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graduate conferences

CFP: Art and Environmental Justice Symposium

updated: 
Thursday, April 18, 2019 - 1:42pm
Pacific Northwest College of Art
deadline for submissions: 
Friday, May 17, 2019

Hallie Ford School of Graduate Studies

Pacific Northwest College of Art

2019 Graduate Symposium

Art and Environmental Justice

 

Date: November 22-23, 2019

 

Location: 511 NW Broadway, Portland, Oregon 97209

 

Description:

A free, full-day interdisciplinary symposium to promote dialog on the interplay of environmentalism, social justice, education, and the arts.

 

Postgraduate Essay Prize

updated: 
Wednesday, April 17, 2019 - 2:36pm
English: The Journal of the English Association
deadline for submissions: 
Tuesday, October 1, 2019

The editors of English: the Journal of the English Association are pleased to invite high-quality submissions to the journal's annual essay competition exclusive to postgraduates. The competition provides an ideal opportunity for students to enhance their CV through the publication of their work in an excellent high-profile journal that caters to a very wide range of genres, periods and critical approaches.

REALITY CHECK: Representing Real Bodies in Performance 2019

updated: 
Wednesday, April 17, 2019 - 6:38pm
University of York, Department of Theatre, Film and Television
deadline for submissions: 
Monday, April 29, 2019

REALITY CHECK: Representing Real Bodies in Performance 2019

Univerisity of York, Department of Theatre, Film and Television, UK

A Postgraduate led conference exploring Representations of Real Bodies in Performance

 

 

CONFERENCE DATE AND VENUE:

June 20th 2019 (09.30 - 18.00) 

Univeristy of York, Department of Theatre, Film and Television

Baird Lane, Heslignton East Campus

York,

North Yorkshire,

YO10 5GB

 

Citation Two-Day International Conference

updated: 
Friday, April 19, 2019 - 7:54am
School of Fine Art, History of Art and Cultural Studies, University of Leeds, UK
deadline for submissions: 
Monday, May 13, 2019

Keynote speakers:
Anselm Franke, Haus der Kulturen der Welt (HKW), Berlin
Catherine Grant, Birkbeck, University of London

Conference Date:  8 & 9 November 2019

Citation is the 2019 edition of the European Artistic Research Network (EARN) conference. During it we will explore the pluralised viewpoint that our contemporary critical methods demand, addressing the ways in which artist-researchers or curatorial practices take positions on or emphasise shifting patterns of coexistent temporalities within the historical, social, political and economic contexts of contemporary visual culture. Contributions will address questions such as:

A Dissident Kingsley: The Life and Work of Lucas Malet. 15 June 2019

updated: 
Wednesday, April 10, 2019 - 11:07am
Charles Kingsley 200 Festival
deadline for submissions: 
Friday, May 3, 2019

This is a call for abstracts of short papers (ca. 3,000 words) on the work of Lucas Malet to be presented at a summer symposium in Eversley, Hampshire. Organised in conjunction with the CK200 Festival (https://ck200.live), celebrating the bicentennial of the author’s father Charles Kingsley, this symposium provides students and scholars opportunity to discuss recent research on Malet’s work.

Teaching Popular Culture

updated: 
Wednesday, April 10, 2019 - 11:30am
Lance Eaton/Northeast Popular Culture Association
deadline for submissions: 
Saturday, June 1, 2019

The Northeast Popular Culture Association (NEPCA) will be having its annual conference in Portsmouth, New Hampshire this year.  And I'm looking for interesting and unique proposals around teaching and popular culture.  

This area focuses on how to teach popular culture, which may include sharing unique approaches to:

MMLA: Re-reading Remakes, Reboots, and Readaptations

updated: 
Tuesday, April 9, 2019 - 9:52am
Marxist Literary Group
deadline for submissions: 
Saturday, April 20, 2019

This permanent section of the Midwestern Modern Languages Association organized by the Marxist Literary Group seeks to examine the economics, politics, and aesthetics of remakes, reboots, and readaptations in film, television, and literature.  In 2019 alone, there are over twenty films being released that are remakes, reboots, or readaptations. These films range from Disney’s live-action remakes of Dumbo, Aladdin, and The Lion King to the second chapter of the readaptation of Stephen King’s IT and a reboot of the Child’s Play franchise. Why are these types of films so popular? More specifically, why is there an increasing market for such films and television shows?

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