humanities computing and the internet

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Transmedial Turn? Potentials, Problems, and Points to Consider

updated: 
Monday, December 9, 2019 - 11:48am
2nd International Conference on Intersemiotic Translation
deadline for submissions: 
Sunday, March 1, 2020

CALL FOR PAPERS 

2nd International Conference on Intersemiotic Translation 

TRANSMEDIAL TURN? POTENTIALS, PROBLEMS, AND POINTS TO CONSIDER 

8-11 December 2020, University of Tartu, Estonia 

transmedia.ut.ee 

KEYNOTE SPEAKERS 

Irina Rajewsky, Free University of Berlin 

Thomas Leitch, University of Delaware 

Anthony Pym, University of Melbourne 

HONORARY SPEAKER 

Peeter Torop, University of Tartu 

Digital Humanities Twitter Conference India: Deadline Extended

updated: 
Monday, December 9, 2019 - 10:29am
Digital Humanities Alliance for Research and Teaching Innovations
deadline for submissions: 
Thursday, December 12, 2019

DHARTI Twitter Conference: Innovating for DH in India

contact email:  dhallianceindia@gmail.com

Innovating for DH in India, the first DHARTI Twitter Conference, will take place January 19th, 2020.

DHARTI is an initiative to bring together scholars engaged in digital practices in the arts and humanities with India being a point of reference. In its earlier avatar DHARTI was the Digital Humanities Alliance of India (DHAI). The first Digital Humanities Conference of India, organised jointly by IIM Indore and IIT Indore and was held at IIM Indore in 2018.

"Unique Archives" -- ALA 2020

updated: 
Tuesday, December 3, 2019 - 9:35am
Digital Americanists Society
deadline for submissions: 
Monday, January 13, 2020

“Unique Archives”
Following up on the successful 2019 panel, the Digital Americanists seek proposals (c. 250 words) for a panel at the 2020 American Literature Association Conference (San Diego, May 21–24, 2020).

ALIEN PROCESSES: REPRODUCTION & TIME

updated: 
Monday, December 2, 2019 - 4:16pm
Ekin Erkan/The New Centre of Research & Practice
deadline for submissions: 
Friday, December 20, 2019

The intensifying intimacy between humans and technology generates “de-naturalized” relations of body, cognition and time. This bodily experience of alienation is not solely technological, but also social. While we can try to escape denaturalization and alienation, we can also consider them as autonomous processes of production and reproduction.

Today, predictive processing determines how control is produced and reproduced technically, whether in drone warfare, high-speed trading, computerized borders, or facial recognition technologies. As attention-management, statistical parameters and machine learning emerge as nonlinear instruments, biology is no longer describable under the strict terms of biopower.

“Digital Humanities in the American Literature Classroom” -- ALA 2020

updated: 
Monday, December 2, 2019 - 4:16pm
Digital Americanists Society
deadline for submissions: 
Monday, January 13, 2020

“Digital Humanities in the American Literature Classroom”
The Digital Americanists solicit abstracts (c. 250 words) for a roundtable discussion at the 2020 American Literature Association Conference (San Diego, May 21–24, 2020).

CFP Deadline Update: Machine Ethics and Morality

updated: 
Tuesday, November 26, 2019 - 3:20pm
Steven Thompson
deadline for submissions: 
Monday, December 2, 2019

Dear Colleagues,

 

Theere is one week left as the CFP for the Handbook of Research on Machine Ethics and Morality has been extended to December 2, 2019. Thank you to everyone who has submitted a proposal. I’m expecting a similarly robust exchange for this extended call. Again, I’m interested in approaches to the topic from the humanities, with exploration on rhetorics and philosophies of artificial intelligence, machine ethics, and moral machines.

