graduate conferences

Call for Papers, Creative Writing: Non-Fiction at CEA 2021

April 8-10, 2021 | Birmingham, Alabama

Sheraton Hotel, Birmingham | 2101 Richard Arrington Jr Blvd N, Birmingham, AL 35203

The College English Association, a gathering of scholar-teachers in English studies, welcomes proposals for presentations of Creative Writing: Non-Fiction for our 52nd annual conference. Submit your proposal at www.cea-web.org

Last year, the Irish Association for American Studies’ Postgraduate Symposium, titled “The Land of the Unfree”, sought to interrogate the legitimacy of democracy in America. One year on, in the midst of a global pandemic, this legitimacy has not only been interrogated, but put on trial.

Dear Colleagues,

International Sustainability Living Conference  (ISLC2020) will be held between 24-26 December 2020. The theme of the conference this year is the United Nations Sustainable Development Goals. All speeches and presentations at the conference will be held online and will also be broadcast live on YouTube. The conference is open to all areas related to sustainability living. Multidisciplinary and interdisciplinary studies will be included. We cordially invite all academics, researchers, non-governmental organizations and students interested in sustainable living to participate in this feast of knowledge.

Call for Papers

Southwest Popular / American Culture Association (SWPACA)

Annual Conference – VIRTUAL FOR 2021!

42nd Annual Conference, Week of February 22-27, 2021

http://www.southwestpca.org

Submissions Open September 1, 2020

Submission Deadline: November 13, 2020

2020 Siegel McDaniel Award for Graduate Research on Philip Roth

The annual Siegel/McDaniel Award, sponsored by the Philip Roth Society, recognizes high-quality graduate student papers written within the past year on any aspect of Philip Roth’s work.

To be considered for the award, eligible graduate students have two options:

1. They can submit a clean copy of their 10-15 page essay, double-spaced, in 12 point Times New Roman font to Maggie McKinley, the Philip Roth Society Program Director, at mmckinle@harpercollege.edu.

The battle against COVID-19 provides the latest example of war used as a metaphor. That is, it exemplifies the persistent, if not seemingly obligatory way that we deploy war as a metaphor against “enemies” such as “crime” and “drugs.” This ubiquitous practice stages metaphorical battlefields and soldiers, including hospitals and healthcare professionals, grocery stores and delivery workers. We might consider how deploying the metaphor of “war” against coronavirus reaps various costs and benefits to its figuration as such. On one hand, local to global populations are recruited to band together against disease. Personal sacrifice and national resources receive renewed attention.

Lawrence Buell’s essay “The Ecocritical Insurgency” (1999) claims that “human beings are inescapably biohistorical creatures who construct themselves, at least partially, through encounters with physical environments that they cannot not inhabit.” Precisely two centuries earlier, American writer Charles Brockden Brown advocates for a specifically American gothic tradition; Brown adapts the European gothic to American soil.

CFP: Medievalism in Popular Culture

PCA/ACA 2021 National Conference

Jun 2nd – 5th – Boston Marriott Copley Place, Boston, MA

The Medievalism in Popular Culture Area (including Early to Later Middle Ages, Robin Hood, Arthurian, Chaucer, Norse, and other materials connected to medieval studies) accepts papers on all topics that explore either popular culture during the Middle Ages or transcribe some aspect of the Middle Ages into the popular culture of later periods. These representations can occur in any genre, including film, television, novels, graphic novels, gaming, advertising, art, etc. For this year’s conference, I would like to encourage submissions on some of the following topics:

Young Researchers’ International Webinar

on

The Evolution of Bengali Identity

Reflections in Literature, Culture & Society

10, 11, 12 October 2020

Organised by

postScriptum: An Interdisciplinary Journal of Literary Studies

Online, Open Access, Peer-Reviewed, Indexed in DOAJ, ISSN 2456-7507

Call for Papers for ‘ICMA Student Committee’ Session Proposal

International Medieval Congress (IMC 2021) 5-8 July 2021, University of Leeds

Seeing Climate through Medieval Art and Architecture

The Hemlow Prize in Burney Studies 

The Burney Society invites submissions for the Hemlow Prize in Burney Studies, named in honour of the late Joyce Hemlow, Greenshields Professor of English at McGill University, whose biography of Frances Burney and edition of her journals and letters are among the foundational works of eighteenth-century literary scholarship.

The Digital Humanities Initiative (DHI) at the University of Illinois at Chicago invites proposals from professional-level and graduate student digital humanists for the Fall 2020 Virtual Workshop:. This workshop will be presented using a hybrid model and will include asynchronous video tutorials and a synchronous presentation and discussion. We invite proposals from various disciplines including but not limited to history, music, anthropology, literature, communication, earth and environmental studies, etc.

Call for Participants: CLOSURE Interdisciplinary Autumn Online School (CIAOS) »Graphic Knowledge: Comics, Research, Communication« (University of Kiel, Germany, 12-14 October 2020)

What can comics know? At the CLOSURE Interdisciplinary Autumn Online School (CIAOS), we would like to explore forms of knowledge encoded in text and image, in panels and sequences, and in cartoons and symbols. Together with the participants, we will explore how the complex medium of comics represents and negotiates individual and collective knowledge, semiotics and social relationships, and performs and re-informs knowledge.

The proposed interdisciplinary panel examines the rich relationship of music and the literary works within various European literatures focusing primarily on the period from mid-nineteenth to the twentieth century, but presentations within a broader time frame will also be considered. We invite a wide range of papers investigating the author’s technique of representing music in literature, examining aesthetic, historical and cultural interactions between music and literature, audience and performers, as well as the relationship between the author and the composer, in real or fictional form.