We are inviting articles, notes and book reviews on the following broad areas. However we are open to inclusion of new topics/areas as per the scope of the journal:
The Rupkatha Journal (included in Scopus, ERIH PLUS, EBSCO, MLA etc) is inviting articles on the Focus Area and the General Areas for the Vol. IX, No. 2, 2017.
Focus Area: “Technocracy, War and Walls in Art and Literature”
Papers can be submitted on any topic on,
“Words break from me here”: Reading Hopkins, 1918–2018
This panel explores the sense of place as part of the indigenous language of American artistic production of Modernism in the context of the European avant-garde. Though U.S. poets and artists were influenced by the formal techniques of Cubism, Futurism, Expressionism, Dadaism and Surrealism, they were also determined to search for the essence of an expressive language that defined its authenticity as opposed to European foreignness. One of their avenues of research was the exploration of the distinctive features of the American soil as a means of contributing novel aspects to modern aesthetics. The genuine character of the environment is closely linked to the strong attachment to rural or urban spaces and the value they acquire for the observer.
Call for Papers Atlantis: Critical Studies in Gender, Culture & Social Justice/Études critiques sur le genre, la culture, et la justice sociale Deadline: June 15, 2017 Issue 39.2 Thematic Cluster: The Rise of “Alt-Right” Discourse, the Backlash against Social Justice, and ResistancesEditors: Sara Matthews & Nathan Rambukkana In a Daily Intelligencer article dated November 6, 2016, Rembert Browne coined the term “the intersectionality of hate” as a way to frame how the so-called “alt-right” coalesced and mobilized their various populist platforms of hatred in support of then Presidential candidate Donald J.
The Left Conference – Photography and Film criticism
Since the late nineteenth century, the printed photograph in the media stood as a powerful tool for denouncing social injustice and claiming better life conditions – i.e. as seen in the work of Jacob Riis, Lewis Hine, or Joshua Benoliel, among many others. In the early decades of the twentieth century the use of images had a significant boost with film, when directors such as Flaherty, Eisenstein, John Grierson, Vertov, Dvorjenko or Ivens, combining documental intentions with avant-garde experimental claims, made possible to discuss political and historical conditions.
Following on from the success of our 2016 conference we are looking for submissions for our next journal. Papers are invited to engage with the theme of the conference, Revolutionary Genders. We are also accepting feminist or gender studies book reviews. The books must have been published since November 2016.
This issue will focus on how the quest for equality and justice always involves change. This change, this revolution can be slow, living in the shadows, waiting for the moment to strike. Or it can be loud, visible and quick. Either way the landscape is changed.
The editors invite proposals for chapters of c.7000 words for an edited collection, On the Edge in Early Modern English Drama.There can be little doubt that early modern English drama has received detailed attention in the existing scholarship. Scholars have long analysed the extant dramatic productions, and the men who authored them. Much of this attention, however, serves to perpetuate a static and heteronormative view of the past. More recently, scholars have engaged in excellent work to spread the scope of this attention, showing that people and concepts often seen as being on the edge of early modern English drama played integral and vital roles.