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This is a call for papers for a proposed panel titled "The Biopolitics of Settler Colonialism: Queering Indigeneity, Unsettling Life/Death" to be held at the American Studies Association (ASA) 2019 conference taking place in Honolulu, Hawai'i on Nov 7-10, 2019.
CALL FOR PAPERS
“Philosophy and Aesthetics of Sexuality in Japan”
The Polish Journal of Aesthetics No. 55 (4/2019)
Editors:
Timon Screech (SOAS, University of London, United Kingdom)
Gabriela Matusiak (Jagiellonian University, Poland)
Submission deadline: May 15, 2019
CALL FOR PROPOSALS:
“Romantic Elements”
NASSR 2019
German Comics and Graphic Novels III: Periphery
German Studies Association 2019
3-6 October
Portland, OR
This is a proposed panel for SAMLA 91 (Languages: Power, Identity, Relationships) in Atlanta, GA, Nov. 8-10, 2019.
Issue Topic:
Call for Papers—EXTENDED DEADLINE FEB 1, 2019
for the Triennial Conference of the
International Communal Studies Association
Conference Dates: July 18-21, 2019
Conference Location: Camphill Communities near Hudson, NY, USA
Conference Theme: “Diversity and Inclusion in Intentional Communities”
The Irish Journal of Gothic and Horror Studies (ISSN 2009-0374) is a peer-reviewed, interdisciplinary, open-access, electronic publication dedicated to the study of gothic and horror literature, film, new media, and television.
We are currently seeking submissions of articles and reviews that deal with any aspect of gothic and horror studies, including (but not limited to) literature, film, television, theatre, art and architecture, music, and new media. Please note that we cannot include pictures or sound files with articles or reviews.
From the Nāṭyaśāstra or Aristotle’s Poetics to social media posts or the new online review aggregators, discourses about theater have shaped the course of the art’s evolution, reflecting and influencing aesthetics, modes of production and models of social and political involvement.
The emergence and spread of “practice as”, “practice-led” or “practice-based” research paradigms, the growing interest for the performative function of arts archives, the fluidization and democratization of critical discourses, as well as the ripple effect of the performative turn define, nowadays, a climate in which theory and practice intermingle, seemingly re-bridging the gap between artists and scholars, between creators, historians and critics.
The Comics Arts Conference is now accepting 100 to 200 word abstracts for papers, presentations, panels, and poster sessions taking a critical or historical perspective on comics (juxtaposed images in sequence) for a meeting of scholars and professionals at Comic-Con International in San Diego, CA, from 7/18-7/21, 2019. We seek proposals from a broad range of disciplinary and theoretical perspectives and welcome the participation of academic and independent scholars. We also encourage the involvement of professionals from all areas of the comics industry, including creators, editors, publishers, retailers, distributors, and journalists.