film and television

CALL FOR ARTICLES: The New Ray Bradbury Review, Issue 9

For the next issue of The New Ray Bradbury Review (NRBR), we invite articles which shine new light on any aspect of the works and life of Ray Bradbury.

“Some people think the future means the end of history. Well, we haven't run out of history quite yet.” 

- Captain Kirk, Star Trek VI: The Undiscovered Country (1991)

Building from a successful summer conference, this edited collection is about science fiction media in the 1990s. We are looking for high quality papers that examine science fiction properties and fiction during that decade. As several papers from the conference have already been selected, we are now calling for additional chapters for the collection generally related to the following topics:

Call for Papers

Food and Culture Studies

Southwest Popular / American Culture Association (SWPACA)

46th Annual Conference, February 19-22, 2025

Marriott Albuquerque

Albuquerque, New Mexico

https://www.southwestpca.org

Proposal submission deadline: October 31, 2024

Call for papers: The American House

April, 3-4 2025 – Université Bretagne-Sud, Lorient.

Christelle Centi (UBO), Nawelle Lechevalier-Bekadar (UBS), Pauline Pilote (UBS)

HCTI (Héritage et Création dans le Texte et l’Image)

The Latin word, ‘Surdus’–used to translate the Arabic mathematical term, ‘asamm’–had referred to irrational numbers, those resisting, or willfully remaining deaf to, ratiocination and thus calculability. Its contemporary counterparts, the mathematical 'surd;' and the linguistic use of ‘surd’ for unvoiced consonants find a link in the Proto-Indo-European ‘*swer-’ which meant to buzz, whisper, or whistle. With the rise of contemporary calculation and the computational society of control which derives its power from bayesian modeling, the mathematical theory of communication, and algorithmic machine learning, the ability to remain inscrutible and deafening to such Capitalist ratiocination continues to be, and is an evermore, important aspect of resistance.

International Conference on "Precarious Wetlands in Anthropocene: Representations in Literature, Cinema and Media"

Conference Date: 12-13 December 2024 (Virtual)

Organised by: School of Liberal Arts and Humanities & CoE-Literature Studies, Woxsen University, Hyderabad, India

Concept Note

A Critical Companion to George A. Romero

Part of the Critical Companion to Popular Directors series edited by Adam Barkman and Antonio Sanna

The “Themes of (R)evolution in Atwood’s Works and Adaptations” panel at NeMLA 2025 (March 6-9, Philadelphia) invites proposals for 20-minute papers exploring themes of revolution and evolution in Margaret Atwood’s texts, adaptations, and real-life crossovers. In what ways has Atwood’s works sparked revolutionary change—or not? What role does evolution play in her texts?

Please submit an abstract (250-300 words) and a brief bio (<100 words) by September 30th through the NeMLA portal for consideration: https://www.cfplist.com/nemla/Home/S/21213. Please reach out to Riley Thomas at riley.thomas@temple.edu with any questions.

(Re)Animating the Middle Ages: Adapting the Medieval in Animated Media

Co-organizers Michael A. Torregrossa, Karen Casey Casebier, and Carl B. Sell

Sponsored by Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture

Call for Papers - Please Submit Proposals by 15 October 2024

56th Annual Convention of Northeast Modern Language Association (NeMLA)

Philadelphia Marriott Downtown (Philadelphia, PA)

On-site event: 6-9 March 2025

Rationale

HJEAS Books:  Contemporary maternal subjectivities on the page and on the screen - Call for Papers for an edited collection 

Saints English Graduate Conference 2025 at the University of St Andrews 

Theme: Obsession

Dates: 11th - 12th April, 2025
Location: St Andrews, Scotland (UK) 

‘Without obsession life is nothing’ — John Waters

NB: deadline extended to 10/15!

For Adrienne Rich, those who watch “will never act,” yet therein lies the enactive potential of poetry, which “appears as a rift, a peculiar lapse, in [this] prevailing mode” of “managed spectacles and passive spectators.” As Sean Bonney insists, “The deep truth is imageless. When you know that, you know there’s everything to play for.” And “everything”? It is, per Diane di Prima, that for and after which we must ask: “you can have what you ask for, ask for / everything." To tap Bonney once more, “All else” — indeed, anything short of everything! — “is madness and suffering at the hands of the pigs."

We are constantly engaged in processes of reading. We read literary texts, historical sources, films and other media, political moods and affects, and shifting social formations. Amongst the plethora of reading strategies available to us, close reading is perhaps the most widely known and most accepted one in literary studies (cf. I.A. Richards and William Empson). Other approaches to texts include ‘paranoid’ and ‘reparative reading’ (Sedgwick 1997), ‘distant reading’ (Moretti 2000), ‘wide reading’ (Hallet 2010), and ‘surface reading’ (Best and Marcus 2009), to name just a few. More recent research has examined intermedial reading practices (Rippl 2015), the reading of affects (Brinkema 2014), and non/institutional readers (Emre 2017). 

NeMLA meets next during the fortieth anniversary of Don DeLillo’s celebrated novel, White Noise (1985). His ninth of eighteen, it begins the two periods that make up the work for which he is best known—the first including Libra (1988), Mao II (1991), and Underworld (1997), the second The Body Artist (2001), Cosmopolis(2003), Falling Man (2007), Point Omega (2010), Zero K (2016), and The Silence (2020).