gender studies and sexuality

Extended Call for Chapters - Vampires and Fashion - (book under contract)

Teresa Cutler-Broyles
deadline for submissions: 
Tuesday, September 15, 2026

Special call for specific chapters on the subject of Vampires and Fashion, for a volume under contract at Peter Lang. 

For the last 100 years vampires have graced screens large and small, dressed in clothing that has become part and parcel of their appeal. From drab gray and black German frock coats to full formal tuxes, from diaphanous gowns to sleek, form-hugging dresses, from haute couture to jeans and leather jackets, and from wing-collared capes to Middle Eastern chadors, vampire fashion is varied and exciting, yet has, to date, received little academic attention.

SAMLA 98: Tastes Like Home: Immigrant and Diasporic Food Sites as Hospitality

South Atlantic Modern Language Association
deadline for submissions: 
Tuesday, September 1, 2026

Through an interdisciplinary approach drawing from rhetorical, gender, and literary studies, this panel explores how immigrant and diasporic communities, who are often socially marginalized in the West, create hospitality for each other. In particular, food sites and practices make belonging possible in otherwise displaced circumstances. For example, Michelle Zauner’s memoir Crying in H Mart (2021) shows how ethnic grocery stores and restaurants are material spaces in which cultural memory is archived especially across generations. Similarly, Chithra Banerjee Divakaruni’s novel The Mistress of Spices (1997) showcases how food stores can offer healing and sanctuary for a community.

CfP Framing the Human| 19th-C. Studies Assoc. Conference, March 2027

Nineteenth Century Studies Association
deadline for submissions: 
Saturday, October 31, 2026

Framing the Human in the Nineteenth Century

48th Annual Conference

Nineteenth-Century Studies Association

Philadelphia, PA

March 11-13, 2027

 

Conference website: https://ncsaweb.net/2027-conference-information/

Call for Proposals
Submission Deadline: October 31, 2026
Notification of Acceptance: January 2027
Please submit proposals via this Google Form
Questions? Email the conference organizers at ncsa2027conference@gmail.com 

The Gothic Servant

NeMLA
deadline for submissions: 
Tuesday, September 29, 2026

While the Gothic has long been associated with monsters, haunted houses, unstable hierarchies, and hidden knowledge, the servant's specific connections to the genre's core dynamics of space, affect, and plot have been critically undertheorized. Yet Gothic narratives fundamentally depend upon servant figures to produce narrative tension, mediate hidden knowledge, and expose the instability of domestic, social, and political order. This panel therefore positions the Gothic servant not as a supplementary character but as a central Gothic mechanism and epistemological problem worthy of scholarly attention and analysis.

Invitation to contribute: Women, Gender, and Protest: Transnational Activism and Movements of Resistance

aman agah
deadline for submissions: 
Tuesday, September 1, 2026

We are seeking authors for chapters of a forthcoming book collection, Women, Gender, and Protest: Transnational Activism and Movements of Resistance, edited by Mehra Shirazi, Patti Duncan, and aman agah. This is a reference volume for Bloomsbury Academic Publishing on the topic of transnational feminist protest movements, and will be part of the series, Women and Society around the World, marketed as an accessible text for undergraduate college students, upper-level high school students, and public libraries. Chapters must be structured around specific world regions and each chapter should be approximately 10,000 words.

El encanto del engaño: The Pleasures of Deceit in 19th-Century Latin America

Latin American Studies Association (LASA)
deadline for submissions: 
Tuesday, August 18, 2026

Nineteenth-century Latin American culture is laden with scenes of deception. The husband who discovers his wife in the arms of another man; the police officer who arrests a male suspect only to find, beneath their trousers, the lace of a dress; the aristocrat whose presumed whiteness is exposed as racial passing—such episodes erupt across novels, short stories, newspapers, and legal archives. Their conclusions are equally familiar: those who deceive are made to suffer, while those who survive their exposure are expected to perform repentance, shame, or moral redemption.

