humanities computing and the internet

NeMLA 2021: Philadelphia, PA. March 11-14, 2021. Given the pandemic, remote participation on this panel is not only possible, but welcomed.

Short Description of the Panel

Following a wave of interest in care and care relations in literary studies and the scholarship of teaching and learning, this panel invites all manner of submissions that explore what it means to care about or care for the Digital Humanities, its practitioners, audiences, and material objects.

Submission Instructions

While the expressive potential for programming and writing is closely associated with corporate use (such as customer-facing chatbots, aggregate sentiment analysis of product reviews, and text generators), there are authors who build and use these tools to reveal something about, and generate, literature. Out of this emerges a poetics of programming that can serve to reconceptualize how we think of and consider the place of programming in a creative writing classroom. The rich history of digital poetics is being rapidly advanced by authors like Allison Parrish, Nick Montfort, Milton Laufer, Rafael Perez y Perez, Stephanie Strickland, and more.

Hello,

TICS has a new call for papers that may be of interest to some of you.

Please feel free to share widely. Thank you!

Online version: https://tics.site/cfp/

# TICS 2020

**Co-located with the [2020 IEEE/WIC/ACM International Joint Conference on Web
Intelligence and Intelligent Agent Technology (WI-IAT
2020)](http://wi2020.vcrab.com.au/), to be held online.**

## Introduction

COLLEGE ENGLISH ASSOCIATION CONFERENCE, Birmingham, Alabama, 52nd Annual Conference, 

Birmingham Sheraton Hotel, 2101 Richard Arrington Jr. Blvd. N., Birmingham, Alabama 35203, 1-855-516-1090

                                                                                                                                     April 8-10, 2021

NeMLA 2021: Philadelphia, PA. March 11-14, 2021

As we move forward in this new normal, there is an urgent need, at both national and global levels, for critical investigations into the humanistic, scientific, and social scientific impacts of the coronavirus, both societally and in academia. It’s possible, likely even, that your current research and teaching focuses are not directly related to epidemiology. Regardless, your research and/or teaching has undoubtedly been affected by the pandemic. Now is a key moment to lean into the many robust opportunities for teaching developments and enhancements.

The website devoted to Muriel Rukeyser invites submission of short essays (for instance on individual poems); blogs (on any topic related to Rukeyser); approaches to teaching Rukeyser's work; creative work inspired by Rukeyser; and reviews of recent works on or related to the poet's life and work.  We are also interested in discussions/summaries of dissertation research, interesting archival finds, visual material, etc.

For inquiries, please contact Elisabeth Daumer at edaumer@emich.edu and visit the website at http://murielrukeyser.emuenglish.org/.

“Disinformation” emerged from the Soviet intelligence bureaucracy during the Cold War as a tactic for managing perception and consensus through the media. Rather than refuting or suppressing ideas that undermined the state agenda, false information and simulated events were disseminated to destabilize the positive character of truth itself. 

Go Online! Reconfiguring Writing Courses for the New Virtual World

edited by Laura Gray-Rosendale and Steven Rosendale

As Aisha Ahmad boldly states in her recent Chronicle piece on academic productivity during the COVID-19 pandemic, “the world is our work.” An accurate way to contextualize the current moment among professional academics, this statement is equally at the core of how we have articulated the mission of our writing courses for the better part of two decades.

In recent years, virtual reality (VR) has emerged as a new frontier of innovation and experimentation within what is known as “immersive entertainment” — gaming, art, museum exhibitions, TV and cinema. The proliferation on the market of new headsets (from the expensive HTC VIVE and Oculus to the popular Google Cardbox), the spread of platforms, apps and also VR cinemas around the world, and the inclusion of VR productions in international film festivals (e.g. Sundance, Tribeca, Venice) are trends demonstrating that VR is no longer just a fascinating 1980s-inspired literary or cinematic subject (from Tron to the Matrix trilogy, to the recent Steven Spielberg’s Ready Player One).

#AltAc. It stands for Alternate Academia and is more than just a trending hashtag nowadays, it's  also a pursuit for many trained academics. With dire  statistics for how many Ph.D. graduates will be offered a life-sustaining position within the institution of academia, many academics are creating media offshoots of their research and translating their work into social media venues for a variety of reasons: to leverage for a paid position, for the creativity of increased perspectives, for the opportunities that new medias present, and for the very same reason that colleges exist - to educate the public and make research and intellectualism affordable and accessible.

International Journal of English Literature and Social Sciences (IJELS)(ISSN: 2456-7620) is a bi-monthly peer-reviewed refereed journal that inviting Literature Essays, Review Articles, Research articles, case studies, conference proceeding, and short communication in the field of English Literature, Humanities, and Social Sciences. IJELS welcomes quality work that focuses on research, development, and review.

After submission, all papers will be evaluated by experienced editorial members for their originality, Language perspective, and correctness, the relevance of topic and presentation quality.

Why publish with us?

The body on the screen and the body of the screen have always formed a compelling and productive pairing. From apparatus theory to production and exhibition histories, these two conceptualizations of cinematic bodies remain valuable avenues for reflecting on the use of images, their visibility, materiality, and presentation. As cinema continues to fracture and expand across our cell phones and living spaces, the screen is increasingly tangible, mobile, and ubiquitous. Like the mobile toys and popular illusions preceding modern cinema, these forms of new media present particular bodies on particular screens.

While the theme for this year’s NEMLA conference proposes the dyad of “tradition and innovation,” some recent work in the Digital Humanities has skirted these two poles. An influential forum on “Ethics, Theories, and Practices of Care” in the 2019 edition of Debates in the Digital Humanities explores the status of care relations, maintenance and repair, the embrace of lowered-innovation levels, and the turn away from compulsive productivity in the sphere of Digital Humanities scholarship and pedagogy. These concerns follow a similar wave of interest in care and care relations in literary studies.