 

AAIS-AATI 2020 "1950-2020: Cesare Pavese 70 Years After His Death. New Perspectives of Studies"

updated: 
Tuesday, November 26, 2019 - 3:07pm
Iuri Moscardi (PhD student, CUNY)
deadline for submissions: 
Saturday, November 30, 2019

Cesare Pavese left an unforgettable mark on Twentieth century Italian culture. His multifaceted intellectual personality took many shapes. He was a poet, a translator, a member of the Einaudi publishing house, a novelist: in short, he was a complete intellectual. His literary production was characterized by an extraordinary open-mindedness: he was the first to translate into Italian the American authors who influenced him; with "Dialoghi con Leucò" he reinterpreted classical mythology; he was interested in cinema. Seventy years after his death, what methodologies can we employ to study his work? How  can we interpret his open-mindedness, based on the cultural context of the first half of the Twentieth century and looking at the present time? 

CALL FOR PAPERS: JOURNALISM FROM LEGACY TO TRANSMEDIA

updated: 
Friday, November 22, 2019 - 2:33pm
Dawn P. Spring, PhD,Common Ground Publishing’s Communication and Media Studies Book Imprint
deadline for submissions: 
Tuesday, January 15, 2019

CALL FOR PAPERS

JOURNALISM FROM LEGACY TO TRANSMEDIA

Volume 1 of the edited series Transmedia Journalism

Edited by Dawn P. Spring, PhD

Volume 1, Journalism from Legacy to Transmedia examines the academic foundation and history of transmedia journalism in relation to legacy media, social media, transmedia storytelling, and transmedia studies.

International chapter submissions are invited for inclusion in this forthcoming book to be published by Common Ground Publishing’s Communication and Media Studies Book Imprint (https://oncommunicationmedia.com/books/call-for-papers/) in mid-2020.

Key Dates Volume 1:

Internet, Humor, and Nation in Latin/x America

updated: 
Wednesday, November 20, 2019 - 2:49pm
Héctor Fernández L'Hoeste / Georgia State University
deadline for submissions: 
Friday, May 1, 2020

Call for Contributions
Internet, Humor, and Nation in Latin/x America Héctor Fernández L’Hoeste and Juan Poblete (Editors)

Independent Libraries as the 'Great Good Place'

updated: 
Wednesday, November 20, 2019 - 2:45pm
Independent Libraries Association
deadline for submissions: 
Saturday, February 22, 2020

In the heart of their communities and repositories of some of the most independent cultural collections in the UK, independent libraries are social, educational, working spaces which deliver numerous personal benefits to those who use them. This year’s theme is inspired by Ray Oldenburg’s The Great Good Place (1989), in which Oldenberg discusses the desirable ‘third place’: public places where anyone can gather and interact. Unlike the first place (home) and the second place (work), third spaces offer inexpensive access to discussion, pleasure, and community, leading to social cohesion, civic engagement, and the wellbeing that comes from a sense of place. Third spaces can be cafes, main streets, coffeehouses, beer gardens…

PLACE SPACE TIME

updated: 
Wednesday, November 13, 2019 - 4:25am
Lancaster University & The British Library
deadline for submissions: 
Saturday, February 15, 2020

This two-day interdisciplinary conference is hosted by the AHRC Funded Chronotopic Cartographies project (Lancaster University) in partnership with The British Library. It comes out of primary research into the digital visualisation of space and time for fictional works that have no real-world correspondence. Chronotopic Cartographies develops digital methods and tools that enable the mapping of literary works by generating graphs as “maps” directly out of the coded text.  

See: https://www.lancaster.ac.uk/chronotopic-cartographies/

Keystone DH 2020 Conference

updated: 
Tuesday, November 12, 2019 - 7:41pm
Keystone Digital Humanities
deadline for submissions: 
Wednesday, January 15, 2020

We are excited to announce that this year’s Keystone DH will be held at Temple University in Philadelphia. Keystone DH is an annual conference and a network of institutions and practitioners committed to advancing collaborative scholarship in digital humanities research and pedagogy across the Mid-Atlantic.