Gender and Fragmentation in the Fin de Siècle

Emily Waller Singeisen
deadline for submissions: 
Tuesday, January 5, 2027

Gender and Fragmentation in the Fin de Siècle 

Nineteenth Century Gender Studies Special Issue – Summer 2027

Guest Edited by Emily Waller Singeisen and Ryan Carroll

The Myth of Monogamy

NeMLA Roundtable
deadline for submissions: 
Wednesday, September 30, 2026

Originally coined by David P. Barash and Judith Even Lipton in their 2001 book The Myth of Monogamy: Fidelity and Infidelity in Animals and People, “the myth of monogamy” is defined as “the often unspoken assertion that even desire-at-a-distance is not only wrong, but a uniquely human sin.” This roundtable builds on this definition and suggests that in 2026, the “myth of monogamy” also refers more broadly to the pervasive (and socially constructed) idea that monogamy is biologically natural and socially superior.

CFP for Fat Studies Research, Artistry, and Activism 2026

Fat Studies Area of the Popular Culture Association
deadline for submissions: 
Saturday, October 31, 2026

PCA/ACA Fat Studies 2027 Call for Papers/Presentations/Panels

Deadline: 10.31.26

 

PCA Fat Studies Area Call for Papers

 

Attention all Fat Studies academics, activists, and artists: Please join other Fat Studies scholars for the 2027 PCA/ACA National Conference in Boston, Massachusetts from March 24-27, 2027. Presenters must become members of the Popular Culture Association. Find more information on the conference and organization at https://sites.google.com/view/2026pcaconference/home.

 

CFP for Fat Studies Research, Artistry, and Activism 2026

Fat Studies Area of the Popular Culture Association
deadline for submissions: 
Saturday, October 31, 2026

PCA/ACA Fat Studies 2027 Call for Papers/Presentations/Panels

Deadline: 10.31.26

 

PCA Fat Studies Area Call for Papers

 

Attention all Fat Studies academics, activists, and artists: Please join other Fat Studies scholars for the 2027 PCA/ACA National Conference in Boston, Massachusetts from March 24-27, 2027. Presenters must become members of the Popular Culture Association. Find more information on the conference and organization at https://sites.google.com/view/2026pcaconference/home.

 

Love and Its Reversals in Peninsular and Latin American Literature (Panel – Virtual Only)

Dr. María Cristina Campos Fuentes, DeSales University
deadline for submissions: 
Wednesday, September 30, 2026

 

Love and Its Reversals in Peninsular and Latin American Literature (Panel –  Virtual Only)

NeMLA 2027 — 58th Annual Convention
March 6–9, 2027 | Newport, Rhode Island
Virtual Only

Love has long occupied a central place in Peninsular and Latin American literature, but literary representations of love also expose its reversals, contradictions, and darker dimensions. This panel explores representations of love and its reversals—including desire, rejection, violence, hate, and eroticism—with particular attention to questions of gender, subjectivity, power, and social norms.

Vampire Studies (PCA/ACA National Conference, March 24-27 2027)

Popular Culture Association
deadline for submissions: 
Saturday, October 31, 2026

The Vampire Studies Area of the Popular Culture Association welcomes papers, presentations, panels, and roundtable discussions exploring all aspects of the vampire throughout global culture.

Our theme for PCA 2027 is L.O.V.E.

L = Lust
O = Obsession
V = Vitality / Virility
E = Eternity / Exsanguination

Critical Nonbinary Studies

Míša Stekl / CSU
deadline for submissions: 
Friday, August 21, 2026

This MLA just-in-time panel explores the evolving status of non-binariness in trans studies and beyond. Following Marquis Bey’s Nonbinary Life, we ask: Is non-binariness an emancipatory narrative? What are its critical potentialities and limitations? Send 150-200 word abstracts + bio to m.stekl@colostate.edu by 8/21. (The MLA will take place in Los Angeles from 7 to 10 January 2027.)

