James Madison University is hosting The 1st Annual Pulp Studies Symposium: Sensational Scholarship. The symposium will be held October 7th and 8th, 2016. Nestled in the Shenandoah Valley, James Madison University's Special Collections hosts one of the finest publicly accessible collections of pulp magazines in the United States, including a recent acquisition of over eighty issues of Street and Smith's romance pulp Love Story.
Call for Paper Proposals:
Universities Art Association of Canada / l’association d’art des universités du Canada
October 27-30, 2016 ; Université du Québec à Montréal, Montréal, QC
Proposals Due: June 24, 2016
HECAA Open Session (Historians of Eighteenth-Century Art and Architecture)
Film and media adaptations have frequently projected an alternate cinematic world on screen that re-imagines the past and future. Movies (Blade Runner, The Quiet American), TV shows (Sherlock, Agent Carter), and digital ‘new media’ series—increasingly streamed and ‘binge watched’ on Netflix (House of Cards) and Amazon (The Man in the High Castle)—have been inspired by a variety of fiction novels, short stories, plays, comics, graphic novels, and historical works of nonfiction, memoirs (Bridge of Spies) or documentary (Jazz on a Summer’s Day) cine-essays that mediate and reframe history to portray an alternate worldview which re-imagines the past and anticipates a vision of future events.
Digital Defoe is seeking papers for its next issue of the journal (Issue 8.1, Fall 2016). Articles that explore any area relating to Defoe and/or his contemporaries are welcome!
Please direct queries and submissions to Dr. Adam Sills (Adam.G.Sills@hofstra.edu) & Dr. Chris Loar (email@example.com). Full submission guidelines are available on the Digital Defoe website: http://digitaldefoe.org/submission/
It would be difficult to disentangle fully the various strands of religious reform in early modern England from the educational, aesthetic, and philosophical movements that fall under the broad term 'humanism'. Nevertheless, the relationship between religious reform and new developments in various humanist projects was not always peaceful. The tensions between humanism and religious reform provoke many questions: Where were the lines of fracture in the symbiotic relationship between religious reform and the humanisms of the sixteenth and seventeenth centuries in England? Did religious reform restrict the development of humanism in England, or did it promote a new flourishing of humanism?
The study of trauma, Judith Herman points out, has a history of “episodic amnesia.” Knowledge gained is periodically forgotten and must be persistently reclaimed. After almost 15 years of combat in the Middle East and of rising attention to a broad range of stressful events, American culture, its media, academics and clinicians have become increasingly responsive to the diverse nature and complexity of traumatic experience.
Across genres and eras, black women's bodies have existed as hypersexualized sites of desire and objects of inequality. This can be observed from the Hottentot Venus to the minstrel trope of the jezebel to the video vixens of hip-hop. In Black Looks: Race and Representation, bell hooks states that "When race and ethnicity become commodiﬁed as resources for pleasure, the culture of speciﬁc groups, as well as the bodies of individuals, can be seen as constituting an alternative playground where members of dominating races, genders, sexual practices afﬁrm their power-over in intimate relations with the Other." Yet today there are departures from these power relations wherein black women have seized agency through their sexuality.
This panel welcomes interdisciplinary investigations of various aspects of global migrations. Special attention will be given to the connections between writing and global movements, personal and institutional constructions of citizenship, and such issues as literacy narratives, the work of memory, personal and public archiving of migrant experience, and representations of refugee crises.
Submit 250-500 word proposals on the PAMLA Online Submission Page by June 10:
CALL FOR PAPERS
Untold Futures: Speculation, Redemption, Disappointment
University of Chicago English Graduate Conference
November 17-18, 2016
Keynote Speaker: Kate Marshall, Associate Professor of English, University of Notre Dame
Roundtable: Adrienne Brown, University of Chicago; Penelope Deutscher, Northwestern University; Joseph Masco, University of Chicago; Vivasvan Soni, Northwestern University
Gwyneth Shanks, UCLA
Areum Jeong, UCLA
Lilia Adriana Perez Limon, University of Wisconsin Madison
The frontier emerged as an important critical concept for an understanding of American history over a hundred years ago, and its status has changed from a celebrated catchphrase to explain away the perplexities of American identity, through an F-word not tolerated in the progressive circles, leading finally to a rehabilitated, more inclusive use. Its variations include terms such as periphery, edge, and borderland, and the very proliferation of the term suggests that its provocative character still inspires critics and artists in the Americas today. The purpose of this conference is to explore the borderlands between critical theory and other ways of interpretative thinking, such as art.
SCSECS returns to Salt Lake City for its annual conference in 2017. The conference will be held on February 16-18 at the downtown Radisson hotel. Full details can be found at http://www.scsecs.net/scsecs/2017/cfp.html.
This section of the academic journal "Sinestesieonline" is open to contributions about theatre and performing arts in all historical ages, forms and variations, in English, Italian and foreign languages.
"Il Parlaggio" is the name created by Gabriele d'Annunzio for the amphitheatre in Vittoriale – a place of empathy, a cradle of emotions, a crossroads of cultures, a connection between antiquity and contemporaneity, an emblem of the "neverending show".
Seeking SLSA members interested in putting together a panel or roundtable on the Anthropocene for the 2016 meeting in Atlanta. The theme of the conference is "creativity," including the theme of "creating environments." That is exactly what the Anthropocene names: The creation of a distinctively human-marked form of the planet's environment. The panel might offer analysis of the history, textuality, and criticism of the Anthropocene. More specifically, the idea of the Anthropocene involves posthumanist notions of creativity, in which the collective actions of our species produce a form or a reality without a creator or a singular agent. We might discuss the Anthropocene as a kind of hive or swarm creation, then.
Call for papers
Planned Obsolescence: Texts, theory, technology
Université de Liège (Belgium) - December 8th and 9th, 2016
[Pour le français, voir plus bas.]