We invite papers and panels that investigate any aspect of the new and the novel in the long 19th century, including forms and genres (song cycles, photography, "loose baggy monsters"), fashions and roles (the dandy, crinoline, Berlin wool work), aesthetics (Pater, panoramas), the old made new (Graecophilia, dinosaurs), crimes and vices (serial murder, racial science), faiths (Mormons, Positivists), geographies (frontiers, the source of the Nile), models of heroism (Custer, Byron, F. Nightingale), times (railroad tables, the eight-hour-day), psychologies (phrenology, chirology, Freud), attractions (the Great Exhibition, sensation fiction, Yellowstone), and anxieties (Chartism, empire).
According to the OED, the word tourism enters the English lexicon at the dawn of the nineteenth century, thus institutionalizing the notion that travel is a necessary component of personal development. As crowds of earnest bourgeois travelers displaced the solitary young aristocrat on the Grand Tour a vast body of literature concerned with both mundane and exalted facets of foreign places cropped up to fulfill a new set of needs. Owing to the diversity of places to which individuals traveled and the many different reasons for doing so, these needs were diverse and multiform.
How did poetry, theater, music, visual art, dance, architecture, and other forms of art coexist in the English-speaking world during the Early Modern period? This panel invites papers concerning the intersections of literature and the other arts during the 16th and early 17th centuries.
Suggested topics include but are not limited to: the influence of religion on artistic production, the use of music in the public theater and beyond, representations of courtly masques, the musicality of verse, representations of architecture in literature, etc.
SAMLA 87 will be held from November 13-15, 2015, in Durham, NC.
This year's 87th annual conference of the South Atlantic Modern Language Association (SAMLA) brings together scholars in literatures, languages, and rhetorics from all over the world. The theme this year is "In Concert: Literature and the Other Arts."
This panel will discuss representations of vignettes from Ovid's Metamorphoses, focusing on illustrated editions, graphic literary representations, and other visuals. Ovid's epic naturally lent itself to visual representation, both affected by prior artwork and affecting subsequent art depicting Roman mythology. An ethically problematic poem, the Metamorphoses was received with anxiety, particularly for the dangerous lessons it could impart to vulnerable audiences, which resulted in adaptations that transformed image and text to guide readers' interpretations.
Centre for Nineteenth-Century Studies One-Day Conference
12 March 2016
Durham University, UK
Keynote Address: Professor Bernard Lightman (York University, Canada)
EXTENDED DEADLINE - JULY 3rd
The Indian Ocean needs to be regarded as a unifying element, connecting peoples and events across the ocean and at the same time a divisive element that fragments and distances communities through space and time. It is a mine of cultural experience with multiple connections that link the countries of its western shores with the Indian subcontinent. We invite papers that focus on the relations and networks that bind the communities that inhabit the shores of the Indian Ocean and which generate debate on notions of integration and fragmentation in Indian Ocean writing.
Suggested topics for discussion include:
Basin City, Caprica City, Coruscant, Gotham City, Mega-City One, Metropolis, Nos Astra, the Sprawl, and so on—SFF teems with iconic urban environments. These cities serve as geographical backdrops, but also provide, as Vivian Sobchack has argued, the "premises for the possibilities and trajectory of narrative action." Yet while Sobchack claims that representations of fantastic urban spaces depict "the failure of modernism's aspirations in images that speak of urban exhaustion, postmodern exhilaration, and millennial vertigo," in SFF, cities also embody unlimited possibilities, transcultural ideals, and utopian dreams. Cities thus function both as beacons of progress and freedom and as harbingers of decay and destruction.
The treatment of post-Renaissance allegory by literary scholars has been consistently negative. Scholars continue to write about the "demise," "abandonment," or "shattering" of allegory during the eighteenth century, as writers purportedly move away from the abstraction of generalization of allegory and towards the concreteness and demonstrability of literal narrative. This panel is dedicated to revisiting the relationship between allegory and the eighteenth century, since the literary form (whether it is understood as a distinct genre or as a mode of writing that can be evoked occasionally) does not go away. Potential panelists are encouraged to submit proposals for any paper investigating the status or role of allegory during the Enlightenment.
Keeping with the conference theme of Literature and the Other Arts, The Eudora Welty Society invites papers that explore multimodality and interdisciplinary collaboration within the works of Eudora Welty. What elements in Welty's fiction, essays, or photography connect to her contemporary moment or a timeless part of human nature? Examples might concern the role of and engagement with politics, jazz and the blues, newspaper and magazine, television and film, translation of oral fairy tales into a written medium or Welty's Robber Bridegroom into a play.
Religion and American Literature panel at PAMLA seeks papers that address how questions of faith have shaped literary works and cultural meanings. How do American writers negotiate faith or unbelief? What are the varieties of secularism articulated in their work? How do they explore faith within a post-secular context? The panel especially welcomes papers on the following authors: Cormac McCarthy, Marilynn Robinson, and Jeffrey Eugenides.
Apologies for cross-posting.
Final Call for Papers.
Deadline: August 1, 2015.
Journal of Literary and Cultural Disability Studies
Call for Papers: Disability and Human Rights
Guest editors: Gian Maria Greco and Elena Di Giovanni
This special issue of JLCDS will investigate issues of disability rights within the human rights agenda from the points of view and methodologies of cultural studies.
Panel: American Travelers and the City
Organizer: Society for the Study of American Travel Writing
Event: ALA Symposium on The City in American Literature
Details: Sept 10-11, 2015 New Orleans, LA
Proposals: Due June 27, 2015 to Andrew Vogel
The Society for the Study of American Travel Writing is organizing a panel for the American Literature Association Symposium on The City in American Literature to be held in New Orleans, Louisiana, September 10-11, 2015. More information is available at The City in American Literature Symposium.
Claudia Emerson, 2006 Pulitzer Prize for Poetry winner for her collection Late Wife and former Poet Laureate of Virginia, passed away last year at the age of 57 after a valiant struggle against cancer. She and her husband, Kent Ippolito, a musician, wrote songs together and performed. Emerson's work, then, embodies this year's SAMLA theme of "In Concert: Literature and the Other Arts." This panel seeks to celebrate her life, so papers on any element of her art are most welcome. Please send abstracts of no more than 500 words and any A/V requirements to Lynne M. Simpson, Prof. of English, Presbyterian College, at firstname.lastname@example.org by June 10.