This panel explores texts and ideas by public intellectuals in the Portuguese-speaking world and diaspora. Interdisciplinary approaches that advance studies in a variety of fields and time frames, as well as nations (Angola, Brazil, Cabo Verde, East Timor, Guinea-Bissau, Mozambique, Portugal, S. Tome and Principe) from literary to cultural studies, including gender, historical, visual, economic, religious, and educational studies are particularly welcomed. The panel also welcomes transnational perspectives and utopian propositions that examine the Portuguese-speaking world and diaspora.
DYSTOPIA, THE HUNGER GAMES, AND THE CULTURE OF DEATH
Call for Papers - Romanian Review of Eurasian Studies
Romanian Review of Eurasian Studies, year XII, No. 1-2 /2016 invites professors, researchers and phd students to submit their research articles and reviews for publication until 1 September 2016.
Our journal is indexed in ERIH PLUS, ProQuest, EBSCO, CEEOL and Index Copernicus databases.
Greek Drama V
University of British Columbia
July 5-8, 2017
This is a call for papers for Greek Drama V, a conference to be held at the University of British Columbia, in Vancouver, Canada, from Wednesday 5 July to Saturday 8 July 2017. The conference is the fifth of the periodic Pacific Rim Greek Drama conferences, after Sydney 1982, Christchurch 1992, Sydney 2002, and Wellington 2007. The keynote address will be delivered by Prof. Eric Csapo, University of Sydney.
A growing awareness of transgender issues exploded in 2015, especially after the high-profile gender reconstruction surgery of Caitlyn Jenner. The rising awareness has caused activism both for and against transgender issues, and much of this activism has occurred within digital culture. For the SAMLA 88 Conference, held in Jacksonville, Fl from Nov 4-6, we are seeking abstracts exploring gender-identity issues as expressed through digital mediums, with special emphasis on transgender identity (although any abstract addressing gender identity and digital culture will be considered) for a panel to be held during the conference. Any methodological approach will be considered.
American Indian Quarterly (AIQ) is looking for established and new scholars of Native American studies who would like to write book reviews for AIQ. In order to be considered for selection as a reviewer, please contact our book review editor, Trever Holland, with a set of research goals/interests and short CV/Resume at firstname.lastname@example.org
Pacific Coast Philology
This panel invites papers that question and expand the critical discussion on the issue of realism in American detective fiction. Where does detective fiction fit within the tradition of American realism? To what extent does the detective story endorse, critique, or push back against the latter genre’s perceived conservatism? In what ways do realist detective fiction adhere to, or differ from, other genre fiction’s attempts at authenticity? How does the genre codify authenticity and how does the codification change historically? We seek presentations that touch on questions such as these as well as others that uncover novel aspects of realism in American detective fiction.
NEMLA 2017. March 23-26. Baltimore, MD.
Abstract: 300 words
Though neither Mr. Thornton nor Mr. Bell evoke “Utopia” flatteringly in Elizabeth Gaskell’s North & South, each mention of the term situates the concept of utopianism at the center of the novel’s labour dispute and makes the reader wonder if Margaret Hale might not be a utopian heroine. Not considered a utopic text, North & South nevertheless engages itself in a conversation about utopianism (and dystopianism). This panel seeks papers re-reading non-utopic texts (or authors) from the nineteenth century as utopic. By June 9th, please submit a 200-word abstract, brief bio, and A/V requirements to Dan Abitz, Georgia State University, email@example.com.
As queer theory continues to evolve and utopian studies dusts itself off from its relative dormancy until the late twentieth century, the two strands of thought have grabbed ahold of one another in hopes to uncover just what “The Future” might mean to those identifying as queer. This panel seeks papers wishing to join the vibrant conversation of the relationship between queerness and utopianism. Is queerness inherently utopic? Is the future inherently queer? How might queer individuals enact utopic desires? Can we find moments of the queerly utopic and utopicly queer in canonical and non-canonical literature?
The French I: Advent of the Ancien Régime Panel welcomes one more paper proposal (see CFP below).
Proposals relating to the conference theme of “Border States” are especially welcome.
The MMLA conference 2016 will take place in Saint Louis, MO from 10-13 November 2016.
To submit a paper proposal for this session, email a 200-word abstract and a short bio to
firstname.lastname@example.org by May 30.
French I: Advent of the Ancien Régime
Taking our cue from this year’s convention theme of “Border States,” presenters are invited to explore the concept of
borders in French Studies. Possible topics include, but are not limited to:
CFP: Special Issue of Victorian Periodicals Review: “Victorian Education and the Periodical Press”
Issue: Winter 2017
Notify editor of intention to submit: July 1, 2016
Deadline for final submission: December 1, 2016
We invite proposals for a collection of essays that will bring together different perspectives on the history gambling in the United States. Gambling represents a major economic and cultural phenomenon in modern America. According to the Pew Research Center, approximately 70% of Americans engage in some form of wagering, amounting to a handle of over $130 billion per year. Gambling remains a hotly discussed topic as well, as exemplified in debates over the legality of daily fantasy sports, the continued expansion of casinos across the nation, and the frenzy over the record Powerball jackpot in January 2016.
Co-editors Isiah Lavender III and Lisa Yaszek seek essays on black speculative art across centuries, continents, and cultures for a new collection called “Afrofuturism in Time and Space.” When Mark Dery coined the term “Afrofuturism” in 1993 to describe art that explores issues of science, technology, and race from technocultural and science fictional perspectives, he did so primarily in reference to postwar African American art, music, and literature. Over the past decade, however, scholars and artists alike have begun to redefine Afrofuturism, pushing its temporal boundaries back to the 17th-century roots of modern science and industry while expanding its geographic boundaries to include diasporic black and pan-African speculative fictions.