gender studies and sexuality

Call for Chapters

ReFocus: The Films of Gaspar Noé

Edited by Florian Zappe

Edinburgh University Press ReFocus: The International Directors Series
Series Editors: Gary D. Rhodes, Robert Singer, Stefanie Van de Peer, Nuno Barradas Jorge

This panel examines how literary and cultural texts from diverse global traditions imagine masculinity not merely as an individual identity but as a relational and communal practice. In an era marked by migration, political polarization, social fragmentation, environmental crisis, and renewed struggles for collective empowerment, narratives of masculinity have become central sites through which communities negotiate belonging, responsibility, vulnerability, and resistance.

2026 marks multiple milestones for the legacy of legendary Afrofuturist author Octavia E. Butler: fifty years since the publication of her first novel, Patternmaster (1976), and the twentieth anniversary of her passing, on February 24, 2006. It also marks the announcement of a film version of one of her most famous and most prophetic works, Parable of the Sower (1993), as well as the surprise republishing of her disavowed novel, Survivor (1978), for the first time since the 1980s. These anniversaries arrive at a moment when Butler’s work continues to gain public attention for its prescience and political relevance, and as she continues to amass scholarly attention across scholarly disciplines.

The rise of the superhero is one of the most significant cultural developments of the twentieth and twenty-first centuries. Since the debut of Superman in Action Comics #1 (April 18, 1938), superheroes have evolved from colorful comic-book figures into powerful global symbols that shape conversations about politics, morality, identity, technology, gender, race, mythology, trauma, and resistance. What began with the imaginative vision of Jerry Siegel (writer) and Joe Shuster (artist) has expanded into a worldwide phenomenon spanning comics, film, television, literature, gaming, digital media, and academic discourse.

I seek proposals for brief scholarly essays (3500-5000 words) that provide an overview of a chosen aspect of motherhood in the American imagination for a volume under contract with a new Bloomsbury series called Exploring the American Imagination: Ideals, Values, and Myths in Popular Culture. 

These overview essays should cite a number of popular culture texts to provide an overview of the tensions and contradictions as well as the foundational beliefs inherent in various aspects of American motherhood. Essays should cover multiple genres (film, fiction, television, graphic novels, music) and a broad time period. These are overviews or research starters rather than narrow analyses.

As more and more women's stereotypical images are distributed via digital networks, active counter-activism via digital networks is an urgent need in a post-truth media environment. In the age of audio-visual curation, the cultural narrative has been traditionally controlled by state and corporate power, while today, opaque automated content moderation, algorithmic sorting and filtering, and platform capitalism of transnational streaming networks dominate the scene.

We invite you to submit an abstract and bio for the panel “Yesteryear: Cultural and Literary Possibilities”. We are seeking papers that address Caro Claire Burke’s breakout debut novel Yesteryear and its implications on literature and current American culture. How does Burke address established literary conventions? How might one conceive of the evocative narrative style of this novel? How does Burke conceptualize the conscription of motherhood, suppressed queerness, and conservative Christianity? How might the work fit into literary genealogies of sanity, purity, racial prejudice, and womanhood? Proposals should include a title, abstract,  your name, and affiliation.

The 1995 film Smoke, directed by Wayne Wang, features characters who band together by frequenting a corner cigar store in Brooklyn. Paul Auster, who wrote the screenplay, once described the community his characters created as a “little universe for themselves that is not determined by blood or the past.”

58th NeMLA Convention
Newport, RI

Format: In Person Only

This panel builds off feminist science fiction studies’ investigation of the role of gender in speculative texts by expanding the field of inquiry to the role of nonbinary characters and even nonbinary worldbuilding in contemporary speculative fiction. It asks how both science fiction as a genre and feminist science fiction as a field have transformed with the emergence of new gender subjectivities. How do these fictions empower trans and nonbinary communities?  How must the methodological tools for studying SF change to meet this moment?

Masculinity in Crisis: Hegemony, Marginality, and Aesthetics of Failure in the Arts

In recent decades, the paradigm of masculinity has been increasingly problematized and challenged in the fields of social sciences, cultural studies, gender and queer studies (Connell 1995). Far from being stable or universally applicable, the colossal stature of masculinity has emerged as a space traversed by tensions, counter-narratives, fractures, and processes of symbolic delegitimization.

In Aldous Huxley’s Brave New World, humans are conditioned to seek out human companionship and to despise being by themselves. Helmholtz Watson, a lecturer of Emotional Engineering, relates a story to Bernard Marx about being disciplined for sharing some of his poems with the students he was paid to indoctrinate. When asked what the poems had been about, Helmholtz tells a surprised Bernard, “They were about being alone.”

How do female characters employ their bodies to navigate, process, and challenge the cultural and socioeconomic structures of their times? Under the antagonistic system where the pursuit of “good life” is no longer plausible, how do women across different cultures, historical periods, and geopolitical contexts respond by utilizing their bodily autonomy and agency? This panel invites papers that critically investigate female bodily representation in the context of empowerment and change. In particular, this panel is interested in literary analyses that focus on the subtle yet tangible (dis)orientation of female bodies in and out of public spaces.

How does lyric address create forms of relation across difference? This panel invites papers examining the intersections of poetry, lyric address, and peacebuilding, with particular attention to coexistence, care, responsibility, witness, repair, and collective life.

Northeast Modern Language Association 58th Annual Convention, Newport, RI, March 6-9, 2027 (Salve Regina University)

Deadline for abstract submissions: September 30, 2026 

Please submit abstracts via the NeMLA portal: https://cfplist.com/nemla/User/SubmitAbstract/22533

This virtual seminar takes its inspiration from Saidiya Hartman’s citation of the Greek etymology of the word chorus: “to dance within an enclosure.” For Hartman, the chorus also furnishes a paradigm for thinking—to play on Jean-Luc Nancy’s notion—Black (non)being singular plural. In Wayward Lives, Hartman suggests that any of the minor figures can stand in for the others, not as a claim of homogeneity, but rather as a contention that their singularity can be read as paradigmatic of waywardness—in its queer heterogeneity—in general. The chorus of black femme and queer youth is thus at once a singular plurality and a plural singularity as they make beautifully riotous lives within the enclosure of social death.