Proposals are welcome on any aspect of digital technologies and their application to the humanities and/or social sciences. We highly encourage projects that focus on the collaborative nature of research and teaching. Senior scholars should foreground the labor of students, librarians, and/or the community that sustained the project. We especially welcome proposals with representative and inclusive speaker involvement.

DHSI Conference & Colloquium 2020

updated: 
Friday, November 8, 2019 - 10:24am
Digital Humanities Summer Institute
deadline for submissions: 
Monday, January 20, 2020

Proposals are now being accepted for presentations at the DHSI Conference & Colloquium, to be held in June 2020 alongside classes at the Digital Humanities Summer Institute, University of Victoria. Open to all, the DHSI Conference & Colloquium offers an opportunity to present research and projects within an engaging, collegial atmosphere. Participation comes free with DHSI registration, and contributors not planning to register for a DHSI course can join for a modest participation fee of $150 CDN.

DHARTI Twitter Conference: Innovating for DH in India

updated: 
Wednesday, November 6, 2019 - 1:45pm
Digital Humanities Alliance for Research and Teaching Innovations
deadline for submissions: 
Thursday, December 5, 2019

DHARTI Twitter Conference: Innovating for DH in India

contact email:  dhallianceindia@gmail.com

Innovating for DH in India, the first DHARTI Twitter Conference, will take place January 19th, 2020.

DHARTI is an initiative to bring together scholars engaged in digital practices in the arts and humanities with India being a point of reference. In its earlier avatar DHARTI was the Digital Humanities Alliance of India (DHAI). The first Digital Humanities Conference of India, organised jointly by IIM Indore and IIT Indore and was held at IIM Indore in 2018.

Theories and Strategies for Teaching Creative Writing Online

updated: 
Sunday, November 3, 2019 - 6:41am
Theories and Strategies for Teaching Creative Writing Online Edited Collection
deadline for submissions: 
Sunday, December 1, 2019

To meet the needs of the growing body of online students, online pedagogy scholars persist in their efforts to ensure online education is as vibrant and effective as its onsite counterpart, if not more so. However, scholarship focusing on teaching creative writing, specifically, online is limited. As Bronwyn T. Williams rightfully points out, “the scholarship in creative writing pedagogy remains remarkably unengaged with digital technologies” (247). Given the youthfulness of creative writing scholarship, particularly when compared to other work that has taken the forefront in English studies, it is fair to assume that creative writing scholarship might be too limited at the present to include online education perhaps as it should. 

Game-based Learning Conference – City University of New York (1/15-17/20 – proposals extended to 11/17/19)

updated: 
Sunday, November 3, 2019 - 6:36am
CUNY Games Network
deadline for submissions: 
Sunday, November 17, 2019

Call for Proposals

EXTENDED Submission Deadline: November 17th, 2019

The CUNY Games Network (City University of New York) invites all involved in higher education pedagogy — faculty, administrators, graduate students, undergraduates, game designers, and learning professionals — to submit a talk or posters on the theory and practice of play and games, non-digital or digital, including interactive classroom learning activities. We also welcome game demos and playtesting that focus on higher education.

See the bottom of this page to submit your proposal.

In your submission, you will be asked to choose from the following formats:

Pedagogy, Practice and Philosophy

updated: 
Thursday, October 31, 2019 - 12:10pm
University of Florida Writing Program
deadline for submissions: 
Monday, November 25, 2019

Pedagogy, Practice and Philosophy 2020

Revolutions in Reading: Literary Practice in Transition

updated: 
Wednesday, October 23, 2019 - 3:52pm
Anna Jörngården, Department of Culture and Aesthetics, Stockholm University
deadline for submissions: 
Wednesday, January 15, 2020

Revolutions in Reading: Literary Practice in Transition

Attending to Literature - Reminder

updated: 
Tuesday, October 22, 2019 - 5:00pm
University of Nottingham
deadline for submissions: 
Sunday, October 20, 2019

Please forgive any cross-posting.  