Critical Nonbinary Studies

Míša Stekl / CSU
deadline for submissions: 
Friday, August 21, 2026

This MLA just-in-time panel explores the evolving status of non-binariness in trans studies and beyond. Following Marquis Bey’s Nonbinary Life, we ask: Is non-binariness an emancipatory narrative? What are its critical potentialities and limitations? Send 150-200 word abstracts + bio to m.stekl@colostate.edu by 8/21. (The MLA will take place in Los Angeles from 7 to 10 January 2027.)

Can Literary Criticism Break Free of the Silos Trap—and Carry Literature Along?

Alejandro López / Boston University
deadline for submissions: 
Wednesday, September 30, 2026

CALL FOR PAPERS — NeMLA 2027 Seminar

Salve Regina University, Newport, RI | March 6–9, 2027

Can Literary Criticism Break Free of the Silos Trap — and Carry Literature Along?

In the early 1950s, Lacan admonished psychoanalysts for operating within Newtonian epistemology fifty years after Einstein and Heisenberg had dismantled it. It may be worth asking ourselves whether we, literary critics, 125 years later, have adjusted our analytical machine — or, at least, whether it is necessary that we do.

CFP: Spectator Issue 47.2: “Inconspicuously Fabulous”

Raymond Kyooyung Ra / University of Southern California
deadline for submissions: 
Friday, November 20, 2026

This issue’s oxymoronic title, “Inconspicuously Fabulous,” calls attention to the generative tensions, limitations, and potentials of visuality as they pertain to minoritarian subjects. What does it mean to present oneself in and as excess while remaining unseen or unnoticed? Like madison moore, who offers a critical queer-of-color reiteration of economist Thorstein Veblen’s concept of “conspicuous consumption” as grotesque public display of economic power and prestige, we think through negotiated visibility as a survival strategy, or a pleasurable and simultaneously risky method of living as a spectacle in the margins.

Panel – Before Chinon: Joan of Arc’s Origins, Callings, and the Threshold of History

International Joan of Arc Society via International Congress on Medieval Studies
deadline for submissions: 
Tuesday, September 15, 2026

The structure of Joan of Arc's early phase invites comparison to archetypal heroic narrative: reluctant departure, rejected petitioner, gatekeepers to persuade or evade, and the acquisition of skills and resolve before the great undertaking. Whether such comparisons illuminate Joan’s experience, distort it, or reveal more about her interpreters than Joan herself is the question this panel opens. What do we actually know about Joan before she became Joan? How have scholars, hagiographers, filmmakers, and popular adapters handled the silence and ambiguity of her early life? When Joan is made to fit a pattern, which Joan gets left out?

38th Annual Conference of the Marjorie Kinnan Rawlings Society

Marjorie Kinnan Rawlings Society
deadline for submissions: 
Thursday, October 15, 2026

38th Annual Conference of the Marjorie Kinnan Rawlings Society

May 7-8, 2027

Gainesville, Florida

The Marjorie Kinnan Rawlings Society, an organization of 200+ members worldwide, invites paper proposals on topics related to Rawlings’ life and works. Papers should be 20-30 minutes.

Topics related to rawlings may include:

 

Modern Voices, Past Lives: The Cultural Afterlife of Early Modern Women

Northeast Modern Language Association (NeMLA)
deadline for submissions: 
Wednesday, September 30, 2026

Description: Since the 1990s, there has been an ever-growing list of adaptions on early modern women, from Elizabeth (1998) to The Tudors, to Reign, to Mary Queen of Scotts (2018), to the countless depictions of Anne Boleyn. Each of these productions attempt to negotiate a happy medium between maintaining historical accuracy and entertaining a modern audience who may not be familiar with or care about the complicated politics of the early modern world. Adaptions of early modern women are not limited to the screen, but can also be found in music, art, and pop culture.

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