gender studies and sexuality

International Holocaust Cinema is a planned collection edited by Dr. Elyce Rae Helford (professor of English, Middle Tennessee State University) with support from Edinburgh University Press for publication in 2027.

I seek chapters on famous or lesser-known Holocaust-themed films from diverse nations/national cinemas. Each chapter should have a specific thesis as well as attention to cultural context, production history, and/or other important elements for those interested in learning more about the film – for research, teaching, or personal interest. 

FEMSPEC, an interdisciplinary peer-reviewed journal dedicated to challenging gender through speculative means in any genre, seeks submissions for cover art.

Are you a visual artist?  Does your work engage with representations of the feminine or speculative?  If so, please consider submitting your artwork to FEMSPEC to be considered as cover art!

FEMSPEC publishes two issues per year and uses voluntary submissions of visual art as cover art for each issue.

It is NOT necessary to subscribe to the journal to submit art for consideration.  If your piece is selected to be used as cover art, you will receive a free print copy of that issue.

Call for Papers
PAMLA 2026 Special Session: Seattle
Spanish and Portuguese (Peninsular)

This special session invites papers that explore the rich and multifaceted landscape of Spanish and Portuguese literature, film, and cultural studies within the Iberian Peninsula. We welcome presentations that engage with a broad spectrum of topics, particularly those that foreground the experiences of historically marginalized communities, including (but not limited to) Romani/Gypsy and Afro-Hispanic populations.

Call for Papers

SHONDALAND

Southwest Popular / American Culture Association (SWPACA)

2026 SWPACA Summer Salon

June 25-27, 2026

Virtual Conference

https://swpaca.org/

Submissions open on March 30, 2026

Proposal submission deadline: April 27, 2026

DEADLINE EXTENDED

“There is more savagery, more brutality, in the pages of Wuthering Heights than in any novel of the nineteenth century, and, for good measure, more beauty too, more poetry, and, what is more unusual, a complete lack of sexual emotion…” Daphne du Maurier.

Global Cinema Symposium

Organized by the Harry W. Bass Jr. School of Arts, Humanities, and Technology

 
Nov. 13-14, 2026

In-person at the University of Texas at Dallas

Keynote Speakers:

Professor Katarzyna Marciniak, Occidental College

Professor Meta Mazaj, University of Pennsylvania

Call for Papers

Dear Friends and Colleagues,

I am seeking short (3,500-word) chapters for The Works of Joan Didion and John Gregory Dunne, which will be an edited volume dedicated to Didion and Dunne’s lives in film.

The American couple were a prolific and popular screenwriting team despite being much better known for their respective novels, memoirs, and journalism. Accordingly, the volume will take into account both their produced and many unproduced screenplays—the latter of which are held in Didion and Dunne’s papers at the New York Public Library.

The volume Women's Autobiographies and Memoirs 1920-2025: Precarity, Resistance and Selfhood attempts to look into the dialectics of identity and writing - the compulsion to respond to the other inhabiting the self, which provokes in her something peculiar and singular - a text of one's own. The self-authenticated narratives are often haunted by many an unsubduable voice that breaks open the self-centred finitude of living and dying.

Call for Chapter Proposals: Tana French and Ireland Deadline for abstract submissions:May 1, 2026 Deadline for paper submissions:November 1, 2026 contact email:escheible@bridgew.edu Popular genre fiction offers an influential platform for the critique of Irish cultural containment and the victimization of women. Despite commercial dominance, genre fiction holds a complicated position in the literary marketplace, which carries over to scholarly appraisals.

Call for Abstracts for Issue 21 (Spring 2027)Embodiment

Guest Editors: Alexandra Stuhlmann and Siyu Li

The permanent section "Women in Literature" is seeking papers for the MMLA convention held 12-14 November 2026 in Chicago.

Archives are based upon categories, the fundamental one being what is and what is not worth remembering. In literature, rebellious women are also categorized and tend to become exemplars (and are memorialized) or are erased. This panel seeks to complicate what is worth remembering by examining the silences and gaps in what tends to be categorized as “rebellious.” Of particular interest are women in literature who engage in quotidian acts of rebellion, figures who may be rebellious in some ways but traditional in others, and other examples that problematize what might qualify as a “rebellious woman.”

Dear Colleagues,

We are delighted to welcome you to the Fifth International Language-for-All Conference (LfAC’26), which will take place on October 22–23, 2026, at Çukurova University in Adana, Türkiye.

Centred on the theme “Social Justice: Language, Equity, Voice, and Empowerment,” the conference brings together scholars, educators, and practitioners working in language education, linguistics, literary studies, translation and interpretation studies, and cultural studies to examine how linguistic, literary, and cultural practices relate to questions of power, knowledge, ideology, and social inequality. 

The following is a cfp for a roundtable session at the forthcoming PAMLA 2026 conference to be hosted in Seattle, Washington, U.S. from Nov 12-15, 2026. 

Please contact Noah Gallego @noahrgallego for inquiries.

All abstracts must be submitted through the PAMLA submission portal. 

The deadline is May 15, 2026

This roundtable invites scholars across the disciplines and different stages in their academic career with an interest in horror to undertake critical investigations into specifically male-centered horror media. By “male-centered,” I am referring to texts that spotlight male identity and the male body, cis-, queer, and trans- included, as sites of fear and monstrosity.

Aims and Objectives