The Gender of Modernity: Literary Canons, Mass Culture, Imagined Communities
Abstract
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Abstract
This session explores how women's bodies function as contested archives of trauma, sites of testimony that dominant social, legal and political structures have often silenced or delegitimised. Drawing on feminist trauma theory, postcolonial critique and affect studies, it examines bodily memory as a form of somatic knowledge that exceeds conventional language and probes the tension between trauma's structural unspeakability and the ethical urgency of testimony and witnessing.
The "White World," as defined by Walter Rodney, determines who is white and who is black. To this, we add that the White World also dictates which women are enslaved and which may be free. It is difficult to envision the possibility of women’s liberation in the Global South without the complete dismantling of colonialism and Western imperialism. While women in many post-colonial patriarchal nations are exploited in myriad ways, it is a mistake to imagine that this exploitation—and the patriarchal mentality of the post-colonial world—is not profoundly shaped by Western influence. Many African and South American nations continue to funnel their resources to the West while their own populations suffer from hunger.
In the Joy Luck Club, Amy Tan redefines the domestic space and the feminine laborassociated with it as a dynamic space where Chinese-American women reshape their identities, preserve their cultures, and share their stories of traumas. bell hooks’ assertion that “homeplace" was the one site where one could freely confront the issue of humanization” provides a productive framework for understanding how kitchens and acts of cooking become spaces of healing, survival, and female agency in women’s writing. By doing these, they try to assert a form of power, and agency that subverts the traditional notion of the domestic space(as an inferior space that is away from history), and the feminine labor associated with it.
Project Overview and Rationale
Recent scholarship in autobiography and life writing has expanded beyond traditional literary forms to encompass a wide range of practices through which individuals narrate, perform, and negotiate their identities. As scholars such as Sidonie Smith and Julia Watson have argued, life writing constitutes not merely the representation of a life but a dynamic process through which identities are constructed, mediated, and made visible within specific social and cultural contexts. Consequently, autobiography has evolved into an interdisciplinary field of inquiry encompassing visual art, graphic narratives, performance, body art, digital media, and other forms of self-representation.
“To be or not to be”—Hamlet’s timeless question of existence—resonates with a gendered undertone that continues to echo through literature and culture. This panel asks a related question: what does it mean to be (or not to be) a man, and how do literary texts help illuminate that question across genres, periods, and geographies?
The rise of the superhero is one of the most significant cultural developments of the twentieth and twenty-first centuries. Since the debut of Superman in Action Comics #1 (April 18, 1938), superheroes have evolved from colorful comic-book figures into powerful global symbols that shape conversations about politics, morality, identity, technology, gender, race, mythology, trauma, and resistance. What began with the imaginative vision of Jerry Siegel (writer) and Joe Shuster (artist) has expanded into a worldwide phenomenon spanning comics, film, television, literature, gaming, digital media, and academic discourse.
In bell hooks’ Belonging: A Culture of Place (2009), she posits that “many folks feel no sense of place” (1). She continues by explaining her personal experience with this spatiality, noting that, “Like many of my contemporaries I have yearned to find my place in this world, to have a sense of homecoming, a sense of being wedded to a place” (2). To that end, a commonality shared between all humans is a searching for a place in which we belong, and this is particularly evident in literature that is produced during times of major societal events.
Call for Chapters – Edited volume
The Cultural Life of Beds: Interdisciplinary Perspectives of Materiality, Bodies and Power
University of New England, Australia
For publication with an international publisher
Call for Papers
Literary Friends and Rivals: Hospitality and Literary Networks in Spain and Latin America
98th South Atlantic Modern Language Association (SAMLA) Convention
Thursday, November 5 - Saturday, November 7, 2026
Atlanta, Georgia
Title: “Second only to Shakespeare”? Middleton 400
Dates (provisional): 28-29 October 2027
Place: University of Naples “L’Orientale” – ARGO Research Centre (Interuniversity Research Centre for the Study of Argumentation, Pragmatics and Stylistics)
Organisers: Daniela Guardamagna and Tommaso Continisio
Deadline for abstract submission: 31 December 2026.
