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gender studies and sexuality

Maria Edgeworth 250

updated: 
Thursday, February 22, 2018 - 9:12am
School of English, Trinity College Dublin
deadline for submissions: 
Monday, April 30, 2018

MARIA EDGEWORTH 250

 

6-8 December 2018, Long Room Hub, Trinity College Dublin

 

Call for Papers

 

 

Miss Edgeworth is at Abbotsford, and has been for some time; a little, dark, bearded, sharp, withered, active, laughing, talking, impudent, fearless, outspoken, honest, Whiggish, unchristian, good-tempered, kindly, ultra-Irish body. I like her one day, and damn her to perdition the next. She is a very queer character; particulars some other time.

 

John Gibson Lockhart, quoted in Christopher NorthA Memoir of John Wilson.

 

Algerian Women's Post-Independence Writings: Tradition or Modernity?”

updated: 
Thursday, February 22, 2018 - 9:14am
BenaoudaLEBDAI
deadline for submissions: 
Thursday, March 15, 2018

University of Béchar - Algeria

Second International Conference on the Algerian Novel between Tradition and Modernity

Call for Papers

Béchar: 24 -25 - 26 April 2018

“Algerian Women's Post-Independence Writings: Tradition or Modernity?”

Innovation and Experiment in Contemporary Irish Fiction

updated: 
Thursday, February 22, 2018 - 9:05am
Leuven Centre for Irish Studies, KU Leuven, Belgium
deadline for submissions: 
Tuesday, May 15, 2018

Call for papers

Innovation and Experiment in Contemporary Irish Fiction

Thursday 29 November – Saturday 1 December 2018

Leuven Centre for Irish Studies, KU Leuven, Belgium

 

Religion and Rape Culture Conference

updated: 
Wednesday, February 21, 2018 - 5:19pm
The Shiloh Project / University of Sheffield
deadline for submissions: 
Monday, March 19, 2018

Date: 6th July 2018

Keynote speakers: Professor Cheryl Exum (University of Sheffield) & Professor Rhiannon Graybill (Rhodes College)

SAMLA 2018 - Mapping the Margins of Knowledge: Race, Gender and the Potential of Collaborative Research in the Humanities

updated: 
Wednesday, February 21, 2018 - 9:12am
Southern Atlantic Modern Language Association (SAMLA)
deadline for submissions: 
Friday, May 25, 2018

This workshop welcomes submissions addressing alternative ways to think about knowledge production in the humanities. Participants will explore how racial and gendered positionalities expose the margins of traditional academic discourse and discuss the potential of community-based and collaborative research in the humanities.

Proposals addressing the intersection of academic research and social-political activism, marginalised forms of knowledge production, and the politics of research are especially welcome.

Fall 2018 Conference on Domestic Tragedies—“Death and Domesticity”

updated: 
Tuesday, February 20, 2018 - 12:10pm
Resurgens Theatre Company / Georgia State University
deadline for submissions: 
Tuesday, May 1, 2018

Resurgens Theatre Company, along with the Georgia State University Department of English, is pleased to announce our second biennial conference on early modern verse drama by Shakespeare’s contemporaries, “Death and Domesticity.” We’re calling for papers that examine some aspect of Renaissance era domestic tragedies, but we also welcome topics involving the influence of murder plays on performance and/or early modern print culture. The conference will be held at the Shakespeare Tavern Playhouse (499 Peachtree St. NE, Atlanta, GA 30308) on September 28 and 29, 2018.

ReFocus: The Films of João Pedro Rodrigues & João Rui Guerra da Mata

updated: 
Monday, February 19, 2018 - 9:36am
José Duarte/Filipa Rosário
deadline for submissions: 
Friday, June 15, 2018

ReFocus: The Films of João Pedro Rodrigues & João Rui Guerra da Mata

 

With a career that spans over twenty years, João Pedro Rodrigues and João Rui Guerra da Mata are one of the most creative duos in contemporary filmmaking working within the context of Portuguese cinema. Acknowledged by several film festivals (Cannes, Indie Lisboa, Locarno, New York) as major Portuguese directors, and by the Harvard Film Archive as creators whose works “reflect the multifarious history of film, from classic genres to experimental film”, both filmmakers have contributed to the growing interest in Portuguese cinema.

 

Call for Chapter Proposals: Women in Popular Culture in Canada

updated: 
Monday, February 19, 2018 - 9:41am
Dr. Laine Zisman Newman / Women's Press
deadline for submissions: 
Thursday, March 1, 2018

Call for Chapter Proposals: Women in Popular Culture in Canada

Deadline: March 1, 2018

The Canadian Scholars / Women's Press is considering publishing a volume that explores women in popular culture in Canada. The volume is particularly interested in intersectional analyses of settler colonialism, racialization, and transgender representations and experiences in pop culture, broadly conceived to include discussions of film, television, music, and live performance, as well as political events, social media, fandom, and activism.

Textures, Formations, Futures

updated: 
Monday, February 19, 2018 - 9:34am
TERSE. Journal
deadline for submissions: 
Saturday, March 10, 2018

The editors of TERSE. Journal (www.tersejournal.com) are looking for essays, reviews, short fiction, multimodal writing (audio/visual) on the topics of: textures, world making, identity formation, feelings, and futures in relation to social justice causes.

 

We are most interested in innovative ways of exploring the topics listed above.

 

Essays should be no longer than 3,000 words

Audio recordings should not exceed 20 minutes in length

Visual art should be web friendly size

Links embedded in document

We accept: Google Docs and MS Word for written content

 

Perspectives on Music Production: Gender in Music Production

updated: 
Monday, February 19, 2018 - 9:27am
Dr Liesl King/York St John University
deadline for submissions: 
Monday, April 9, 2018

Perspectives on Music Production: Gender in Music Production

 

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Call for Contributions

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Deadline for proposals: 9th April 2018

The music production industry has, for many years, been viewed as male dominated. Despite many examples of diversification and acknowledgement of the issues (such as the Audio Engineering Society’s ‘He For She’ campaign), gender representation within music production is considered limited. The editors welcome abstracts for chapters in a forthcoming Routledge edited volume entitled Gender in Music Production. The scope for contributions are listed below.

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