film and television

The Women in Supernatural: Critical Essays

Under consideration with McFarland & Company

Editors:

Susan Nylander, Barstow College

Mandy Taylor, California State University, San Bernardino

Project Overview 

The term avant-garde usually applies to works of art, literature and music characterized by their radical experimentation and opposition to institutionalized culture. Leading unconventional and non-conformist lives, the avant-gardists antagonized the bourgeoise by attacking their social values, mediocrity and material interests. Instead, these iconoclastic artists engaged in acts of dissidence promoted in soirées, manifestos, journals and exhibits that interfered with public life. For instance, Marinetti paraded with the Suffragettes smashing windows through the streets of London, an act that echoes his fervor to destroy museums and academies, as described in the 1909 Futurist Manifesto.

Media Mutations International Conference – 13th Edition

"Audiovisual Data: Data-Driven Perspectives for Media Studies"

Deparment of the Arts, University of Bologna (Italy) – DamsLab, 6th-7th October 2022

Organized by Giorgio Avezzù (University of Bergamo) and Marta Rocchi (University of Bologna)

In collaboration with Mirko Degli Esposti and Guglielmo Pescatore (University of Bologna)

Confirmed keynote speakers:

Monika Bednarek, Professor in Linguistics at the University of Sydney, Australia

JOCPC is now accepting articles for the Fall 2022 issue focusing on children in the political sphere. We have kept the theme open-ended and invite works across a wide range of disciplines where researchers are addressing the presence and/or representation of children occupying roles of leadership, activism, and advocacy. This may also include an investigation of the ways children and childhood is variously arrogated.

Following generative discussions unveiling the potentiality of reading the horror genre through the lens of class analysis, this seminar invites contributions that highlight the role of racial and heteropatriarchal capitalism in cinematic horror narratives. Together with seminar participants, we are interested in adding a novel line of inquiry, which perhaps has not been thoroughly explored, to the rich theoretical scholarship that has grown around the horror genre. Echoing Mark Steven (2017), we will ask: How are contemporary horror movies responding, absorbing, or resisting the dynamics of capitalism beyond a liberal understanding of identity politics?

CFP

We have extended our deadline for submissions.

We invite essays for a collected edition that investigates constructed languages (e.g., Klingon, Trigedasleng, Valyrian, Na'vi, Dothraki, Belter, Tolkien's Elvish) in the contexts and functions of socio-political power within the broad category of science fiction, speculative, and fantasy encompassing film, tv, games, and comics. How are conlangs in a work used to "other" groups of people or to construct their subjectivity? How do they reveal power relations in a geo-political system? How does the analysis of conlangs and power help us understand the world that we live in?

Haunted houses are horrific locations, but they are funny places too. Buster Keaton found his way into a haunted house (The Haunted House (1921)); so did Harold Lloyd (Haunted Spooks (1920)). Bob Hope stumbled into several, as did comedy troupes like Our Gang and the Bowery Boys. Haunted houses turn up again and again in classic animation, as in Lonesome Ghosts (1937). More recently, filmmakers like the Wayans brothers and Tyler Perry have contributed to the haunted house comedy. Our collection hopes to excavate and understand this neglected strand, exploring some of the foundational connections between horror and comedy around the theme of haunted house.

We often think of holiday romance movies as formulaic fluff and a nice distraction during what is inevitably a hectic season of travel, cooking, and family get-togethers. And honestly, many of them are! In this edited collection, we seek to examine what makes holiday romance movies, TV episodes, novels, and other texts so comforting, engaging, or even, for the Grinches among us, annoying. We are seeking chapter proposals that analyze the genre of holiday romance in its broadest definition, from White Christmas to Hallmark’s annual lineup, and beyond.

Digital Nostalgia in/as Contemporary Creative Practice

Guest edited by Bethany Lamont (Bath Spa University) and Beth Wakefield (Bath Spa University)

We invite proposals from a range of researchers, makers, designers and producers to publish their research and creative practice, critically and creatively exploring the changing and emerging role of nostalgia as a 21st century phenomenon in/as creative practice.

Narrative representations of migration can be more overtly symbolic or, perhaps, non-literal or metaphorical insofar as origin and destination are not strictly spatial or geographical categories, but, rather, categories of an ontological dimension such as identity. While migrations of identity, for example, entail the crossing of metaphorical borders, this panel wishes to explore how they also include a spatial dimension, insofar as they are articulated through spatial difference, across literal as well as symbolic boundaries and borders. Conversely, “literal,” that is to say, conventionally spatial migrations are (always?) themselves imbricated with symbolic migration, even when not explicitly thematized as such.

Edited Collection: Techno-Orientalism, Vol. II

Editors: David S. Roh, Betsy Huang, Greta Niu, and Christopher T. Fan

Deadline: August 8, 2022

Are you a major fan of DC or the Marvel Universe and its female characters: Captain Marvel, Wonder Woman, Black Widow, General Okoye, Princess Shuri or any others in the universe? We are developing an edited collection with interest already from publishers focused on Female Superheroes and their representation in a traditionally male-dominated film genre--action. Potential themes are female representations of power, strength (physically, psychologically, scientifically), as well as female minority representations of female power in superheroes and how they are similiar or different from their male counterparts. We are also interested in exploring how these female superheroes are portrayed when the director(s), producer(s), writer(s) are female.

Women and their bodies share a close connection with (im)purity, filth, and dirt as unavoidable elements in their routines of care and caring. It could be said that the words like filth, dirt are loaded with colonial meanings and can become extremely complicated when understood from the socio-cultural-political lens. Through the postcolonial appropriations, these meanings have subsequently contributed to the patriarchal assumptions and gendered ideas of women’s roles, especially, in handling filth and dirt, in their daily duties of selfless care, nursing, cooking, cleaning, and mothering.