Send to:
guardamagna@lettere.uniroma2.it
continisio@lettere.uniroma2.it
CALL FOR CHAPTER CONTRIBUTIONS
Gender and Health in South Asia
An Edited Volume
Edited by Dr. Sakshi Srivastava & Dr. Pratyusha Pramanik, Assistant Professors Chandigarh University
Call for Papers
Publisher: Palgrave Macmillan has expressed interest in this book project.
Women's writing emerged as a critical category in response to the historical exclusion of women from literary canons and archives. The recovery of neglected texts, authors, and traditions has transformed literary studies, creating new genealogies of reading and interpretation. Yet the category itself raises important questions. Does the designation "women's writing" continue to serve as a productive framework, or does it risk reinforcing the very marginalization it seeks to address by positioning women outside the literary mainstream?
On June 8th of this year, FEMSPEC, an interdisciplinary peer-reviewed journal dedicated to challenging gender through speculative means in any genre, lost our founder and Editor-in-Chief Dr. Batya Weinbaum. Dr. Weinbaum founded the journal in 1997 to fill a scholarly niche at the intersections of feminist theory and scholarship and literary scholarship in the realm of speculative fiction. Since publishing the journal's first issue in 1999, Dr. Weinbaum has served as Editor-in-Chief and as the head of the volunteer collective that manages the journal. The journal was the fruit of her creative effort, and it is thanks to her vision and leadership that the journal has published academic scholarship and creative writing for over 25 years.
FEMSPEC, an interdisciplinary peer-reviewed journal dedicated to challenging gender through speculative means in any genre, seeks a new member to join our volunteer collective to fill the role of Website Editor and Social Media Manager
Duties include:
Updating FEMSPEC's website at the collective's request - this could include updating biographies of collective members, altering the website's layout, adding or removing content from various pages in the website, and updating the website with information about the current issue of the journal
Managing the journal's Facebook page and X account
The idea of home is curious concept for African Americans. Though integral to the development and sustainability of the United States, the social death and cultural trauma of slavery render this country inhospitable to Black bodies and the psyches that inhabit them. African Americans are both at home and homeless. This tenuousness places them in a liminal space in which identity is simultaneously self-asserted and assigned, multifaceted, while limited, a fount of agency and a tool for impotence. The intersectional nature of Black femininity further complicates notions of identity and American hospitality. Black men have unsuccessfully employed patriarchy as an intraracial tool to combat the aforementioned social death.
Call for Papers
NeMLA’s 58th Annual Convention – “Empowering Communities”
March 6–9, 2027 | Salve Regina University, Newport, Rhode Island
Panel Title: Female Grief in Literature and the Arts
Primary Area / Secondary Area: Comparative Literature / Women’s and Gender Studies
Modality: Hybrid
Organizers: Beatrice Fiducia, Maria Irene Fiducia
This panel explores gendered expressions of grief across literatures and historical periods through an interdisciplinary and comparative lens.
The twenty-first century is continuously defined by geopolitical shifts, armed conflict, environmental precarity, and evolving border regimes, within which migration operates as a critical locus of global transformation. This physical transgression of geopolitical boundaries inevitably instigates a profound restructuring of individual and collective subjectivities. Literature functions as a dynamic repository for these complex trajectories, articulating the psychological, political, and cultural exigencies of displacement and resettlement.
Homosocial Spaces in Monastic Places
62nd International Congress on Medieval Studies (May 13-15, 2027)Kalamazoo, MI, USAHybrid Session Medieval monks cultivated gender-segregated networks which supported their own learning, dialogues, and customs, which meant people assigned female at birth were essentially locked out of much of intellectual life.
