch-selbstreflexive Erzählverfahren sowie eine ausgeprägte figurale und narrative Komplexität machen sie noch heute zu einem beliebten Gegenstand kultur- und medienwissenschaftlicher Auseinandersetzung.

The year 2025 marked the 250th anniversary of Jane Austen’s birth, yet Austen seems to be only increasing in cultural relevance on a global scale. This edited collection explores new Jane Austen-related texts – including films, streaming series, prequel/ sequel novels, graphic adaptations etc. - of the twenty-first century, including…

CFP: Special Issue of The Australasian Journal of Popular Culture (15.2 2026) on K-Pop, deadline 15th June 2026.

The 123rd annual conference of the Pacific Ancient & Modern Languages Association (PAMLA) will be held in Seattle at the Hyatt Regency Seattle, from Thursday, November 12, to Sunday, November 15, 2026. 

Cultural History: 

Pacific Ancient and Modern Languages Association 123rd Annual Conference 2026

November 12-15, 2026--Seattle, WA USA

"The Intersection of France and Iran/Persia in Literature and Film"

The socio-political and cultural relationship between France and Iran has long been shaped in various ways, including literary, cinematic, and linguistic representation. This panel explores the intertextual and visual intersections between these two cultures in literature and film, spanning from the ancient period to the present.

JLIC: CALL FOR ARTICLES FOR OPEN ISSUE 2028

Call for SubmissionsComparative Media Panel (In-Person)
PAMLA Conference 2026Primary Area - Secondary Area:
Film and Media Studies - Our Ruling Classes: Culture, Power, ConflictSession Chair:
Violet Luxton (Claremont Graduate University)
violet.luxton2@cgu.edu PAPER PROPOSAL DEADLINE: MAY 25, 2026

The American Humor Studies Association (AHSA) is putting together a pre-constituted panel for submission to the 2026 Pacific Ancient and Modern Language Association (PAMLA) conference, held November 12-15, 2026 at the Hyatt Regency in Seattle, Washington. PAMLA ‘s 2026 theme is  “Our Ruling Classes: Culture, Power, Conflict.” Following this, AHSA is accepting a range of papers on “Comic Leadership.” We invite submissions that consider the role of comedy in politics. Often, comedy is used to “takedown” and “critique” those in power through satire and parody, but what can comedy offer for enacting new political paths forward?

While Percival Everett’s novel James (2024) functions as a radical reworking of Mark Twain’s The Adventures of Huckleberry Finn (1885)–freeing Twain’s literary creation from the constraints of the nineteenth century novel as well as the expectations of its original audience–”tellings and retellings” have long served as a mode for revising and reimagining canonical narratives.  From Tom Stoppard’s Rosencrantz and Guildenstern are Dead (1966) and Ursula K Le Guin’s Lavinia (2008) to Sandra Newman’s Julia (2023), literary retellings often expose the ideological foundations of the canon while amplifying voices historically marginalized or silenced within it.

You are invited to participate in a research study survey examining the relationship between film and memory.

This study explores how film experiences may shape personal, emotional, neurological, and cultural recollection, including how individuals understand events they did not directly experience. You will be asked to reflect on your film viewing habits, emotional and cognitive responses to specific films or scenes, and the ways films may influence your understanding of memory, history, and identity.