humanities computing and the internet
The Don DeLillo Society is seeking papers for the upcoming American Literature Assocation conference, which will take place May 23-26, 2019.
The Internet has been a source of fascination for many horror and dark fantasy films, from Pulse to Unfriended, but recently films such as Slender Man, TV shows such as Channel Zero, and stories such as Neil Gaiman’s “Ghosts in the Machines” have begun featuring characters and stories that don’t just take inspiration from online spaces, but actually trace their origins there.
ACCUTE Member-Organized Panel
ACCUTE Conference at Congress of the Humanities and Social Sciences June 1-June 4, 2019 University of British Columbia
Panel Organizer: Ann Gagne (Durham College)
Digital America is now accepting submissions for Issue No. 12. We are an online journal that focuses on digital art and culture with an eye towards impactful perspectives in the digital age, as well as deconstructing what it means to live in our current political climate. We are looking for critical essays, film, artwork, design, and reviews that question, analyze, and/or hack the tools of digital culture. We are also interested in work that explores how new behaviors and global networks of power and influence are examining what it means to be American.
Intersectional Apocalypse is a student-made, student-run, and student-edited online journal which makes centring marginalised voices and experiences a priority.
The Journal of Interactive Technology and Pedagogy
Luke Waltzer, The Graduate Center, CUNY
Lisa Brundage, Macaulay Honors College, CUNY
Teresa Ober, The Graduate Center, CUNY
(NEO-)VICTORIAN ‘ORIENTATIONS’ IN THE TWENTY-FIRST CENTURY
University of Málaga (Spain)
May 15-17, 2019
Under the auspices of the Research Project “Orientation: Towards a Dynamic Understanding of Contemporary Fiction and Culture (1990s-2000s)” (ref. FFI2017-86417-P), funded by the Spanish Ministry of Economy, Industry and Competitiveness, this conference addresses past, present and future orientations of (neo-)Victorian literature and culture.
In an episode of a British TV series Black Mirror called “Crocodile,” set some time in a near future, memories, both human and nonhuman, become recordable and viewable on a simple, portable device. This unassuming gadget seals the future of the protagonist—a murderer—who, while eliminating all human witnesses to her crime, forgets the nonhuman witness, a guinea pig, whose memory the police is then able to view to promptly identify the suspect. In the 2017 Blade Runner, androids have childhood memories that they know to be fake, implanted by the manufacturer. In turn, cli fi and environmentalist writers inscribe elements, such as water, air, soil, or dust, as memory devices, creating nonhuman archives for posterity.
Digital archives like the William Blake Archive and Early English Books Online (EEBO) have made manuscript materials that may have been difficult to access in the past more readily available. This roundtable seeks brief presentations on the use of manuscript materials pertaining to the British Romantic period in teaching, research and publications -- what have been your successes, what difficulties have you and/or your students faced, etc.