In her 1991 article “Scolding Brides and Bridling Scolds: Taming the Woman's Unruly Member,” Lynda Boose describes Kate’s final speech in The Taming of the Shrew as “a textual moment in which, in Althusserian terms, the play quite overtly ‘interpellates,’ or hails, its women viewers to an imaginary relationship with the ideology of the discourse being played out on stage.” This panel builds on Boose’s reading by examining texts that both assume an audience of women and interpellate the reader in a meaningful way. During a period when relatively few women were literate, texts that hail women had to find a way to reach their audience. Boose’s stage example is one way to attract women’s attention.
This interdisciplinary panel aims to explore how women’s work is made manifest in material culture and literary texts. This panel defines “work” broadly. Work might include actions performed, actions in the process of being completed, or the result of labor. Panelists are invited to explore the materials women produced during the early modern period – objects we still have access to and those that would be used or discarded during the period – as well as narratives and depictions of women’s work. Of particular interest are discussions around how and why certain actions or products were gendered in response to religious doctrine or practical divisions of labor.
Inspired by Ronald Hutton’s work in “The Making of the Early Modern British Fairy Tradition” (2014), this panel explores gendered figures in early modern folklore texts. The study of early modern folklore features significant crossover: fairies may also be familiars, witches can be wise women, and fairyland could be, as Hutton explains, the “embodiment of hedonism, summed up in its characteristic activity of song and dance.” Panelists are invited to explore texts and records that capture folk traditions in early modern literature and culture. Papers are welcome to explore a wide variety of topics with questions of gender at their heart.
Concept Note:
Storytelling, from the metamorphic narratives of the Indian epics such as the Mahabharata and the Ramayana and Ovid’s ancient transmutations to the evolving interfaces of the present, has been an act of survival through transformation. Metamorphosis is the underlying imperative of the twenty-first century; it is not just a biological inevitability but a relentless ontological pulse beating beneath the surface of our global narratives. We inhabit a world amid a grand moulting, where the traditional mediums of storytelling, like the printed page, the physical body, and the ancestral soil, are being reshaped under the pressures of a planetary crisis.
Call for Proposals
Special Issue of Philosophy, Politics and Critique
62nd International Congress on Medieval Studies (May 13 - 15, 2027)
Kalamazoo, MI, USA
Hybrid Session (Virtual and In-person session)
Call for Chapters
ReFocus: The Films of Gaspar Noé
Edited by Florian Zappe
Edinburgh University Press ReFocus: The International Directors Series
Series Editors: Gary D. Rhodes, Robert Singer, Stefanie Van de Peer, Nuno Barradas Jorge
Call for Papers
NeMLA’s 58th Annual Convention – “Empowering Communities”
March 6–9, 2027 | Salve Regina University, Newport, Rhode Island (Hybrid Conference)
Panel Title: Tracing Female Body, Art & Economy in the Global South
Primary Area / Secondary Area: Women’s and Gender Studies / Interdisciplinary Humanities
Modality: Hybrid
Chair: Maryam Raza (University of Auckland, New Zealand)
This panel examines how literary and cultural texts from diverse global traditions imagine masculinity not merely as an individual identity but as a relational and communal practice. In an era marked by migration, political polarization, social fragmentation, environmental crisis, and renewed struggles for collective empowerment, narratives of masculinity have become central sites through which communities negotiate belonging, responsibility, vulnerability, and resistance.
2026 marks multiple milestones for the legacy of legendary Afrofuturist author Octavia E. Butler: fifty years since the publication of her first novel, Patternmaster (1976), and the twentieth anniversary of her passing, on February 24, 2006. It also marks the announcement of a film version of one of her most famous and most prophetic works, Parable of the Sower (1993), as well as the surprise republishing of her disavowed novel, Survivor (1978), for the first time since the 1980s. These anniversaries arrive at a moment when Butler’s work continues to gain public attention for its prescience and political relevance, and as she continues to amass scholarly attention across scholarly disciplines.