gender studies and sexuality

After the New Oxford Shakespeare credited Christopher Marlowe as co-author of 1, 2, and 3 Henry VI in 2016, Shakespeare’s short-lived contemporary has drawn a wave of renewed interest. Since then, new editions of Doctor Faustus, The Massacre at Paris, and The Jew of Malta have appeared, three collections of essays have been published, and a well-attended international Marlowe conference was held in Wittenberg, Germany. Marlowe’s plays continue to be a staple of contemporary non-Shakespearean performance with recent celebrated productions at the RSC’s Swan Theatre and the National Theatre.

The 27th Annual Gender & Sexuality Writing Collective
Susan B. Anthony Institute for Gender, Sexuality, and Women’s Studies

October 21-22, 2022, University of Rochester, Rochester, NY

The Susan B. Anthony Institute for Gender, Sexuality, and Women’s Studies at the University of Rochester will hold a two-day writing collective on October 21-22, 2022. The writing collective will provide a lively platform for graduate students, early career researchers, and independent scholars to workshop a paper with peers and faculty from multiple institutions.

The 27th Annual Gender & Sexuality Writing Collective

Susan B. Anthony Institute for Gender, Sexuality, and Women’s Studies

October 21-22, 2022, University of Rochester, Rochester, NY

The Susan B. Anthony Institute for Gender, Sexuality, and Women’s Studies at the University of Rochester will hold a two-day writing collective on October 21-22, 2022. The writing collective will provide a lively platform for graduate students, early career researchers, and independent scholars to workshop a paper with peers and faculty from multiple institutions.

44th Annual Conference of the Association for Canadian Studies in German-speaking Countries (GKS)

March 3-5, 2023, in Grainau, Germany

TEMPER: A Women and Gender Studies Graduate Journal

The Women and Gender Studies Graduate Student Union at the University of Toronto is pleased to introduce TEMPER, a new journal featuring interdisciplinary scholarship by graduate students.

TEMPER is a space where graduate students and their work can shine. We strive to provide  greater opportunities in graduate professional development, scholarship, and community development within the feminist university community.

Conference Director: Mary Chapman, University of British Columbia

Deadline for Proposals: July 28, 2022

You are invited to propose a scholarly paper, panel, or roundtable, or more public-facing creative presentation, performance, or screening to a conference designed to explore the career of Asian North American writer Winnifred Eaton Reeve (1875-1954) and her contexts.. 

This edited volume seeks to examine how sexual violence and feminist interventions in South Asia and the Diaspora have been articulated in the context of but, more importantly, in opposition to the #MeToo Movement. We seek to understand how the feminist movement has radically diverged from the assimilationist discourse of the #MeToo Movement and, consequently, the Global North. The #MeToo movement has not made an impact at the grassroots level because it is hinged on the victim-survivor to speak up. In an era where the Global North has been a model for influencing change in the Global South, there has been an inconspicuous absence of recognition and impact of the #MeToo Movement.

Call For Papers:

Tentative Title: Dance and the Black Body

Guest Editors:

Katrina Thompson Moore, Saint Louis University

Kwakiutl Dreher, University of Nebraska at Lincoln

Co-editors Jennifer C. Garlen and Anissa M. Graham are currently seeking proposals for an anthology of intersectional feminist essays examining the past and present of Star Trek. Proposals may engage any of the Trek films, television series, or related media (games, books, convention culture, etc). At this time, we are particularly interested in proposals that represent LGBTQ+ and BIPOC perspectives. Graduate students and independent scholars are welcome to submit proposals. Accepted contributors will receive author credit for their work as well as a free copy of the final publication, pending acceptance of the book proposal by an academic publisher.

https://www.mdpi.com/journal/humanities/special_issues/sound_studies

Dear Colleagues,

ABSTRACTS WELCOME BY JUNE 30, 2022; ARTICLE DEADLINE SEPTEMBER 15, 2022

We are delighted to announce that the Departament de Filologia Anglesa i Alemanya at the Universitat de València and the Institut Interuniversitari de Llengües Modernes Aplicades de la Comunitat Valenciana (IULMA) will be hosting, on the 19th-21st of October 2022 in Valencia, Spain, the II International Conference on Discourses of Fictional (Digital) TV Series.

This second edition will focus on the representations of Gender and Social Inequality in fictional DTVS narratives and discourses.

Call for Contributions to a Proposed Collected Edition 

Disruptive Labor: Early Modern Gender, Capital, and Illicit Work

Disruptive Labor: Early Modern Gender, Capital, and Illicit Work interrogates how some labor is denigrated and yet simultaneously supportive of the formation of the capitalistic markets upon which European nations expanded empires. By focusing on how these patriarchal societies see specific types of work as gendered, this edition explores how the gendering of labor establishes dynamic markets as either culturally sanctioned or illegitimate and, in turn, grapples with how cultural approbation undergirds economic growth. 

The International Gender and Sexuality Studies Conference is presented by the Women’s Research Center and the BGLTQ+ Student Center at the University of Central Oklahoma with assistance from the UCO chapter of the National Organization for Women. In tandem, these organizations promote engagement with Women’s, Gender, and Sexuality issues. 

PAMLA 2022. Los Angeles, November 11-13

Special Session

This session explores Post-War road narratives by women, written in English, French, Spanish or Indigenous languages, that present fictionalized accounts of journeys across North America. Charting out a comparative, multi-ethnic, intersectional, and feminist counter-history to the American road narrative tradition allows us to envision North America not only as a continent made up of sovereign nations and dependent territories, a vast landform etched with borders, but also as a landmass traversed from North to South, East to West, by women on the quest for independence, solidarity, recognition, and freedom.