This is a reminder that submissions for Attending to Literature will close at midnight on the 20th of October. We welcome papers from ECRs and PhD students, as well as established academics.  

Please email a 250 word abstract and 250 word bio to attendingtoliterature@gmail.com.

We look forward to your submissions! 

Best wishes, 

Dr Bridget Vincent and Harriet Lander

The Object as Process. Call for Essays Situating Artistic Practice (DEADLINE EXTENDED)

updated: 
Wednesday, October 16, 2019 - 4:21am
German A. Duarte
deadline for submissions: 
Saturday, November 30, 2019

Objective

As a research team devoted to artistic practice, we are motivated by the questions: How does artistic practice lead to the production of knowledge? How does, in turn, artistic knowledge relate to its material base? How does contingent materiality guide the artist towards finding form and developing a statement?

The proposed volume is consecrated to the object as a process in order to offer new insights into the ways the object (broadly construed, comprising digital and other non-classical objects) becomes an active element in artistic practice. This exploration intends to furnish a better understanding of artistic production.

Virtual Ecologies

updated: 
Tuesday, October 15, 2019 - 5:04pm
Natura / Rutgers University
deadline for submissions: 
Sunday, December 15, 2019

Virtual Ecologies

9th Annual Natura Conference on Science and Epistemology

 

Hosted by Natura, a Rutgers University Interdisciplinary Graduate Student Working Group focused on critical perspectives of Science and Epistemology, the 2020 Natura Graduate Conference seeks papers on the topic of virtual ecologies: dreamed, immaterial, digital, imagined, or potential networks of relationships and ruptures between humans, nonhumans, and their environments.

 

Journal of the British Fantasy Society: Gene Wolfe special (to be published in Autumn 2020)

updated: 
Tuesday, October 15, 2019 - 5:02pm
British Fantasy Society Journal
deadline for submissions: 
Friday, May 1, 2020

The Journal of the British Fantasy Society contains a mix of academic papers, reviews, interviews and feature articles. Our contributors and readers have interests across many genres and in many media: literature, comics, movies, music, oral histories and so on. 

Sixteenth International Conference on Technology, Knowledge, and Society

updated: 
Tuesday, October 15, 2019 - 4:50pm
Common Ground Research Networks
deadline for submissions: 
Monday, February 3, 2020

The Sixteenth International Conference on Technology, Knowledge, and Society will be held at the iHotel and Conference Center at the University of Illinois Research Park, Champaign, USA, 26–27 March 2020. 

To submit your proposal please follow the link here: https://techandsoc.com/2020-conference/call-for-papers 

 

Digital Humanities: Contemporary Trends

updated: 
Tuesday, October 8, 2019 - 3:24pm
Pondicherry University
deadline for submissions: 
Friday, January 31, 2020

Digital Humanities is an emerging field of study that makes an interface between the application of the digital tools and methods to the study of humanities. It’s an interdisciplinary field which utilizes the computational methods and techniques to make significant interventions in the study and research in humanities and social sciences.  In recent years, this interdisciplinary study has made remarkable changes in the tradition modes of research, and pedagogy and this has facilitated a kind of inquiry that has never been undertaken in the field of humanities.

Technoaesthetics: Ways of Seeing the 21st Century (NEMLA 2020)

updated: 
Tuesday, October 8, 2019 - 2:20pm
Northeast Modern Language Association
deadline for submissions: 
Monday, September 30, 2019

In a letter written to Jacques Derrida in 1982, Gilbert Simondon poses a question to the project of deconstruction: “Why not think about founding and perhaps even provisionally axiomatizing an aesthetico-technics or techno-aesthetics?” Aesthetic thought has for too long remained at the level of subjective contemplation, which effaces any substantive understanding of technology’s effects upon the larger cultural sphere. The technical and the aesthetic, Simondon contends, should instead be understood as a “continuous spectrum” of experience, as each are composed of a “set of sensations” that emerge as matter is transformed, whether by the artist, the engineer, the designer, or the machinist.

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